This timely volume brings together leading scholars and rising researchers in the field to examine the role played by the law in thinking and practice in the legal system of classical Athens. The aim is not to find a single perspective or method for the study of Athenian law but to explore the subject from a variety of different angles. The focus of the collection on 'use and abuse' raises fundamental questions about the status of law in the Athenian constitution as well as the use of law(s) in the courts, the nature of law itself, and the elusiveness of a definition of 'abuse'. An introduction sketches the major developments in the field over the last century.

The American Darts Organization Book of Darts has been thoroughly updated and revised for the benefit of the growing ranks of dart players. Darts continues to be among the fastest-growing sports in the world, and this is the book to introduce anyone to the joys of the game. It is estimated that there are over ten million regular players in the United States alone. The American Darts Organization Book of Darts is your one convenient, clear source for buying darts, tips on play, and the rules of dozens of games. In addition, you'll learn the language of the sport (see glossary) as well as an introduction to websites of interest. This edition has been entirely rewritten and revised with new material throughout, including a new chapter, Tips from the Professionals, in which top-ranked professionals Stacy Bromberg and Steve Brown offer insights on their individual successes and sound advice on mechanics, equipment, and practice. For its size and price, this remarkably inclusive little book deserves a place next to every dartboard.

Apart from relatively few exceptions of texts which survive intact, what we have of Ancient Greek literature remains, to a great degree, fragmentary. As a result it is often misread, overlooked or mined not for its own sake but to support the investigation of texts which survive in their entirety. This collection of chapters addresses a range of poetic fragments, with a strong (though not exclusive) focus on Archaic epic and lyric, and an emphasis on the papyrological tradition. Its main purpose is to showcase effective methodologies through case studies, through a "hands-on" approach assisted by a robust theoretical underpinning. The topics covered include textual criticism, the editing of fragmentary corpora, the role of palaeography and the physical features of writing materials, the study of ancient editions, annotations and paraliterary texts, matters of indirect or mixed tradition, and fragment placement and attribution. This volume will certainly be a rewarding read, intended equally for new researchers who wish to acquire or improve the skills needed to deal with fragmentary texts and for established scholars who may draw on the authors' insights to navigate the field improving their experience and enriching their knowledge.

The victory ode was a short-lived poetic genre in the fifth century BC, but its impact has been substantial. Pindar, Bacchylides and others are now among the most widely read Greek authors precisely because of their significance for the literary development of poetry between Homer and tragedy and their historical involvement in promoting Greek rulers. Their influence was so great that it ultimately helped to define the European notion of lyric from the Renaissance onwards. This collection of essays by international experts examines the victory ode from a range of angles: its genesis and evolution, the nature of the commissioning process, the patrons, context of performance and re-performance, and the poetics of the victory ode and its exponents. From these different perspectives the contributors offer both a panoramic view of the genre and an insight into the modern research positions on this complex and fascinating subject.

The story of Thermopylae, the battle that helped define the identity of the ancient Greeks: how it was fought, how it has been remembered, and what it means for us today. During the Battle of Thermopylae in 480 BC, a Greek force of approximately 7,000 faced the biggest army ever seen in the Greek peninsula. For three days, the Persians-the greatest military force in the world-were stopped in their tracks by a vastly inferior force, before the bulk of the Greek army was forced to retreat with their rear guard wiped out in one of history's most famous last stands. In strict military terms it was a defeat for the Greeks. But like the British retreat from Dunkirk or the massacre at the Alamo, this David and Goliath story has taken on the aura of success. Thermopylae has acquired a glamour exceeding the other battles of the Persian Wars, passing from history into myth, and lost none of that appeal in the modern era. In Thermopylae, Chris Carey analyses the origins and course of this pivotal battle, as well as the challenges facing the historians who attempt to separate fact from myth and make sense of an event with an absence of hard evidence. Carey also considers Thermopylae's cultural legacy, from its absorbtion into Greek and Roman oratorical traditions, to its influence over modern literature, poetry, public monuments, and mainstream Hollywood movies. This new volume in the Great Battles series offers an innovative view of a battle whose legacy has overtaken its real life practical outcomes, but which showed that a seemingly unstoppable force could be resisted.

The victory ode was a short-lived poetic genre in the fifth century BC, but its impact has been substantial. Pindar, Bacchylides and others are now among the most widely read Greek authors precisely because of their significance for the literary development of poetry between Homer and tragedy and their historical involvement in promoting Greek rulers. Their influence was so great that it ultimately helped to define the European notion of lyric from the Renaissance onwards. This collection of essays by international experts examines the victory ode from a range of angles: its genesis and evolution, the nature of the commissioning process, the patrons, context of performance and re-performance, and the poetics of the victory ode and its exponents. From these different perspectives the contributors offer both a panoramic view of the genre and an insight into the modern research positions on this complex and fascinating subject.

For over two centuries-starting with the earliest surviving iambic poet and elegist, Archilochus-elegy and iambus attracted some of the finest poetic talents in Greek history and played a major role in public and private life, surviving as living forms into the fourth century BC. The study of these poetic forms has been transformed in recent years by new papyrological finds, yet historically scholarly attention has tended to focus predominantly on Greek lyric poetry. This edited collection provides the first comprehensive exploration devoted specifically to iambus and elegy, offering an important insight into the key issues within current research on the genres. Chapters by leading international experts in the field examine the forms from a broad range of perspectives-addressing questions of genre definition, performance and context, authorial voice and style, interactions and intertexts, and the texts' transmission and reception-and provide a solid foundation for future research.

During the Battle of Thermopylae in 480 BC, a Greek force of approximately 7,000 faced the biggest army ever seen in the Greek peninsula. For three days, the Persians-the greatest military force in the world-were stopped in their tracks by a vastly inferior force, before the bulk of the Greek army was forced to retreat with their rear guard wiped out in one of history's most famous last stands. In strict military terms it was a defeat for the Greeks. But like the British retreat from Dunkirk or the massacre at the Alamo, this David and Goliath story has taken on the aura of success. Thermopylae has acquired a glamour exceeding the other battles of the Persian Wars, passing from history into myth, and lost none of that appeal in the modern era. In Thermopylae, Chris Carey analyses the origins and course of this pivotal battle, as well as the challenges facing the historians who attempt to separate fact from myth and make sense of an event with an absence of hard evidence. Carey also considers Thermopylae's cultural legacy, from its absorbtion into Greek and Roman oratorical traditions, to its influence over modern literature, poetry, public monuments, and mainstream Hollywood movies. This new volume in the Great Battles series offers an innovative view of a battle whose legacy has overtaken its real life practical outcomes, but which showed that a seemingly unstoppable force could be resisted.

'Even if everyone else succumbs to slavery, we must still fight for our freedom.' Admired by many in the ancient world as the greatest of the classic Athenian orators, Demosthenes was intimately involved in the political events of his day. As well as showing a master orator at work, his speeches are a prime source for the history of the period, when Athens was engaged in a doomed struggle against the rising power of Macedon under the brilliant father and son, Philip and Alexander. Demosthenes wrote for the courts, both for political trials in which he was involved and for other cases in which he acted as ghost-writer for plaintiff or defendant, and his lawcourt speeches give an unrivalled glimpse of the daily life of ancient Athens. He also played a central role in education in Greece and Rome from the Hellenistic period onward, and was imitated by the greatest of Roman orators, Cicero. This selection includes the fullest range of Demosthenes' speeches, for trials both public and private and for the assembly, in a single volume.

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.

This is the third volume in the Oratory of Classical Greece series. Planned for publication over several years, the series will present all of the surviving speeches from the late fifth and fourth centuries B.C. in new translations prepared by classical scholars who are at the forefront of the discipline. These translations are especially designed for the needs and interests of today's undergraduates, Greekless scholars in other disciplines, and the general public. Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, and other aspects of Athenian culture that have been largely ignored: women and family life, slavery, and religion, to name just a few. This volume contains the three surviving speeches of Aeschines (390-? B.C.). His speeches all revolve around political developments in Athens during the second half of the fourth century B.C. and reflect the internal political rivalries in an Athens overshadowed by the growing power of Macedonia in the north. The first speech was delivered when Aeschines successfully prosecuted Timarchus, a political opponent, for having allegedly prostituted himself as a young man. The other two speeches were delivered in the context of Aeschines' long-running political feud with Demosthenes. As a group, the speeches provide important information on Athenian law and politics, the political careers of Aeschines and Demosthenes, sexuality and social history, and the historical rivalry between Athens and Macedonia.

Rational persuasion and appeal to an audience's emotions are elements of most literature, but they are found in their purest form in oratory. The speeches written by the Greek Orators for delivery in law-courts, deliberative councils and assemblies enjoyed an honoured literary status, and rightly so, for the best of them have great vitality. There is no crude, primitive stage of development: the earliest speeches are perfect in form and highly sophisticated in technique. They inform the reader about aspects of Greek society and about their moral values, in a direct and illuminating way not paralleled in other literature.