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The Visible and the Invisible - On Seventeenth-Century Dutch Painting (Hardcover, Digital original)
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The Visible and the Invisible - On Seventeenth-Century Dutch Painting (Hardcover, Digital original)
Series: Edition Angewandte
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The book addresses the scientific debates on Rembrandt, Metsu,
Vermeer, and Hoogstraten that are currently taking place in art
history and cultural studies. These focus mainly on the
representation of gender difference, the relationship between text
and image, and the emotional discourse. They are also an appeal for
art history as a form of cultural studies that analyses the
semantic potential of art within discursive and social contemporary
practices. Dutch painting of the seventeenth century reflects its
relationship to visible reality. It deals with ambiguities and
contradictions. As an avant-garde artistic media, it also
contributes to the emergence of a subjectivity towards the modern
"bourgeois". It discards subject matter from its traditional
fixation with iconology and evokes different imaginations and
semantizations - aspects that have not been sufficiently taken into
account in previous research. The book is to be understood as an
appeal for art history as a form of cultural science that analyses
the semantic potential of art within discursive and social
contemporary practices, and, at the same time, demonstrates its
relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten,
and others serve as exemplary case studies for addressing current
debates in art history and cultural studies, such as representation
of gender difference, relationship between text and image, and
emotional discourse.
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