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How does one go about writing the history of musical composition in
the late twentieth century when, on the one hand, so much of it
seems impossibly fractured and disassociated, and, on the other,
there has been so little certainty about what the notion of 'music
history' might entail under the critiques of post-modernism? One of
the most productive ways forward is to pursue case studies
involving single composers whose music reflects several aspects of
recent activity. This enables the discussion of broad issues in a
relatively focussed way whilst avoiding the pitfalls of traditional
narrative histories and the centrifugal tendencies of the
relativistic approach that some have called for. The music of the
English-born (1943) and Australia-domiciled composer Roger Smalley
is ideal material for such a study, because of his involvement with
and response to an unusually large number of the myriad concerns
and practices of post-1950s composition, including post-serial
constructivism; parody; electro-acoustic composition and the
electronic modification of conventionally-produced sound; Moment
Form; aleatorism; minimalism; the use of non-Western resources
(Aboriginal and South-East Asian sonorities); neo-Romanticism; and,
arguably, the 'new classicism', as well as a brief flirtation with
rock music in the late '60s. Employing an interview with the
composer as a kind of cantus firmus, the book - the first extended
single-author study of Smalley's music to be published -
incorporates critical commentary on the composer's major works in a
chronological narrative that engages with broad issues of central
relevance to Smalley's generation, such as the process of learning
the craft of composition in the early '60s; the motivation behind
the adoption of certain technical and aesthetic positions; the
effects on technical and aesthetic orientation of both the changing
relationships between composer, performer, and audience and
technological change; and the distinction betwe
How does one go about writing the history of musical composition in
the late twentieth century when, on the one hand, so much of it
seems impossibly fractured and disassociated, and, on the other,
there has been so little certainty about what the notion of 'music
history' might entail under the critiques of post-modernism? One of
the most productive ways forward is to pursue case studies
involving single composers whose music reflects several aspects of
recent activity. This enables the discussion of broad issues in a
relatively focussed way whilst avoiding the pitfalls of traditional
narrative histories and the centrifugal tendencies of the
relativistic approach that some have called for. The music of the
English-born (1943) and Australia-domiciled composer Roger Smalley
is ideal material for such a study, because of his involvement with
and response to an unusually large number of the myriad concerns
and practices of post-1950s composition, including post-serial
constructivism; parody; electro-acoustic composition and the
electronic modification of conventionally-produced sound; Moment
Form; aleatorism; minimalism; the use of non-Western resources
(Aboriginal and South-East Asian sonorities); neo-Romanticism; and,
arguably, the 'new classicism', as well as a brief flirtation with
rock music in the late '60s. Employing an interview with the
composer as a kind of cantus firmus, the book - the first extended
single-author study of Smalley's music to be published -
incorporates critical commentary on the composer's major works in a
chronological narrative that engages with broad issues of central
relevance to Smalley's generation, such as the process of learning
the craft of composition in the early '60s; the motivation behind
the adoption of certain technical and aesthetic positions; the
effects on technical and aesthetic orientation of both the changing
relationships between composer, performer, and audience and
technological change; and the distinction betwe
This prize-winning Ph.D. thesis by Chris Harrison adopts a
multi-faceted approach to address the lack of decisive
observational evidence, utilising large observational data sets
from several world-leading telescopes. Developing several novel
observational techniques, Harrison demonstrated that energetic
winds driven by Active Galactic Nuclei (AGN) are found in a large
number of galaxies, with properties in agreement with model
predictions. One of the key unsolved problems in astrophysics is
understanding the influence of AGN, the sites of growing
supermassive black holes, on the evolution of galaxies. Leading
theoretical models predict that AGN drive energetic winds into
galaxies, regulating the formation of stars. However, until now, we
have lacked the decisive observational evidence to confirm or
refute these key predictions. Careful selection of targets allowed
Harrison, to reliably place these detailed observations into the
context of the overall galaxy population. However, in disagreement
with the model predictions, Harrison showed that AGN have little
global effect on star formation in galaxies. Theoretical models are
now left with the challenge of explaining these results.
This prize-winning Ph.D. thesis by Chris Harrison adopts a
multi-faceted approach to address the lack of decisive
observational evidence, utilising large observational data sets
from several world-leading telescopes. Developing several novel
observational techniques, Harrison demonstrated that energetic
winds driven by Active Galactic Nuclei (AGN) are found in a large
number of galaxies, with properties in agreement with model
predictions. One of the key unsolved problems in astrophysics is
understanding the influence of AGN, the sites of growing
supermassive black holes, on the evolution of galaxies. Leading
theoretical models predict that AGN drive energetic winds into
galaxies, regulating the formation of stars. However, until now, we
have lacked the decisive observational evidence to confirm or
refute these key predictions. Careful selection of targets allowed
Harrison, to reliably place these detailed observations into the
context of the overall galaxy population. However, in disagreement
with the model predictions, Harrison showed that AGN have little
global effect on star formation in galaxies. Theoretical models are
now left with the challenge of explaining these results.
This is an exciting new diving guide covering dive sites in
England, Ireland, Scotland and Wales. Explore the wreck of the E39
submarine off Pembrokeshire or the stunning Cathedral Rock off St
Abbs to the Unknown Coaster in Portland Harbour. In this title, 100
dives are described in detail from easy shore dives to more
demanding boat dives. Dive locations are fully illustrated with
specially commissioned maps and diagrams together with full colour
photography throughout. All dives are above 18m and suitable for
all levels of experience from novice to technical diver. The United
Kingdom has some of the best diving available in Europe offering a
mixture of scenic reef dives and spectacular wrecks. Wherever you
are in the United Kingdom you are only a short distance away from
one of these spectacular dives.
This collection provides an in-depth look at musical criticism
between the mid-nineteenth and the mid-twentieth century. British
music between the mid-nineteenth and the mid-twentieth century
reflected changes and developments in society, education,
philosophy, aesthetics, politics and the upheaval of wars, often
signifying a distinctively British national history. All of these
changes informed the published work of contemporary music critics.
This collection provides an in-depth look at musical criticism
during this period. It focusses on major figures such as
Grove,Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams,
Dyson, Lambert and Keller, yet does not neglect less influential
but nevertheless significant critics. Sometimes a seminal work
forms the subject of investigation; in otherchapters, a writer's
particular stance is highlighted. Further contributions closely
analyse the now famous polemics by Shaw, Heseltine and Lambert. The
book covers a range of themes from the historical, scientific and
philosophical to matters of repertoire, taste, interdisciplinary
influence, musical democratisation and analysis. It will be of
interest to scholars and students of nineteenth- and early
twentieth-century British music and music in Britain as well as to
music enthusiasts attracted to standard works of popular music
criticism. JEREMY DIBBLE is Professor of Music at Durham
University. JULIAN HORTON is Professor of Music at Durham
University. Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP
ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN
HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL
WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK
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Dog Daze (Paperback)
Christopher Mark Slattery
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R331
R270
Discovery Miles 2 700
Save R61 (18%)
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Ships in 10 - 15 working days
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The book provides an interpretation which shows that Solomon's Song
is not eulogising human love but expressing the great king's love
for his beloved Lord. In making available to mankind his innermost
yearnings, Solomon reveals that though he had enjoyed many deeply
mystical experiences of the inner world of Spirit, the ultimate
union had proven beyond his grasp in that lifetime.
This work is an interpretation of John Bunyan's epic book 'The
Pilgrim's Progress' as the path every wayfaring man must one day
journey along to reach his Celestial Home.
Exodus is not what it appears to be. It is not a history of a race
of people escaping from a country called Egypt and searching for a
physical country described as the Promised Land. It about the soul
of you and me yearning to be liberated from its material mind-set
and bodily prison. It is OUR story!
The world-renowned underwater archaeologist, Dr. Philip Elderidge
addressed the press conference in New York City concerning his
findings at the Island of Mangaia in the South Pacific. His
discovery revealed primeval man existed on our planet in a form
more sophisticated than academic beliefs previously supported.
Either anthropology's dating methods were askew or his firmly held
evolutionist theories were incorrect. Through the discovered
writings; the quest set in motion during ancient times disclosed a
powerful evil that threatens mankind's existence today. In that
ancient time: a village mystic sends the sole survivor; a boy who
becomes a man, on a quest to find the warrior capable of defeating
the supernatural forces holding his world captive. The journey
becomes a trial of life and death as he faces giants, gargoyles,
imps and demonic creatures attempting to stop him. The fate of many
rests in the journey of one. Will the discovery be made in time to
save mankind? As the ancient world and ours parallel in... The
Mythamohre.
17,000 miles of hitchhiking, 28 countries, 6 continents, 2 years of
traveling, 1 courageous nomad Chris Farrell redefines the word
"adventure" with his travels. He has Asperger's yet has lived on
farms in New Zealand, built schools in the Dominican Republic,
trekked in Ethiopia, sipped tea in Turkey, and bush camped in
Australia, just to name a few of his otherworldly experiences. His
condition has never hindered him nor prevented him from seeing the
world from his own little world. Fancy feeding hyenas in Harar?
Hitchhiking in a country that doesn't really exist? Jumping out of
an airplane high above New Zealand? Being stuck on an exotic
island? Being chased by prostitutes in Central America? Gazing in
awe at an icecap that stretches across the horizon? It's all here
Welcome to Chris' world
Squirt the Spotty Elephant Collection: The trilogy of adventures of
Squirt the Spotty Elephant is here, this book includes the
adventures of Squirt so far including Squirts Lost Her Spots,
Squirt and the Polar Bears and the brand new Squirt and the Island
Treasure. Squirts Lost Her Spots: The first Squirt adventure finds
Squirt going on an adventure as she tries to find all of her spots,
Squirt likes to look different so one morning when she wakes up and
all her spots are gone she does everything she can to get them
back. Squirt and the Polar Bears: The second Squirt adventure takes
place in the snow, Squirt finds a mysterious number and wants to
find out what is means, so Squirt and her friends Burt and Peanut
go on an adventure to discover who is drawing the mysterious
numbers. Squirt and the Island Treasure: The third Squirt adventure
sees Squirt and her friends playing in the sand on a hot summers
day, whilst playing Squirt sees a boat in the sea, she then finds
herself on her way to a desert island where she finds an old
treasure map which leads her on a journey around the island. You
can also Buy these Books seperately on amazon if you prefer. other
books by this author available on amazon are: Animals, Animals:
Count to Ten and for older readers you can check out The Distant
Glimmer a fantasy novel.
Contrary to popular belief, the Revelation of St. John the Divine
is not a prophesy of various apocalyptic events about to strike
mankind but a sublime treatise on the inner path to God written by
one of Christendoms greatest mystics. Surely anyone reading this
work of St. John with an open mind will be transformed by the time
they reach the last page.
Jesus was the Master of his day. Like all the Enlightened Ones of
all ages throughout history he taught a definitive 'Way' to God:
the Inner Way. He taught that, irrespective of any superficial
differences of race, culture, religion and gender, we are all
divine offspring of God and the ultimate purpose of human life is
to re-unite with the Source that gave birth to us before the world
began.
This book explains the great truths hidden within many of the
biblical stories we learned as children. Through tales such as Adam
& Eve, Cain & Abel, Joseph's coat of many colours, David
& Goliath, Noah's Ark and many others are traditionally taken
at face value, they are in fact spiritual allegories containing the
ancient wisdom of the prophets, a wisdom even more important to
society today than it was when these tales were first related over
2000 years ago.
As soon one of God's children begins earnestly to seek Him, the
Path opens before that devotee in a most mysterious and divine way.
As if from nowhere, the most appropriate information and people
begin to manifest before him and lead him to the goal he so
desires. This has been the experience of every sincere seeker
throughout all time and many there are who will attest to this
Truth.
This textbook offers a concise introduction to key concepts in the
study of meaning and interpretation taken from linguistics,
philosophy and the law. A range of actual cases that involve
ordinary words, commonsense categories and problems of
classification are explored and clearly explained for readers who
want to learn more but lack the legal background.
"Word Meaning and Legal Interpretation"
- provides a strong sense of the texture of legal problems
- includes detailed summaries and analyses of cases from common law
jurisdictions
- equips the reader for more advanced studies in language and the
law, legal theory and legal interpretation
This is an ideal primer for language and law, forensic linguistics
and applied linguistics students who wish to explore this
fascinating field.
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