The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour's iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today's world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.

The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour's iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today's world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.

The recycling and reuse of materials and objects were extensive in the past, but have rarely been embedded into models of the economy; even more rarely has any attempt been made to address the scale of these practices. Recent developments, including the use of large datasets, computational modelling, and high-resolution analytical chemistry are increasingly offering the means to reconstruct recycling and reuse, and even to approach the thorny issue of quantification. This volume is the first to bring together these new approaches, and the first to present a consideration of recycling and reuse in the Roman economy, taking into account a range of materials and using a variety of methodological approaches. It presents integrated, cross-referential evidence for the recycling and reuse of textiles, papyrus, statuary and building materials, amphorae, metals, and glass, and examines significant questions about organization, value, and the social meaning of recycling.

This book presents aspects of research on the archaeological investigations at the multi-period site of Priniatikos Pyrgos and surrounding area. Incorporating the Vrokastro Survey Project, the Istron Geoarchaeological Project, the Priniatikos Pyrgos Excavation Project and other researches, this volume presents interdisciplinary case-studies that deal with domestic, technological and mortuary practices at the site and how these relate to settlement and resource exploitation in the surrounding landscape. This is set within its environmental context at the local and regional levels, assessing both long term processes and shorter term events. The visual representation of materials and settlement complexity are approached using a combination of established and novel digital methods.

The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of it remains very partial, focussing on the medieval palaces. This book addresses that imbalance, examining the adjacent urban and industrial zone. The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of the complex remains very partial, focussing on its medieval Nasrid palaces. Other aspects of the site are virtually unknown, not only to the general public but to archaeologists and historians as well. The Royal Workshops of the Almambra addresses this imbalance, examining the urban and industrial zone adjacent to the palaces. Once the most densely populated and extensive area of the complex, this zone, the Secano, contained houses, tanneries, and workshops including a considerable number of pyrotechnological facilities for the production of metal, glass and ceramic items. Presenting the results of the Royal Workshops of the Alhambra (UNESCO World Heritage Site) project, the book gives a much-needed insight into the industrial sector of the Alhambra. Crucially, the project focusses on the early modern era, when the manufacture of ceramic, glass and metal actually reached their peak. The opening chapters set the archaeological work and the Secano in context and discuss the methodology for archaeological investigation of pyrotechnological activity; while further chapters present the results of the research. Drawing on both traditional and ground-breaking survey and excavation techniques, the book provides an invaluable wide-lens picture of the palatial city.