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Books > Social sciences > Politics & government > Political ideologies > Socialism & left-of-centre democratic ideologies
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Style and Socialism - Modernity and Material Culture in Post-War Eastern Europe (Paperback, First)
Loot Price: R1,477
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Style and Socialism - Modernity and Material Culture in Post-War Eastern Europe (Paperback, First)
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This book explores the material and visual world of the socialist
Bloc from the late 1940s to the late 1960s. The essays, by authors
from a range of disciplines, examine the forms and uses of material
objects that made up the environment of life behind the 'Iron
Curtain', and investigates the particular ways in which these
objects came to represent the often divergent aspirations of
regimes and peoples in the Soviet Union and Eastern Europe.
The two decades after the end of the Second World War considered
here constitute two contrasting periods: that of post-war Stalinism
and the 'sovietization' or 'stalinization' of Eastern Europe; and,
from the mid-1950s, the period of destalinization and relative
cultural liberalization known as the Thaw. During the Thaw,
consumerism and a moderate fashion consciousness began to be
tolerated or even encouraged to varying degrees in different parts
of the Bloc. Style, regarded as a suspect notion under Stalin,
became a legitimate and even urgent issue. What forms of dress,
home furnishings and housing, as well as of fine art, would provide
a stimulating environment that could meet the physical and
ideological needs of -- and give shape to -- modern, socialist
life? Challenging the assumption that all cultural norms were
generated and effectively imposed by Moscow, essays in this
anthology investigate the interactions and exchanges between the
countries of the Eastern Bloc and and ask how, even in socialist
economies, the consumption of material objects -- or the refusal to
consume -- could project personal and collective identities and
even articulate resistance.
Anyone who seeks to understand the effects of state socialism on
life in the Soviet Union and Eastern Europe, or who is interested
in the intersection of politics with art, design and material
culture will find this book absorbing and illuminating.
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