What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War?This book explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union between 1947 and 1991. The essays - written from different disciplinary perspectives - investigate the extent to which actual spaces conformed to the dominant political order in the region. Should, for instance, the creation of private spaces, such as the Russian dacha and the Czech chata, be understood as acts of appropriation in which lives were fashioned against the collective or, alternatively, as 'gifts' given by the State in return for quiescence? Whilst monuments and public spaces were designed to relay official ideology, one of the most notable features of the events that marked the end of the Bloc was the way that they became sites of dissent. Examining the myriad ways in which space was used and conceived within socialist society, this book makes an essential contribution to Eastern European and Soviet Studies and provides significant new angles on the factors that underpinned socialism's eventual downfall.

Originally published in 1983. The conventions, institutions and practices of communication today are issues of great concern to all. Using a dual approach, this book evaluates communication today in all its facets. On the one hand, an investigation of communication can be viewed as an intellectual task -thus emphasizing basic issues of the human condition; on the other hand, communication can be examined in a practical manner, in the context of current social problems, operational decisions, and questions currently facing researchers. This text brings these two together so that the practical issues of communication can be viewed as they relate to the human condition itself.

This book explores the material and visual world of the socialist Bloc from the late 1940s to the late 1960s. The essays, by authors from a range of disciplines, examine the forms and uses of material objects that made up the environment of life behind the 'Iron Curtain', and investigates the particular ways in which these objects came to represent the often divergent aspirations of regimes and peoples in the Soviet Union and Eastern Europe.The two decades after the end of the Second World War considered here constitute two contrasting periods: that of post-war Stalinism and the 'sovietization' or 'stalinization' of Eastern Europe; and, from the mid-1950s, the period of destalinization and relative cultural liberalization known as the Thaw. During the Thaw, consumerism and a moderate fashion consciousness began to be tolerated or even encouraged to varying degrees in different parts of the Bloc. Style, regarded as a suspect notion under Stalin, became a legitimate and even urgent issue. What forms of dress, home furnishings and housing, as well as of fine art, would provide a stimulating environment that could meet the physical and ideological needs of -- and give shape to -- modern, socialist life? Challenging the assumption that all cultural norms were generated and effectively imposed by Moscow, essays in this anthology investigate the interactions and exchanges between the countries of the Eastern Bloc and and ask how, even in socialist economies, the consumption of material objects -- or the refusal to consume -- could project personal and collective identities and even articulate resistance.Anyone who seeks to understand the effects of state socialism on life in the Soviet Unionand Eastern Europe, or who is interested in the intersection of politics with art, design and material culture will find this book absorbing and illuminating.

Originally published in 1983. The conventions, institutions and practices of communication today are issues of great concern to all. Using a dual approach, this book evaluates communication today in all its facets. On the one hand, an investigation of communication can be viewed as an intellectual task -thus emphasizing basic issues of the human condition; on the other hand, communication can be examined in a practical manner, in the context of current social problems, operational decisions, and questions currently facing researchers. This text brings these two together so that the practical issues of communication can be viewed as they relate to the human condition itself.

This state-of-the-art overview reflects the rich variety of approaches and disciplines embraced by contemporary communication studies. The book consists of thirteen original essays by some of the most prominent communication scholars, including Ien Ang, Deidre Boden, David Crowley, James M. Collins, Klaus Krippendorff, William Leiss, Denis McQuail, William Melody, Joshua Meyrowitz, David Mitchell, Mark Poster, Majid Tehranian, John B. Thompson and Teun A. van Dijk.

This state-of-the-art overview reflects the rich variety of approaches and disciplines embraced by contemporary communication studies. The book consists of thirteen original essays by some of the most prominent communication scholars, including Ien Ang, Deidre Boden, David Crowley, James M. Collins, Klaus Krippendorff, William Leiss, Denis McQuail, William Melody, Joshua Meyrowitz, David Mitchell, Mark Poster, Majid Tehranian, John B. Thompson and Teun A. van Dijk.

This book explores the material and visual world of the socialist Bloc from the late 1940s to the late 1960s. The essays, by authors from a range of disciplines, examine the forms and uses of material objects that made up the environment of life behind the 'Iron Curtain', and investigates the particular ways in which these objects came to represent the often divergent aspirations of regimes and peoples in the Soviet Union and Eastern Europe.
The two decades after the end of the Second World War considered here constitute two contrasting periods: that of post-war Stalinism and the 'sovietization' or 'stalinization' of Eastern Europe; and, from the mid-1950s, the period of destalinization and relative cultural liberalization known as the Thaw. During the Thaw, consumerism and a moderate fashion consciousness began to be tolerated or even encouraged to varying degrees in different parts of the Bloc. Style, regarded as a suspect notion under Stalin, became a legitimate and even urgent issue. What forms of dress, home furnishings and housing, as well as of fine art, would provide a stimulating environment that could meet the physical and ideological needs of -- and give shape to -- modern, socialist life? Challenging the assumption that all cultural norms were generated and effectively imposed by Moscow, essays in this anthology investigate the interactions and exchanges between the countries of the Eastern Bloc and and ask how, even in socialist economies, the consumption of material objects -- or the refusal to consume -- could project personal and collective identities and even articulate resistance.
Anyone who seeks to understand the effects of state socialism on life in the Soviet Union and Eastern Europe, or who is interested in the intersection of politics with art, design and material culture will find this book absorbing and illuminating.

What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War?
This book explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union between 1947 and 1991. The essays n written from different disciplinary perspectives n investigate the extent to which actual spaces conformed to the dominant political order in the region. Should, for instance, the creation of private spaces, such as the Russian dacha and the Czech chata, be understood as acts of appropriation in which lives were fashioned against the collective or, alternatively, as 'gifts' given by the State in return for quiescence? Whilst monuments and public spaces were designed to relay official ideology, one of the most notable features of the events that marked the end of the Bloc was the way that they became sites of dissent. Examining the myriad ways in which space was used and conceived within socialist society, this book makes an essential contribution to Eastern European and Soviet Studies and provides significant new angles on the factors that underpinned socialism's eventual downfall.