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Built and designed by Ludwig Mies van der Rohe 1928-1930, the
Tugendhat House in Brno / Czech Republic is one of the most
significant buildings of European modernism. In 2001, UNESCO added
the house to the List of World Cultural Heritage Sites. In this
third, updated edition, the authors give personal and historic
insights relating to the house; also documenting aspects pertaining
to art history and conservation-science studies. The comprehensive
description and in-depth discussion of the materials used is a
special feature in this field of research. The appeal of this
monograph lies in the publication of photographs from the family
archive which, for the first time, show the house in its lived-in
condition. The experimental artistic color photographs by Fritz
Tugendhat are among the pioneering achievements of amateur
photography.
The book addresses the scientific debates on Rembrandt, Metsu,
Vermeer, and Hoogstraten that are currently taking place in art
history and cultural studies. These focus mainly on the
representation of gender difference, the relationship between text
and image, and the emotional discourse. They are also an appeal for
art history as a form of cultural studies that analyses the
semantic potential of art within discursive and social contemporary
practices. Dutch painting of the seventeenth century reflects its
relationship to visible reality. It deals with ambiguities and
contradictions. As an avant-garde artistic media, it also
contributes to the emergence of a subjectivity towards the modern
"bourgeois". It discards subject matter from its traditional
fixation with iconology and evokes different imaginations and
semantizations - aspects that have not been sufficiently taken into
account in previous research. The book is to be understood as an
appeal for art history as a form of cultural science that analyses
the semantic potential of art within discursive and social
contemporary practices, and, at the same time, demonstrates its
relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten,
and others serve as exemplary case studies for addressing current
debates in art history and cultural studies, such as representation
of gender difference, relationship between text and image, and
emotional discourse.
Das Haus Tugendhat im tschechischen Brunn wurde 1928 1930 von Mies
van der Rohe geplant und gebaut. 2001 von der UNESCO zum
Weltkulturerbe erklart, gilt der Bau als einer der Hohepunkte
seines Schaffens. Aufbauend auf der Monografie von 1998 beschreiben
die Autoren die private, historische, kunsthistorische,
architekturtheoretische und restaurierungswissenschaftliche
Dimension des Hauses. Die Neuauflage bietet bisher
unveroffentlichtes Bildmaterial aus dem Besitz der Familie sowie
eine CD zur konservierungswissenschaftlichen Untersuchung.
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