In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball. Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories. Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms: “In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue) From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue. Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

Photographer Barbara Mensch’s rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan. Many of these images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, the 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer: “I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and, in some cases, nineteenth-century buildings destroyed by mysterious fires. There were images of floods and other calamities/catastrophes in Lower Manhattan, culminating with 9/11. These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?” The author’s images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge. Photos from the 1990s present images of floods and fires that paralyzed the area, juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan’s skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of downtown’s blue-collar origins and white-collar replacements, challenging us to ask, “What was lost?” The seminal event of the 2000s, September 11, 2001, reinforced downtown’s rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the Mafia leadership of the Fulton Fish Market during Mayor Rudolph Giuliani’s opportunistic crusade against them in the 1980s. Dan Barry, Pulitzer Prize–winning journalist, offers a poetic and insightful tribute to the artist and photographer. “Definitions: ‘falling off’ suggests a decline in quality or quantity, ‘falling off’ suggests the passage of time or changes over time, ‘falling off’ suggests a detachment, an alternative path to a questionable destination, ‘falling off’ suggests a separation, ‘falling off’ suggests something that comes to pass.”

Following the death of Mac Raboy in 1968, Dan Barry took over production of the Sunday Flash Gordon strip. This collection, the first ever, features the first three years of a run that would last for nearly 50 years from The Return of Chameleon 1/14/68, which he completed after Raboy's death, to Radiation Giants in 12/26/71.

On April 18, 1981, a ball game sprang eternal. For eight hours, the night seemed to suspend a town and two teams between their collective pasts and futures, between their collective sorrows and joys--the shivering fans; their wives at home; the umpires; the batboys approaching manhood; the ejected manager, peering through a hole in the backstop; the sportswriters and broadcasters; and the players themselves--two destined for the Hall of Fame (Cal Ripken and Wade Boggs), the few to play only briefly or forgettably in the big leagues, and the many stuck in minor-league purgatory, duty bound and loyal forever to the game.

With Bottom of the 33rd, celebrated New York Times journalist Dan Barry delivers a lyrical meditation on small-town lives, minor-league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. An unforgettable portrait of ambition and endurance, Bottom of the 33rd is the rare sports book that changes the way we perceive America's pastime--and America's past.

The Ultimate Tool for MINDSTORMS(r) Maniacs
The new MINDSTORMS kit has been updated to include a programming brick, USB cable, RJ11-like cables, motors, and sensors. This book updates the robotics information to be compatible with the new set and to show how sound, sight, touch, and distance issues are now dealt with.
The LEGO MINDSTORMS NXT and its predecessor, the LEGO MINDSTORMS Robotics Invention System (RIS), have been called "the most creative play system ever developed." This book unleashes the full power and potential of the tools, sensors, and components that make up LEGO MINDSTORMS NXT. It also provides a unique insight on newer studless building techniques as well as interfacing with the traditional studded beams. Some of the world's leading LEGO MINDSTORMS inventors share their knowledge and development secrets. You will discover an incredible range of ideas to inspire your next invention. This is the ultimate insider's look at LEGO MINDSTORMS NXT system and is the perfect book whether you build world-class competitive robots or just like to mess around for the fun of it.
Featuring an introduction by astronaut Dan Barry and written by Dave Astolfo, Invited Member of the MINDSTORMS Developer Program and MINDSTORMS Community Partners (MCP) groups, and Mario and Guilio Ferrari, authors of the bestselling Building Robots with LEGO Mindstorms, this book covers:
Understanding LEGO Geometry
Playing with Gears
Controlling Motors
Reading Sensors
What's New with the NXT?
Building Strategies
Programming the NXT
Playing Sounds and Music
Becoming Mobile
Getting Pumped: Pneumatics
Finding and Grabbing Objects
Doing the Math
Knowing Where You Are
Classic Projects
Building Robots That Walk
Robotic Animals
Solving a Maze
Drawing and Writing
Racing Against Time
Hand-to-Hand Combat
Searching for Precision
*Complete coverage of the new Mindstorms NXT kit
*Brought to you by the DaVinci's of LEGO
*Updated edition of a bestseller

Servitude and Salvation in the Heartland

A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America. In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World. Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent

On April 18, 1981, a ball game sprang eternal. What began as a modestly attended minor league game between the Pawtucket Red Sox and the Rochester Red Wings became not only the longest ever played in baseball history, but something else entirely.

With "Bottom of the 33rd," celebrated "New York Times" journalist Dan Barry has written a lyrical meditation on small-town lives, minor league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. This genre-bending book, a reportorial triumph, portrays the myriad lives held by the night's unrelenting grip.

An unforgettable portrait of ambition and endurance, "Bottom of the 33rd" is the rare sports book, one that changes the way we perceive America's pastime, and America's past.

With a poet's clear eye and a journalist's curiosity about how a city works, Dan Barry shows us New York as no other writer has seen it.
Evocative, intimate, piercing, and often funny, the essays in "City Lights" capture everyday life in the city at its most ordinary and extraordinary. Wandering the city as a columnist for "The New York Times," Barry visits the denizens of the Fulton Fish Market on the eve of its closing; journeys with an obsessed guide through the secret underground of abandoned subway stops, tunnels, and aqueducts; touches down in bars, hospitals, churches, diners, pools, zoos, memorabilia-stuffed apartments, at births and funerals, the places where people gather, are welcomed, or depart; talks to the ex-athlete who caught the falling baby, the performance artist who works as a mermaid, the octogenarian dancers who find quiet joy in their partnership, and the guy who waves flags over the Cross-Bronx Expressway to wish drivers safe passage.
Along the way, Barry offers glimpses of New York's distant and recent past. He explains why the dust-coated wishbones hanging above the bar at McSorley's Old Ale House belong to the doughboy ghosts of World War I. He recalls a century of grandeur at the Plaza Hotel throught the tales of longtime doormen who will soon be out of a job. He finds that an old man's quiet death opens back into a past that the man had spent his life denying. And, from the vantage of the Circle Line cruise around Manhattan, he joins tourists as they try to make sense of still-smoldering ruins in Lower Manhattan three weeks after September 11, 2001.
Each story in "City Lights" illuminates New York, as it was and as it is: always changing, always losing and renewing parts of itself, every street corner an opportunity for surprise and revelation.

Nominated for the 2017 Hillman Prize and the Robert F. Kennedy Human Rights AwardWith this Dickensian tale from America's heartland, New York Times writer and columnist Dan Barry tells the harrowing yet uplifting story of the exploitation and abuse of a resilient group of men with intellectual disability, and the heroic efforts of those who helped them to find justice and reclaim their lives.In the tiny Iowa farm town of Atalissa, dozens of men, all with intellectual disability and all from Texas, lived in an old schoolhouse. Before dawn each morning, they were bussed to a nearby processing plant, where they eviscerated turkeys in return for food, lodging, and $65 a month. They lived in near servitude for more than thirty years, enduring increasing neglect, exploitation, and physical and emotional abuse--until state social workers, local journalists, and one tenacious labor lawyer helped these men achieve freedom.Drawing on exhaustive interviews, Dan Barry dives deeply into the lives of the men, recording their memories of suffering, loneliness and fleeting joy, as well as the undying hope they maintained despite their traumatic circumstances. Barry explores how a small Iowa town remained oblivious to the plight of these men, analyzes the many causes for such profound and chronic negligence, and lays out the impact of the men's dramatic court case, which has spurred advocates--including President Obama--to push for just pay and improved working conditions for people living with disabilities.A luminous work of social justice, told with compassion and compelling detail, The Boys in the Bunkhouse is more than just inspired storytelling. It is a clarion call for a vigilance that ensures inclusion and dignity for all.

A generational memoir of the American suburbs, "Pull Me Up" is a deeply affecting book. With prose that to Frank McCourt "flashes with poetry," "New York Times" columnist Dan Barry tells the story of an unforgettable American family. He writes so crisply that we not only feel his emotions but also recall our own: the joy of Little League, the thrill of small-town reporting, the pain of losing a parent, and the fear of facing a life-threatening illness. Barry's writing has its own stalwart beauty, a single melody teased out of the American symphony. Here is the voice of an authentic American writer.