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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960
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Augustus John - Drawn from Life (Paperback)
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Augustus John - Drawn from Life (Paperback)
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In the first three decades of the 20th century Augustus John
(1878-1961) was widely considered one of the greatest living
British artists, famous almost as much for his extraordinary
Bohemian lifestyle as for his outstanding portraits, etchings and
drawings. John was born in Wales in 1878 and educated at the Slade
School of Art in London in the 1890s, where the onus of teaching
was on the daily life class and a close study of the Old Masters.
He soon emerged as a wonderfully gifted draughtsman - indeed, the
American painter John Singer Sargent would declare that John's
youthful drawings were amongst the fi nest seen since the
Renaissance. Dividing his life between England, Wales and France,
and reaching his prime in the years immediately before the outbreak
of the Great War, by 1910 John would be likened to a British
Gauguin, a Welsh Post-Impressionist using bold colours and a
willfully naive and primitive style to explore the complex
combination of romanticism, escapism and alienation engendered by
20th-century life. The great American collector John Quinn
considered John and his sister Gwen key European artists, and his
work would be included in the infl uential Armory Show in New York
in 1913. After the War he would become Britain's leading society
portraitist, earning a fortune in commissions - though it was his
more personal paintings of friends, lovers, family and fellow
artists and writers such as W.B. Yeats, T.E. Lawrence, Dylan
Thomas, Ottoline Morrell and his muse/ mistress Dorelia McNeill
that best revealed his great talents. Published to coincide with
exhibitions at Poole Museum in Dorset in the summer of 2018 and at
Salisbury Museum in Wiltshire in the summer of 2019, Augustus John:
Drawn from Life re-examines the life and work of this signifi cant
but increasingly overlooked British artist. Focusing on around
sixty works drawn from private and public collections, including
the Tate, the National Portrait Gallery and the National Museum of
Wales, the book will off er new insights into John's life and
development as an artist from the late 1890s to the outbreak of the
Second World War.
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