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Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music

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British Musical Criticism and Intellectual Thought, 1850-1950 (Hardcover) Loot Price: R3,272
Discovery Miles 32 720
British Musical Criticism and Intellectual Thought, 1850-1950 (Hardcover): Jeremy Dibble, Julian Horton

British Musical Criticism and Intellectual Thought, 1850-1950 (Hardcover)

Jeremy Dibble, Julian Horton; Contributions by Aidan J. Thomson, Bennett Zon, Christopher Mark, Harry White, Jeremy Dibble, Jonathan Clinch, Julian Horton, Karen Arrandale

Series: Music in Britain, 1600-2000

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Loot Price R3,272 Discovery Miles 32 720 | Repayment Terms: R307 pm x 12*

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This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century. British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove,Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in otherchapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism. JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University. Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Series: Music in Britain, 1600-2000
Release date: June 2018
First published: 2018
Editors: Jeremy Dibble • Julian Horton (Royalty Account)
Contributors: Aidan J. Thomson • Bennett Zon • Christopher Mark (Contributor) • Harry White • Jeremy Dibble • Jonathan Clinch (Contributor) • Julian Horton (Royalty Account) • Karen Arrandale (Contributor)
Dimensions: 234 x 156 x 38mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 390
ISBN-13: 978-1-78327-287-7
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > 20th century music
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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LSN: 1-78327-287-2
Barcode: 9781783272877

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