On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.

Eight years later, we meet Natsuko again. She is now a writer and find herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.

In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. This is an unforgettable full length English language debut from a major new international talent.

Shortlisted for the International Booker Prize 2022 From the bestselling author of Breasts and Eggs and international literary sensation Mieko Kawakami comes a sharp and illuminating novel about a fourteen-year-old boy subjected to relentless bullying. In Heaven, a fourteen-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror? Unflinching yet tender, sharply observed, intimate and multi-layered, this simple yet profound novel stands as yet another dazzling testament to Mieko Kawakami's uncontainable talent. There can be little doubt that it has cemented her reputation as one of the most important young authors at work today. TIME's 100 Must-Read Books of 2021. 'Mieko Kawakami is a genius' - Naoise Dolan, author of Exciting Times 'An expertly told, deeply unsettling tale of adolescent violence' - Vogue Translated from the Japanese by Sam Bett and David Boyd.

National Book Critics Circle Award Finalist ‘Mieko Kawakami is a genius’ - Naoise Dolan, author of Exciting Times From international literary sensation Mieko Kawakami comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo. Fuyuko Irie is a freelance proofreader in her thirties. Living alone and unable to form meaningful relationships, she has little contact with anyone other than her colleagues. But a chance encounter with a man named Mitsutsuka awakens something new in her. As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her? Pulsing and poetic, modern and shocking, this is an unforgettable novel from Japan’s most exciting writer. All the Lovers in the Night is translated from the Japanese by Sam Bett and David Boyd.

A UK debut from a fresh, prize-winning talent, this quietly surreal novel is perfect for fans of Sayaka Murata and Mieko Kawakami Two friends meet across three dinners. In the back room of a pet shop, they snack on dried shrimps and discuss fish-breeding. In a remote new home in the mountains, they look for a solution to a weasel infestation. During a dinner party in a blizzard, a mounting claustrophobia makes way for uneasy dreams. Their conversations often take them in surprising directions, but when one of the men becomes a father, more and more is left unsaid. With emotional acuity and a wry humour, Weasels in the Attic it is an uncanny and striking reflection on fertility, masculinity, and marriage in contemporary Japan.

Stukeley's antiquarian researches, particularly into the great stone circles of Stonehenge and Avebury, were the first to reveal their great antiquity. Friend of Newton, his life embodies the classic Enlightenment confrontation between science and religion. Dr William Stukeley (1687-1765) was the most renowned English antiquary of the eighteenth century. This study discusses his life and achievements, placing him firmly within his intellectual milieu, which he shared with his illustrious friend Isaac Newton and with other natural philosophers, theologians and historians. Stukeley's greatest memorial was his work on the stone circles of Stonehenge and Avebury: at a time when most historians believed theywere Roman or medieval monuments, he proved that they were of much greater antiquity, and his influence on subsequent interpretations of these monuments and their builders was enormous. For Stukeley, these stone circles - the work of "Celtic Druids", were a link in the chain that connected the pristine religion of Adam and Noah with the modern Anglican Church. Historians today belittle such speculations, but Stukeley shared his vision of lost religious and scientific knowledge with many of the great minds of his day; this account shows how throughout his distinguished career his antiquarian researches fortified his response to Enlightenment irreligion and the threat he believed itposed to science and society. DAVID BOYD HAYCOCK is a Junior Research Fellow at Wolfson College, Oxford.

In the first three decades of the 20th century Augustus John (1878-1961) was widely considered one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. John was born in Wales in 1878 and educated at the Slade School of Art in London in the 1890s, where the onus of teaching was on the daily life class and a close study of the Old Masters. He soon emerged as a wonderfully gifted draughtsman - indeed, the American painter John Singer Sargent would declare that John's youthful drawings were amongst the fi nest seen since the Renaissance. Dividing his life between England, Wales and France, and reaching his prime in the years immediately before the outbreak of the Great War, by 1910 John would be likened to a British Gauguin, a Welsh Post-Impressionist using bold colours and a willfully naive and primitive style to explore the complex combination of romanticism, escapism and alienation engendered by 20th-century life. The great American collector John Quinn considered John and his sister Gwen key European artists, and his work would be included in the infl uential Armory Show in New York in 1913. After the War he would become Britain's leading society portraitist, earning a fortune in commissions - though it was his more personal paintings of friends, lovers, family and fellow artists and writers such as W.B. Yeats, T.E. Lawrence, Dylan Thomas, Ottoline Morrell and his muse/ mistress Dorelia McNeill that best revealed his great talents. Published to coincide with exhibitions at Poole Museum in Dorset in the summer of 2018 and at Salisbury Museum in Wiltshire in the summer of 2019, Augustus John: Drawn from Life re-examines the life and work of this signifi cant but increasingly overlooked British artist. Focusing on around sixty works drawn from private and public collections, including the Tate, the National Portrait Gallery and the National Museum of Wales, the book will off er new insights into John's life and development as an artist from the late 1890s to the outbreak of the Second World War.

Asa's husband is transferring jobs, and his new office is located near his family's home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time. One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole-a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

Over the course of a long and very successful career spanning the first half of the 20th century, Lucy Kemp-Welch established herself as one of the leading equestrian painters at work in the UK and one of the country’s best-known women artists. David Boyd Haycock’s new, extensively illustrated biography of Kemp-Welch brings this remarkable artist and her work back into sharp focus.   Born in 1869, Kemp-Welch first came to the art establishment’s attention in 1897 when her immense painting, Colt Hunting in the New Forest, caused a sensation at the Royal Academy’s Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell’s Black Beauty, and was commissioned to paint images for the Government during the First World War. Later, the mural Women’s Work in the Great War, was placed in the Royal Exchange in London, where it remains to this day. Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch’s life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch’s paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.

Clients have been identified as critical for building delivery but have been under-researched with only a few studies about them. This book seeks to address this gap. A deeper look into the nature of construction clients and their relation to building users exposes more fundamental questions related to the activity of building and the activity in the building. These fundamental questions include 'How do clients get what they want?', 'How do clients cope with the building process?', and 'How are clients being shaped by building(s)?'. This book on clients and users is structured around three main themes: Agency is concerned with the classical agency/structure dichotomy on actions, roles and responsibilities or, put differently, whether actors can act freely or are bound by structural constraints. Governance is related to the interplay between clients and the supply system: clients govern the supply system but are at the same time governed by the supply system through different processes and mechanisms. Innovation deals with construction innovation and what part clients and users play in this struggle between change and stability. The book includes theoretical and conceptual frameworks on what constitutes clients and users as well as case studies on R&D themes of relevance to practice.

For the sake of women everywhere, Ms Shibata is going to pull off the mother of all deceptions... 'Incredibly thought-provoking... you'll love Yagi's writing' STYLIST Ms Shibata refuses to clear away the coffee at work one day, because she's pregnant and can't bear the smell. The only thing is . . . Ms Shibata is not pregnant. Being a mother-to-be isn't easy. Ms Shibata has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her 'pregnancy', the boundary between her lie and her life begins to dissolve. Discover this prizewinning, thrillingly subversive new novel that's perfect for fans of Convenience Store Woman and Breasts and Eggs. 'A subversive, surreal read that will strike a cord' RED 'One of the most passionate cases I've ever read for female interiority, for women's creative pulse and rich inner life' NEW YORKER Translated from the Japanese by David Boyd and Lucy North

'Mieko Kawakami is a genius' - Naoise Dolan, author of Exciting Times 'Compact and supple, it's a strikingly intelligent feat.' - The New York Times Book Review From international literary sensation Mieko Kawakami comes All The Lovers In The Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo. Fuyuko Irie is a freelance proofreader in her thirties. Living alone, and unable to form meaningful relationships, she has little contact with anyone other than Hijiri, someone she works with. When she sees her reflection, she's confronted with a tired and spiritless woman who has failed to take control of her own life. Her one source of solace: light. Every Christmas Eve, Fuyuko heads out to catch a glimpse of the lights that fill the Tokyo night. But it is a chance encounter with a man named Mitsutsuka that awakens something new in her. And so her life begins to change. As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard, and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her? All The Lovers In The Night is acute and insightful, entertaining and captivating, pulsing and poetic, modern and shocking. It's another unforgettable novel from Japan's most exciting writer. Translated from the Japanese by Sam Bett and David Boyd.

Clients have been identified as critical for building delivery but have been under-researched with only a few studies about them. This book seeks to address this gap. A deeper look into the nature of construction clients and their relation to building users exposes more fundamental questions related to the activity of building and the activity in the building. These fundamental questions include 'How do clients get what they want?', 'How do clients cope with the building process?', and 'How are clients being shaped by building(s)?'. This book on clients and users is structured around three main themes: Agency is concerned with the classical agency/structure dichotomy on actions, roles and responsibilities or, put differently, whether actors can act freely or are bound by structural constraints. Governance is related to the interplay between clients and the supply system: clients govern the supply system but are at the same time governed by the supply system through different processes and mechanisms. Innovation deals with construction innovation and what part clients and users play in this struggle between change and stability. The book includes theoretical and conceptual frameworks on what constitutes clients and users as well as case studies on R&D themes of relevance to practice.

Examines a wide range of aspects of health and medicine in maritime and imperial settings during the eighteenth and nineteenth century. Maritime medicine, together with its links to the development of empire, is a burgeoning area of historical interest and enquiry. This book, based on extensive original research, explores the history of health and medicine in maritime and imperial contexts in a key period, reflecting the growing professionalization of medicine at sea from the establishment of the Sick and Hurt Board to the end of the Victorian era. The chapters, written by leading expertsin the field, are grouped around two central themes: Royal Naval medical policy, administration and practice; and health and mortality relating to the migration of peoples across the globe, including slavery, emigration and indentured migration. The book will be of interest to a wide range of historians, particularly those working in the fields of maritime history, the history of medicine, and the history of colonialism and imperialism. David Boyd Haycock was Curator of Seventeenth-Century Imperial and Maritime History at the National Maritime Museum, 2007-09, and has held research fellowships at the University of Oxford, the University of California, Los Angeles and theLondon School of Economics. He is author of William Stukeley: Science, Religion and Archaeology in Eighteenth Century England, which is published by Boydell and Brewer. Sally Archer is at the National Maritime Museum. CONTRIBUTORS: Erica M. Charters, John Cardwell, Mick Crumplin, Pat Crimmin, Mark Harrison, Hamish Maxwell-Stewart, Ralph Shlomowitz, Simon J. Hogerzeil, David Richardson, Robin Haines, Laurence Brown, Radica Mahase.

A Publishers Weekly Best Picture Book of 2020 A Kirkus Best Book of 2020 A Shelf Awareness Best Children's Book of 2020 Best Illustrator Award, 2021 Northern Lights Book Awards Poetic and sparse, a bedtime story told by the elements. Gentle and lyrical, Every Color of Light is a bedtime story told by the elements. Every Color of Light opens on a lush, green forest in the rain. Illustrated by the masterful Ryoji Arai, the calm is shattered when the wind picks up and lightning cuts the sky. Yet out of this turbulence, the day blooms bright, the flowers open, and raindrops roll and drip down to the forest floor. The sun sets. The moon rises, and in a pool of water we see its reflection. We go to sleep with the forest, sinking into the pool, into the calm reflection of the moon. Harmonizing our human experience to the natural world, Arai invites the reader to hold imaginative space for our oneness with the natural world.

Considered by John Singer Sargent to be the best British draughtsman since the Renaissance, Augustus John was the first of the British ‘Post-Impressionists’. Such was his importance that Virginia Woolf declared in 1921 that by 1908 ‘The age of Augustus John was dawning,’ and Wyndham Lewis would dub the ten years leading up to 1914 ‘the Augustan decade. Handsome, unconventional and full of brilliant promise and Bohemian spirit, John was the man almost every young British art student wanted to emulate. This book reveals why, telling his extraordinary story from his birth in south Wales in 1878 through to the end of his youth in the closing stages of the First World War. Interweaving his biography are the personalities who surrounded John, and the book looks at their influence on him, and his upon them. They include his fellow students at the Slade School of Art – his sister Gwen John and future wife Ida Nettleship, and his friends William Orpen, Ambrose McEvoy, Spencer Gore and Percy Wyndham Lewis – all of whom would become prominent artists in their own right. This book is a long overdue, new interpretation of this singular figure, who was both at the heart of the British artistic milieu, and yet set apart from its movements and manifestos.

Having explored blossoming fields, a magical mound of tall grass, crystal caves and underground passageways, here Chirri and Chirra explore life in town! Winner of Multicultural Award, 2021 Northern Lights Book Awards In this fifth book of perhaps the most charming series ever, Chirri and Chirra venture down forest paths and through alleyways into a yarn shop and an old woman's house, where they enjoy hot drinks and soup. When they're done, they find a wonderful surprise hidden in the branches of a tree. Memorable for Doi's luminous appreciation of the natural world as well as her respect for beautiful edibles, this new installment is sure to delight!

On their sixth adventure, Chirri and Chirra bicycle beneath the waves, discovering the beauty of coral and the deliciousness of marine edibles. Chirri and Chirra are pedaling along when they find a cave. At the end of the tunnel, they see a light. Oh! They are under the sea! They pedal through a maze of color and pass through an opening in the seaweed, into a scene of seashells of all colors and shapes. Naturally, they come upon sea treats, such as parfait à la conch and marine soda jelly topped with pearl cream. This is the happy, lovely world of Chirri and Chirra, where they stumble on the most wonderful surprises. Born in Tokyo, Japan, Kaya Doi graduated with a degree in design from Tokyo Zokei University. She got her start in picture books by attending the Atosaki Juku Workshop, held at a Tokyo bookshop specializing in children’s books. Since then she has created many picture books featuring her delicate color-pencil drawings. She lives in Chiba Prefecture and maintains a strong interest in environmental and animal welfare issues. Since the earthquake of 2011 she has been active in recovery and shelter efforts for abandoned pets. David Boyd is Assistant Professor of Japanese at the University of North Carolina at Charlotte. His translations have appeared in Monkey Business International, Granta, and Words Without Borders, among other publications.

Chirri and Chirra frolic in the moonlight in the latest whimsical adventure of this much-beloved picture-book series from Japan.With the light of their trusty bicycles and a glorious full moon illuminating the darkness, Chirri and Chirra go on a nighttime adventure, accompanied by their new cat friends. From fizzy full-moon drinks that give them cat ears and tails to sparkling flower necklaces that grant them access to a special night market, the inseparable duo enjoys all the dreamy treats that the Full Moon Festival has to offer, basking in the warmth and light of discovery, generosity, and friendship.

The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work-days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while-it could be weeks or years-the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid-and sometimes surreal-portrait of the absurdity and meaninglessness of the modern workplace.

Dring-dring! With the distinctive sound of their bicycle bells, Chirri and Chirra are off on another whimsical adventure. In this new installment of the beloved series, the twins brave a rainy day together...after all, stormy weather is no match for their boundless energy and curiosity. The pair happens upon a cafe that is only open on rainy days, and they sip tea with a side of sweet rock candy as they watch the droplets fall. They continue their journey, only to discover that the rain is now falling upside-down, their bicycles suspended on the droplets as they ride along. For these winsome twins, the world is a haven of endless discovery, of wonderful oddities, of adventure and excitement without danger. Kaya Doi's illustrations, rendered in glowing colored pencil, are warm and inviting for readers, ushering them into the pages like a safe haven from the rain outside.