The current religion and science dialogue begs for greater clarity
on the relation of God to nature. In God and Nature two scholars
who embrace contemporary insights from science and religion explore
the complexities of this debate. As the narrative unfolds,
classical and contemporary thinkers are engaged as discussion
partners in articulating a philosophical theology of nature.
Conceptual pairs, in which two concepts play off of each other,
provide the structure for each of the seven chapters, with usually
the first concept being more scientific in character and the second
more religious in tone. These pairs of concepts--from chronology
and creation to creativity and creator--help to thematize and
structure the progressing narrative. Within each chapter the two
concepts are first investigated independently, then
interdependently, and finally in relation to the divine. At the
story's completion nature has emerged as alive with possibility
that is as alluring as the actuality it evokes. Envisioned is a
divine Creator who works in and through the possibility of creation
to lure it into fuller manifestations via creative
transformation.>
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