The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant’s Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard’s work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation.

In the summer of 2009, two friends embarked on a road trip through a narrative history of American music. They visited cities of the dead, sold their souls at the Crossroads, dipped their feet in the Mississippi, and made memories with preachers, police, and teachers. Musicians, hippies, and gatekeepers. And when the dust settled, they discovered more than just music. They found the Blues.

This book offers an accessible and comprehensive introduction to criminology in Ireland. Logically structured and clearly written, this book explores theory and empirical research through real-life examples from an Irish context. Engaging and challenging, this book encourages critical thinking about, and understanding of, crime and crime control in Ireland, North and South. The book covers the canon of criminological theory, from classical and psychological approaches right through to the contemporary. It offers an overview of the Irish criminal justice system, including the police, prisons and alternatives to punishment. It covers key criminological themes such as victims and victimology, gender, the drug trade and its regulation, terrorism and political violence, and desistance and the life course. Key features include: Critical assessment of key criminological theories, which are later woven into discussions of key thematic areas Case studies of historical and contemporary Irish events, including the Magdalene Laundries, gangland feuds and the decriminalisation of drugs Extensive reading lists of key academic texts and relevant Irish literature, movies, music and art This book is the only comprehensive criminology textbook specifically designed for the Irish undergraduate curriculum. It is essential reading for all criminology students in the Republic of Ireland and Northern Ireland and will also be of interest to postgraduates and academics looking for an overview of Irish Criminology.

The current religion and science dialogue begs for greater clarity on the relation of God to nature. In God and Nature two scholars who embrace contemporary insights from science and religion explore the complexities of this debate. As the narrative unfolds, classical and contemporary thinkers are engaged as discussion partners in articulating a philosophical theology of nature. Conceptual pairs, in which two concepts play off of each other, provide the structure for each of the seven chapters, with usually the first concept being more scientific in character and the second more religious in tone. These pairs of concepts--from chronology and creation to creativity and creator--help to thematize and structure the progressing narrative. Within each chapter the two concepts are first investigated independently, then interdependently, and finally in relation to the divine. At the story's completion nature has emerged as alive with possibility that is as alluring as the actuality it evokes. Envisioned is a divine Creator who works in and through the possibility of creation to lure it into fuller manifestations via creative transformation.>

The Oxford Companion to Global Change is an up-to-date, comprehensive, interdisciplinary guide to the range of issues surrounding natural and human-induced changes in the Earth's environment. In one convenient volume, the Companion brings together current knowledge about the relations between technological, social, demographic, economic, and political factors as well as biological, chemical, and physical systems. It is an essential reference work for students, teachers, researchers, and other professionals seeking to understand any aspect of global change.

This book offers an accessible and comprehensive introduction to criminology in Ireland. Logically structured and clearly written, this book explores theory and empirical research through real-life examples from an Irish context. Engaging and challenging, this book encourages critical thinking about, and understanding of, crime and crime control in Ireland, North and South. The book covers the canon of criminological theory, from classical and psychological approaches right through to the contemporary. It offers an overview of the Irish criminal justice system, including the police, prisons and alternatives to punishment. It covers key criminological themes such as victims and victimology, gender, the drug trade and its regulation, terrorism and political violence, and desistance and the life course. Key features include: Critical assessment of key criminological theories, which are later woven into discussions of key thematic areas Case studies of historical and contemporary Irish events, including the Magdalene Laundries, gangland feuds and the decriminalisation of drugs Extensive reading lists of key academic texts and relevant Irish literature, movies, music and art This book is the only comprehensive criminology textbook specifically designed for the Irish undergraduate curriculum. It is essential reading for all criminology students in the Republic of Ireland and Northern Ireland and will also be of interest to postgraduates and academics looking for an overview of Irish Criminology.

Once the world's most technologically advanced civilisation, China is poised to yet again take this mantle, having made incredible technological strides over recent decades; but what does this in fact mean? What will this mean for Chinese society, and what ramifications might it have for the future? This book offers an account of social change under the growing influence of communications technology in media-saturated urban China. The challenges presented by the rise of technology and its pervasive nature in the mediation of all facets of everyday life pose questions not just for Chinese society but for all contemporary media societies. Drawing on theories from the philosophy of technology and conceptual tools from political anthropology, this title moves beyond debates surrounding mediative technology as a liberating or malevolent force. China at a Threshold addresses academic concerns surrounding communications technology and state control, looking for an interpretative approach to understand the role media might play in social change so that we might ascertain its impact on social relations. Urging a reconsideration in our understanding of technology as neither liberative nor oppressive, the author advances a proposal that brings social forces into play in their own right. Taking inspiration from thinkers in philosophy and anthropology, this title investigates storytelling and liminal characters as real agents in social change so that we might identify alternative forces for change not reducible to technological impact or human proclivity.

Antoine de Saint-Exupery's timeless tale, reissued in a beautiful clothbound edition designed by Coralie Bickford-Smith. Antoine de Saint-Exupery first published The Little Prince in 1943, only a year before his plane vanished over the Mediterranean during a reconnaissance mission. Nearly eighty years later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

A beautiful clothbound hardback gift edition of one of the world's most beloved stories. Look at my planet. It is directly above us. But how far away it is! The timeless, enchanting story of the little prince who lives on a tiny planet with three volcanoes and a haughty flower, which he must protect from the baobabs, the bad seeds. The rulers of the other planets he visits all suffer from the cares and stupidities of the everyday world. Only the little prince, through his clear, loving eyes, knows that the simplest of things can be of the utmost importance. Translated by T. V. F. Cuffe, and with the original illustrations, the story is complete and unabridged.

Once the world's most technologically advanced civilisation, China is poised to yet again take this mantle, having made incredible technological strides over recent decades; but what does this in fact mean? What will this mean for Chinese society, and what ramifications might it have for the future? This book offers an account of social change under the growing influence of communications technology in media-saturated urban China. The challenges presented by the rise of technology and its pervasive nature in the mediation of all facets of everyday life pose questions not just for Chinese society but for all contemporary media societies. Drawing on theories from the philosophy of technology and conceptual tools from political anthropology, this title moves beyond debates surrounding mediative technology as a liberating or malevolent force. China at a Threshold addresses academic concerns surrounding communications technology and state control, looking for an interpretative approach to understand the role media might play in social change so that we might ascertain its impact on social relations. Urging a reconsideration in our understanding of technology as neither liberative nor oppressive, the author advances a proposal that brings social forces into play in their own right. Taking inspiration from thinkers in philosophy and anthropology, this title investigates storytelling and liminal characters as real agents in social change so that we might identify alternative forces for change not reducible to technological impact or human proclivity.

From its first edition in 1979, Perspectives in Sociology has provided generations of undergraduates with a clear, reassuring introduction to the complications of sociological theory. This revised and updated edition features: a completely rewritten general introduction and conclusion; all-new introductions to each part, clarifying how each one builds on what came before; an updated set of formative questions at the end of each chapter; a comprehensive glossary of key terms. While retaining its emphasis and wealth of information on the founding figures of sociology, this sixth edition includes new tools that will allow students from related disciplines to access relevant sociological material quickly.

Today, consumers of video games spend over $22.4 billion each year; using more complex and multi-layered strategies, game developers attempt to extend the profitability of their products from a simple one-time sale, to continuous engagement with the consumer. The Evolution and Social Impact of Video Game Economics examines paradigmatic changes in the economic structure of the video game industry from a media effects and game design perspective. This book explores how game developers have changed how they engage players in order to facilitate continuous financial transactions. Contributors look from the advent of microtransactions and downloadable content (DLCs) to the impact of planned obsolescence, impulse buying, and emotional control. This collection takes a broad view of the game dynamics and market forces that drive the video game industry, and features international contributors from Asia, Europe, and Australia.

This collection of papers surveys key aspects of the curriculum, investigates the present situation and discusses what improvements need to be made. It is contributed by teachers, educational advisers and researchers and ranges across a variety of different institutional teaching settings and a variety of different subject areas. The approach is empirical rather than theoretical and the book is divided into three sections covering content, methods and evaluation.

This book explores the creation and destruction of Abel Gance's most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France's most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance's first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director's inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance's transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance's lost cinematic utopia.

Black joy is . . . The babble and buzz of the barber shop. Chicken and chips after school with your girls. Stepping foot in your mother country for the very first time. Feeling at one with nature. Learning to cook souse with your mum. Connecting with the only other Black colleague in your workplace. Loving and finding complete happiness in your fatness. Joy surrounds us. It can be found it in the day to day. It's what we live for. So why do we so rarely allow ourselves to revel in it? This must-read anthology is your invitation to do so - and is a true celebration of Black British culture in all its glory. Edited by award-winning journalist, and former gal-dem editor-in-chief, Charlie Brinkhurst-Cuff and up-and-coming talent Timi Sotire, twenty-eight iconic voices speak on what Black joy means to them in this uplifting and empowering anthology. With essays from: Munya Chawawa -- Leigh-Anne Pinnock -- Diane Abbott -- Jason Okundaye --Bukky Bakray -- Faridah Àbíké-Íyímídé -- Lavinya Stennett -- Henrie Kwushue Chanté Joseph -- Travis Alabanza -- Isaac James -- Sophia Tassew -- Lauryn Green -- Melz Owusu -- Timi Sotire -- Fope Olaleye -- Richie Brave -- Tope Olufemi -- Athian Akec -- Mikai Mcdermott -- Ife Grillo -- Rukiat Ashawe -- Mayowa Quadri -- Tobi Kyeremateng -- Haaniyah Angus -- Theophina Gabriel -- Ruby Fatimilehin -- Vanessa Kissule --- "A refreshing and invigorating burst of joy, exploring the beauty in the nuances of our existence, honing in on what propels us forward, and establishing a vital hope" - BOLU BABALOLA, author of Love in Colour "Every bit as joyous as the title suggests'" CANDICE CARTY-WILLIAMS, author of Queenie "A rich, gorgeous celebration of the power in embracing joy" LIV LITTLE "Black Joy is a delightful celebration of Black Britishness" MASHABLE

From the ordered universe of the ancient Greeks to the shadows of Nietzsche's nineteenth century, Learning to Live shakes the dust from the history of philosophy and takes us on a fascinating journey through more than two millennia of humanity's search for understanding - of the world around us and of each other. Both a sparkling and accessible history of Western thought, and a courageous dissection of how religion and philosophy have converged and clashed through the ages, Luc Ferry's blueprint for a new humanism challenges every one of us to learn to think for ourselves, and asks us the most important question of all: how can we live better?

Take Care of Your Customers--or Someone Else Will

Legendary Service

Great customer service is a concept organizations love to be known for. Yet most people consider the service they receive to be average, at best. Successful companies make the connection between legendary customer service and a thriving business--they recognize that the way employees treat customers is directly related to the way managers treat employees.

Kelsey Young is an optimistic but disillusioned sales associate working her way through college. Her world opens up when one of her professors challenges her to create a culture of service at her workplace by putting the five components of Legendary Service into practice. Although Ferguson's, the store where Kelsey works, certainly isn't known for service excellence, Kelsey believes she can make a positive difference. She quickly learns that culture change isn't easy--and that her role as a frontline employee is more significant than she ever could have imagined.

In characteristic Blanchard style, "Legendary Service: The Key Is to Care" is a quick and entertaining read for people at all organizational levels in every industry. When applied, its lessons will have a profound impact on the service experience your customers will receive. Whether a CEO or a part-time employee, every person can make a difference--and customer service is everyone's job.

PRAISE FOR "LEGENDARY SERVICE"

""Read this book and establish a service culture in your organization."" -- Horst Schulze, Chairman/CEO, Capella Hotel Group

""Legendary Service has great learnings for people at all organizational levels: for executives and managers, the value of a service culture; and for frontline staff, the reality that they are the face of the company and can make a difference. Legendary service--it's everyone, always."" -- Mark King, CEO and President, TaylorMade Golf

""Everything I know about service I learned from my career at Hilton Hotels, Marriott International, The Walt Disney Company, and Ken Blanchard. The One Minute Manager dramatically changed my thinking 32 years ago. Legendary Service will teach the next generation how to deliver sensational service. Buy it, study it, implement it."" -- Lee Cockerell, Executive Vice President, Walt Disney World (Retired & Inspired), and author of "Creating Magic" and "The Customer Rules"

""Kathy Cuff and Vicki Halsey have created a fantastic customer service model called ICARE. When you add their voices to that of the master storyteller Ken Blanchard, you have a masterpiece entitled Legendary Service. It is a must-read for everyone who, like me, has a passion for service."" -- Colleen Barrett, President Emeritus, Southwest Airlines, and coauthor of "Lead with LUV"

""Ken Blanchard has done it again and delivered the right book at the right time. Legendary Service provides the essentials of hospitality and servant leadership in a way that everyone can adopt--right now--today "" -- John Caparella, President and COO, The Venetian, The Palazzo, and Sands Expo

""Ken, Kathy, and Vicki show us how to change everyday service events into memorable experiences. Their book is a must-read for anyone unwilling to accept mediocrity."" -- Leonardo Inghilleri, coauthor of "Exceptional Service, Exceptional Profit"

This book explores the creation and destruction of Abel Gance's most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France's most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance's first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director's inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance's transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance's lost cinematic utopia.