Triple bill of horror movies. 'Hiding' (2012) stars Ana Villafañe as a young woman attempting to begin a new life following the brutal murder of her parents. Taken into the care of a witness protection programme, a new identity is established for Jo (Villafañe) in Montana and she leaves her home in New York and her past life behind. Unfortunately, when a man known as Mr Ostrog (Dean Armstrong) appears and begins to take an interest in her, Jo could be forgiven for thinking that the protection programme has failed to keep her identity safe from the man she is due to testify against. In 'The Victim' (2011) Annie (Jennifer Blanc)'s camping trip with her friend, Mary (Danielle Harris), goes disastrously wrong when Mary is savagely attacked and Annie witnesses her murder. As she flees through the woods from pursuers Harrison (Ryan Honey) and Cooger (Denny Kirkwood), Annie comes across a small cabin inhabited by the loner Kyle (Michael Biehn), but will he help her or hinder her? 'Beneath the Dark' (2010) is a psychological thriller from first-time director Chad Feehan. Driving through the Mojave Desert on their way to the wedding of an old college friend, Paul and Adrienne (Josh Stewart and Jamie-Lynn Sigler) stop for the night at Roy's Motel. Confronted by a surreal atmosphere and their equally strange hosts, Frank and Sandy (Chris Browning and Angela Featherstone), Paul begins to feel uneasy about his new surroundings and wonders what lies in store for them.

The second volume of the Geometry of Algebraic Curves is devoted to the foundations of the theory of moduli of algebraic curves. Its authors are research mathematicians who have actively participated in the development of the Geometry of Algebraic Curves. The subject is an extremely fertile and active one, both within the mathematical community and at the interface with the theoretical physics community. The approach is unique in its blending of algebro-geometric, complex analytic and topological/combinatorial methods. It treats important topics such as Teichm ller theory, the cellular decomposition of moduli and its consequences and the Witten conjecture. The careful and comprehensive presentation of the material is of value to students who wish to learn the subject and to experts as a reference source.

The first volume appeared 1985 as vol. 267 of the same series.

In recent years there has been enormous activity in the theory of algebraic curves. Many long-standing problems have been solved using the general techniques developed in algebraic geometry during the 1950's and 1960's. Additionally, unexpected and deep connections between algebraic curves and differential equations have been uncovered, and these in turn shed light on other classical problems in curve theory. It seems fair to say that the theory of algebraic curves looks completely different now from how it appeared 15 years ago; in particular, our current state of knowledge repre sents a significant advance beyond the legacy left by the classical geometers such as Noether, Castelnuovo, Enriques, and Severi. These books give a presentation of one of the central areas of this recent activity; namely, the study of linear series on both a fixed curve (Volume I) and on a variable curve (Volume II). Our goal is to give a comprehensive and self-contained account of the extrinsic geometry of algebraic curves, which in our opinion constitutes the main geometric core of the recent advances in curve theory. Along the way we shall, of course, discuss appli cations of the theory of linear series to a number of classical topics (e.g., the geometry of the Riemann theta divisor) as well as to some of the current research (e.g., the Kodaira dimension of the moduli space of curves)."

This classic text, first published in 1972, has withstood the test of time as a teaching aid for English-speaking singers, teachers, coaches, and accompanists, in order that their art may be more communicative to the public. These word-by-word translations of songs and arias allow the artist to properly interpret and express the feelings and emotions that the words require at the proper time.

In recent years there has been enormous activity in the theory of algebraic curves. Many long-standing problems have been solved using the general techniques developed in algebraic geometry during the 1950's and 1960's. Additionally, unexpected and deep connections between algebraic curves and differential equations have been uncovered, and these in turn shed light on other classical problems in curve theory. It seems fair to say that the theory of algebraic curves looks completely different now from how it appeared 15 years ago; in particular, our current state of knowledge repre sents a significant advance beyond the legacy left by the classical geometers such as Noether, Castelnuovo, Enriques, and Severi. These books give a presentation of one of the central areas of this recent activity; namely, the study of linear series on both a fixed curve (Volume I) and on a variable curve (Volume II). Our goal is to give a comprehensive and self-contained account of the extrinsic geometry of algebraic curves, which in our opinion constitutes the main geometric core of the recent advances in curve theory. Along the way we shall, of course, discuss appli cations of the theory of linear series to a number of classical topics (e.g., the geometry of the Riemann theta divisor) as well as to some of the current research (e.g., the Kodaira dimension of the moduli space of curves)."

Judy Garland stars in Vincente Minnelli's classic musical following the middle-class Smith family in the lead up to the 1904 World's Fair hosted in St Louis. Esther (Garland), the second eldest daughter of Alonzo (Leon Ames) and Anna Smith (Mary Astor), falls for her new next door neighbour, John Truitt (Tom Drake), and initially has difficulty winning his affections. When their romance begins to blossom, however, Esther learns that Alonzo's employer is transferring him to New York where he plans to move the family. It soon becomes clear how much the move will affect his four daughters and son, Lon Jr. (Hank Daniels), and, what's more, it means they will miss the World's Fair. The film includes the songs 'Meet Me in St. Louis', 'Have Yourself a Merry Little Christmas' and 'The Trolley Song'.

The Last Boy Scout is the Super Bowl of action movies, a flat-out blitz of excitement, blow-you-away special effects and hilarious gimme-five humour set against the world of pro football.

Bruce Willis and Damon Wayans star as a seedy detective and a disgraced quarterback, teaming to dodge ambushes, fire off one-liners and bust chops. When the going gets tough, they get tougher. And funnier. They came to play. And to settle a score in this raging fireball where bigger is better, hits are harder and bad guys end up deader.

Horror set in a post-apocalyptic America that has been taken over by an ever-increasing army of vampires. Connor Paolo stars as Martin, a teenager who joins forces with vampire hunter Mister (Nick Damici) after his parents are killed by the marauding vampire forces. Together, the two set out to find a town where they have heard they will be safe - but does such a place really exist?

The second volume of the Geometry of Algebraic Curves is devoted to the foundations of the theory of moduli of algebraic curves. Its authors are research mathematicians who have actively participated in the development of the Geometry of Algebraic Curves. The subject is an extremely fertile and active one, both within the mathematical community and at the interface with the theoretical physics community. The approach is unique in its blending of algebro-geometric, complex analytic and topological/combinatorial methods. It treats important topics such as Teichmuller theory, the cellular decomposition of moduli and its consequences and the Witten conjecture. The careful and comprehensive presentation of the material is of value to students who wish to learn the subject and to experts as a reference source. The first volume appeared 1985 as vol. 267 of the same series.

Rob Zombie's loose (and much more brutal) remake of the 1981 sequel to John Carpenter's classic horror. Laurie Strode (Scout Taylor-Compton) is taken to the hospital after it is thought that she has killed the man responsible for the string of murders in Haddonfield. But her stay at Haddonfield General is cut short when the supposedly-dead Michael (Tyler Mane) reappears, murdering everyone in sight as he seeks out his sister.

Did you know that recent statistics report an estimated 8 percent of teachers leave the profession each year? The National Commission on Teaching and America's Future (NCTAF) reports nearly 50 percent of new teachers leave the profession within their first five years. In Dear Teacher, Don't Quit, educators will find 21 practical tips to help navigate the teaching profession. Author Danielle Harris shares relevant tips and educational tales from the classroom to demonstrate how you can be successful in your chosen career path and remain in the profession.

Horror set in a post-apocalyptic America that has been taken over by an ever-increasing army of vampires. Connor Paolo stars as Martin, a teenager who joins forces with vampire hunter Mister (Nick Damici) after his parents are killed by the marauding vampire forces. Together, the two set out to find a town where they have heard they will be safe - but does such a place really exist?

Sequel to slasher horror 'See No Evil' (2006). At seven feet tall and 400 pounds with a steel skull and fingernails that make Marilyn Manson look like a public schoolboy, Jacob Goodnight (played by WWE star Kane aka Glenn Jacobs) is not a man you'd want to get into it with. However, when a group of friends visit the city morgue at night to celebrate a birthday, they are confronted with this terrifing psychopath who rises from beneath the surface to terrorise the group. Their night of partying and celebration descends into carnage as they try to escape the mass murderer sadistically pursuing them with all his of armoury, complete with hooks, knives and saws.