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"Like J. Eric Thompson, Carrasco has applied an informed
imagination to identify some of the ways that ideas could lie
behind material form." "A must for both professional and serious non-professional
students in Mesoamerica. Those who are interested in complex
society and urbanism in general, as well as students of comparative
religion, will find it stimulating. Most importantly, for anyone
interested in the history of ideas, the book illuminates the
tremendously powerful impact and role of a complex
deity/mythico-historical figure in shaping one of the world's great
pristine civilizations."
First published in 1991, "Waiting for the Dawn" is the result of a year-long interdisciplinary study of Mircea Eliade's scholarly, literary, and autobiographical works which took place at the University of Colorado in 1982. With a new preface by Dav d Carrasco that takes into account recent developments in Eliade scholarship, this important work is now back in print at a time of renewed interest in Eliade thanks to Francis Ford Coppola's screen adaptation "Youth without Youth "(2007).
For more than a millennium the great Mesoamerican city of Teotihuacan (c. 150 B.C.E.750 C.E.) has been imagined and reimagined by a host of subsequent cultures, including our own. Mesoamerica's Classic Heritage engages the subject of the unity and diversity of pre-Hispanic Mesoamerica by focusing on the classic heritage of this ancient city. This new volume is the product of several years of research by members of Princeton University's Moses Mesoamerican Archive and Research Project and Mexico's Proyecto Teotihuacan. Offering a variety of disciplinary perspectives including the history of religions, anthropology, archaeology, and art history and a wealth of new data, Mesoamerica's Classic Heritage examines Teotihuacan's rippling influence across Mesoamerican time and space, including important patterns of continuity and change, and its relationships, both historical and symbolic, with Tenochtitlan, Cholula, and various Maya communities. The contributors to Mesoamerica's Classic Heritage offer a wide range of individual interpretations, but they agree that Teotihuacan, more than any other pre-Hispanic center, was a paradigmatic source that formed the art and architecture, cosmology and ritual life, and conceptions of urbanism and political authority for significant parts of the Mesoamerican world. This great city achieved the prestige of being the site of the creation of the cosmos and of effective social and political space in Mesoamerica through its capacity to symbolize, perform, and export its imperial authority. These essays reveal the different ways in which Teotihuacan's classic heritage both fed and fed on the dynamic interactivity of the entire area. Whether or not a paradigm shift in Mesoamerican studies is taking place, certainly a new contextual understanding of Teotihuacan and the diversities and unities of Mesoamerica is emerging in these pages.
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