In Precarious Battle tells how labour broking was defeated in the South African Post Office (SAPO). Labour broking has become synonymous with worker exploitation. By 2011, a third of SAPO’s workforce was employed through labour brokers. These ‘casuals’ worked alongside permanent employees, some for over a decade, but for a quarter of the salary.

David Dickinson shares the story of how labour broking provided cheap and compliant labour, and how the use of labour brokers in SAPO divided the workplace and the workforce. He charts the attempts of casuals to organise within the law and how their efforts were defeated at every turn. He describes the increasing ferocity of the wildcat strikes that followed and explains how eventually 294 casuals, the Mabarete, fought their own battle and ended labour broking.

This book reflects on how labour broking created misery for those trapped in precarious employment, how the Constitution failed casual workers and how the South African industrial relations system is unravelling.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Maxwell Fry was known internationally for his research into international and domestic financial issues. This book constitutes a tribute to his pioneering work in so many areas, and draws together contributions from a range of academic and policy-making colleagues who were fortunate enough to experience the depth of knowledge and insights which Maxwell demonstrated.

eBook available with sample pages: 0203458575

David Dickinson, co-author of The Universe Today Guide to Viewing the Cosmos, has created the ultimate field guide for backyard astronomers. Whether you want to impress viewers at a star party, or learn what you can see with your new telescope, David shows you how to find the most impressive the night sky has to offer. Backyard astronomy has become more accessible through apps and technology, but they tend to be inaccurate and a source of frustration when trying to find objects with your telescope. With 44 sky charts and David’s expertise, it’s like having a pro-astronomer out in the field with you. Broken down by month and by hemisphere to ensure you get the best possible view, David shows you how to find objects like spiral galaxies, the 14th brightest star in the sky, and other stars that bring the “wow factor� to astronomy.

"I will tell you a story that will make you believe in God." No story can guarantee being able to do this. Yet novelists can tell stories that make us think about what we believe about God and why. Despite repeated predictions of the death of the novel, thousands of works of fiction are published and read in Britain each year. Although Western society is less religiously observant than it was, many 21st-century novelists persist in pursuing theological, religious and spiritual themes. Make-Believe seeks to explain why. With chapters offering analyses of novels from several genres - so-called literary fiction, historical fiction, science fiction, fantasy and dystopia - David Dickinson discusses a wide spectrum of novelists. Authors who are avowedly atheistic and authors who have a vested interest in perpetuating biblical stories are both featured. Well-known writers such as Rushdie, McEwan, McCarthy and Martell rub shoulders with some you may be meeting for the first time. Appealing to literature students and people who simply enjoy reading, whether Christian or not, this study of God in novels invites us to open our minds and allow aspects of our culture to shape our understanding of God and to change our ways of talking about the divine.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The Old Car Nut Book was designed with the idea that EVERYONE in the old car hobby has a story or two to tell. These are stories from regular Old Car Nuts from across America. Contributors range from people like the average Joe at a car show to collectors and restorers that are very well known and respected in their local communities. The stories in this book tell about the contributor's experiences from the time that cars first caught their eye up to their latest project and reveal the people and events that made an impact on them. You'll laugh and you'll cry. You'll step right into the past with each story told.

Excerpts from The Old Car Nut Book

My wife said, "You paid how much for what? What are you, president of the Stupid Club?" I guess I have yet to learn my lesson. Maybe my dad was right "Excerpt from Lessons in Stupidity by Gary M. Hughes "

She had heard me coming from a block away and watched with amusement as I tried to extract myself from the Pantera. As I clumsily attempted to exit the car, my foot caught on the seat and I almost landed on my keister in front of the whole neighborhood Vicki chuckled and said, wryly, "Any cool factor you may have by owning that car will immediately be obliterated when they see you trying to get out of it " "Excerpt from Pandora by Chris Kimball "

I put my foot to the floor and unleashed its full explosive power. It kicked the car into a hard fishtail to the right, which is exactly what I wanted. I held my foot to the floor while looking out the right side of the windshield. I could kinda hear my passenger screaming something, but didn't care. I slammed it into second gear and the force caused the rubber dash pad that covered the entire length of the dash to fly off into John's lap. Fishtailing to the left now, the screaming was getting much louder but I still couldn't make it out clearly. I slammed it into third, revving between gears enough to go sideways one more time before shifting to fourth and coasting. "Excerpt from A Ride To Remember by Jim Muchenfuhs"

I'd slide behind the huge steering wheel, peer out the tiny windows, and dream that I was driving it. Of course, in my dreams it was pristine, rather than the rusting hulk sitting in the briars on two flat tires that it really was. Someday, I'm gonna have one of these, I'd tell myself. "Excerpt from Good Job Kid by Tom Glide "

Resigning myself to saying goodbye, I bent and gave her a final kiss on the hood and walked away. I was so upset that I forgot to even take any pictures. Walking away, I didn't look back and I've never seen her again, but I keep going back to the New England Summer Nationals every year. "Excerpt from Telltale Skirts by Domenic Tringali"

I raced with some of the biggest names in Stock Car Racing, like Ralph Earnhart, Gale Yarborough, David Pearson, and Lee Petty. I remember a young Dale Earnhart hanging around with all of us drivers at the track when he was just a little boy. "Excerpt from Go Karting in the Fast Lane by Captain Jack McClure "

Again, he revved his engine to demonstrate the deep throaty sound of the old glass pack mufflers as he rocked back and forth in his seat, anxiety about to get the best of him. I was sure he was going to jump the light early. I revved back. "Excerpt from The Race That Never Happened by David Dickinson"

He was awe struck, to say the least, and didn't speak for a few minutes. He was just taking it all in. This was an extremely "special" moment for us both and one I will carry for with me forever. "Excerpt from"Bonneville Bob" by Ron Shincke "

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Changing the Course of AIDS is an in-depth evaluation of a new and exciting way to create the kind of much-needed behavioral change that could affect the course of the global health crisis of HIV/AIDS. This case study from the South African HIV/AIDS epidemic demonstrates that regular workers serving as peer educators can be as or even more effective agents of behavioral change than experts who lecture about the facts and so-called appropriate health care behavior.

After spending six years researching the response of large South African companies to the epidemic that is decimating their workforce as well as South African communities, David Dickinson describes the promise of this grassroots intervention workers educating one another in the workplace and community and the limitations of traditional top-down strategies. Dickinson's book takes us right into the South African workplace to show how effective and yet enormously complex peer education really is. We see what it means when workers directly tackle the kinds of sexual, gender, religious, ethnic, and broader social and political taboos that make behavior change so difficult, particularly when that behavior involves sex and sexuality.

Dickinson's findings show that people who are not officially health care experts or even health care workers can be skilled and effective educators. In this book we see why peer education has so much to offer societies grappling with the HIV/AIDS epidemic and why those interested in changing behaviors to ameliorate other health problems like obesity, alcoholism, and substance abuse have so much to learn from the South African example."

Find a murderer - and save the Queen's Jubilee! It is 1897 and the London is preparing for Queen Victoria's Diamond Jubilee. But a corpse is with no head or hands is dragged out of the Thames. The dead man was old and proserously dressed, but there are no other clues to his identity and the police ask for the discreet assistance of Lord Francis Powerscourt. His investigation leads him to a mysterious mansion in Oxfordshire, with classical temples in the gardens and in the house, a second corpse killed in a fire. On the track of the murderer, Powerscourt realizes that both he and his family are in mortal danger - and the outcome could wreck the Queen's Diamond Jubilee...

Mystery surrounds the death of Queen Victoria's grandson England, 1892. Victoria, Queen and Empress, is in the 54th year of her reign, when her grandson Prince Eddy, eldest son of the Prince of Wales, is found slaughtered in his bed at Sandringham. Terrified of more royal scandal, the Prince of Wales and his spindoctors decide to cover up the facts and the murder is disguised as death by influenza. Lord Francis Powerscourt, an Irish investigator, is privately asked to find the killer. His quest takes him on a journey through the prince's debauched and dissolute past, across Europe to the misty waterways of Venice where, amidst scandal and suicide, Powerscourt finally unravels themystery of the sweet prince's last goodnight. PRAISE FOR THE BOOK " 'In this excellent novel, Dickinson weaves a tale of blackmail and murder among the royals late in Victoria's reign& [his] knowledge of the arts, history and literature is nothing if not exhaustive, and adds enormously to the overall background& One hopes to see more of Lord Powerscourt and his friends in the near future.' - Publishers Weekly " 'This is detective fiction in the grand style; the characters and the plot soar upwards and carry us in their wake. Powerscourt's debut in this intoxicating book is the start of a gilded life in the archives of crime.' - James Naughtie

The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable. Which is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him. What had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

Why do alternative, non-scientific explanations of HIV/AIDS continue to circulate in South Africa's townships after almost 30 years of AIDS education? In A different kind of AIDS, David Dickinson explores the folk and lay theories that still circulate within township communities, despite extensive educational efforts and the availability of antiretroviral treatment. Dickinson's investigations are in partnership with HIV/AIDS peer educators and alongside township residents; and he argues that these theories constitute a robust hydra of beliefs that underlies and supports the de facto plural health care system in South Africa. The book explores township life and language and includes a methodological manifesto aimed at social science research students. The end-result is essential reading for the academic and lay reader alike, and a deeply sympathetic portrait of South African realities today.

The first man murdered was Abel Meredith, a resident at the Jesus Hospital Almshouse near London.The second victim, Roderick Gill, was burser at the Allison's school in Norfolk. Victim number three, Sir Rufus Walcott, was slain in his own hall by the Thames. All had their throats cut.And all had strange markings on their chests, carved there by the murderer but which neither doctor nor coroner could identify. Lord Francis Powerscourt, brought in to solve this case of triple murder, had no shortage of suspects or suspicions.Meredith had shadowy links with the civil service. Gill, a man who seduced women at church during Harvest Festival or the Christmas carol service, had been threatened by angry husbands and disinherited sons while Sir Rufus had wiped fifteen years out of his own past history.And all had ties to Sir Peregrine Fishbourne, Prime Warden of the Guild of Silkworkers, who had visited all three men shortly before their untimely deaths. Yet on one question Powerscourt never wavered, and he knew that only when he had solved the mystery of the strange markings on the victims' bodies would he then be able to solve the mystery of the death at the Jesus Hospital. Praise for David Dickinson: 'Splendid entertainment' Publishers Weekly 'A leisurely period whodunit with Dickinson's customary historical tidbits and patches of local color, swathed in an appealing Victorian narrative' Kirkus Reviews 'Detective fiction in the grand style' James Naughtie 'A cracking yarn, beguilingly real from start to finish' Peter Snow

An unwelcome guest - Death - gatecrashes a society wedding and Lord Francis Powerscourt is summoned by his barrister friend, Charles Augustus Pugh, to investigate this most singular case of murder in the Fens. The dead man is Randolph Colville, successful wine merchant and father of the groom. The murderer would appear to be his brother Cosmo, found in the same room with a gun in his hand. But is this simply a modern-day version of Cain and Abel, or is there more to it than that? Cosmo isn't speaking and time is running out for him for he has an appointment with the gallows in two weeks. Francis has to act fast and sets out to discover all he can about the dead man - and his brother. Cosmo's silence is bothering him for it can only be for two reasons; either he is protecting a woman - or a family scandal. His investigations take him to the vineyards and towns of Burgundy, where he uncovers evidence of serious malpractise in the Colville wine trade, bitter rivalry with a London-based competitor and a disgruntled ex-employee bent on revenge. But there is another secret - more terrible and shocking than anything gone on before - which finally reveals the motive for the untimely death of a wine merchant. Praise for David Dickinson: 'Splendid entertainment' Publishers Weekly 'A leisurely period whodunit with Dickinson's customary historical tidbits and patches of local color, swathed in an appealing Victorian narrative' Kirkus Reviews 'Detective fiction in the grand style' James Naughtie 'A cracking yarn, beguilingly real from start to finish' Peter Snow

1905. A young man called James Delaney is dying in a New York hospital. The doctors and the nuns cannot save him. When his life is spared his tycoon father takes it as a miracle and organizes a family pilgrimage to the resting place of the boy's name saint, Saint James the Greater in Santiago de Compostela in Spain, the greatest pilgrimage site of the Middle Ages. The first modern-day pilgrim is killed in Le Puy en Velay in Southern France and Powerscourt is summoned to investigate. The pilgrims' progress across the holy sites is punctuated by further bizarre deaths. After his own life is put in terrible danger Powerscourt finally solves the murders on the day of the Bull Run at Pamplona in Southern Spain where young men race down the cobbled streets pursued by the bulls. The careless are gored to death, but it is up to Powerscourt to beware of the horns and other hidden dangers to finally resolve the Deaths of the Pilgrims.

Changing the course of AIDS is an in-depth evaluation of a new and exciting way to create the kind of much-needed behavioral change that could affect the course of the global health crisis of HIV/AIDS. This case study from the South African HIV/AIDS epidemic demonstrates that regular workers serving as peer educators can be as - or even more - effective agents of behavioral change than experts who lecture about the facts and so-called appropriate health care behavior. After spending six years researching the response of large South African companies to the epidemic that is decimating their workforce as well as South African communities, David Dickinson describes the promise of this grassroots intervention - workers educating one another in the workplace and community - and the limitations of traditional top-down strategies. Dickinson's book takes us right into the South African workplace to show how effective and yet enormously complex peer education really is. We see what it means when workers directly tackle the kinds of sexual, gender, religious, ethnic, and broader social and political taboos that make behavior change so difficult, particularly when that behavior involves sex and sexuality. Dickinson's findings show that people who are not officially health care experts or even health care workers can be skilled and effective educators. In this book we see why peer education has so much to offer grappling with the HIV/AIDS epidemic and why those interested in changing behaviors to ameliorate other health problems such as obesity, alcoholism, and substance abuse have so much to learn from the South African example.

In May 1901 the Salisbury Galleries announce the biggest exhibition of the Old Master Paintings ever seen in Europe. Excitement is intense. But before it opens, one of Britain's leading art experts, Christopher Montague, is found murdered in his study. When Lord Francis Powerscourt is called in to investigate he finds every book, notepad and scrap of paper has been removed from the scene of the crime. Montague had been working on something that would have rocked the art world. Did his article that claimed a number of the Old Masters had been painted recently by a single hand have anything to do with his death? Powerscourt embarks on an odyssey through a treacherous world of art dealers and picture restorers in pursuit of a master forger. He travels to Sicily where the trail goes cold, but, after the thrills and danger of that wild, lawless isalnd, in a remopte corer of England, the truth is finally revealed.

A case of murder in the cathedral Compton Minster is preparing to celebrate a very special anniversary in the year 1901 - a thousand years of Christian worship. But a few weeks before the main ceremonies, a high official of the cathedral, the chancellor, dies in mysterious circumstances, and no on except the doctor and the undertaker is allowed to view the corpse. It then transpires that the chancellor was one of England's richest men. When his sister suspects foul play, Lord Francis Powerscourt is asked to investigate. As Powerscourt paces the ancient cloisters and listens to evensong from the choir stalls, he begins to suspect that a terrible secret lies hidden in the cathedral, one that may have someting to do with the anniversary. Then a chorister is strangles, his body found turning on the great spit in the Vicars Hall kitchen. Powerscourt himself escpaes death by a whisker, as does his wife, Lady Lucy, before he uncovers the astonishing secret of Compton Minster and unmasks a murderer.

Queen's Inn is London's youngest and most fashionable Inn of Court. On 29th February 1902, at a Feast, senior barrister Alexander Dauntsey collapses into his soup and dies. He has been poisoned. Soon after his friend Woodford Stewart is shot dead, and Lord Francis Powerscourt is summoned to discreetly investigate the matter of the murdered barristers. His inquiries take him into the heart of legal London where the wills of the dead can reveal the crimes of the living. It takes him to the heart of a troubled marriage where lack of children imperils everything. And it takes him to Calne, a mysterious house in the country where the glorious past is boarded up and the treasures of generations hide beneath the dustsheets. There are many suspects: a jealous wife, a mistress fearful of being jilted, a work colleague beaten to the senior role in the Inn and a cuckolded husband who writes books about poisons. Powerscourt himself is put in grave danger before he finally solves the mystery of Death Called to the Bar.

London, 1912, and the famed Ballet Russes have come to London to perform. Anticipation is high, for Diaghilev's troupe is renowned throughout Europe. At the end of their famed performance of Thamar at the Royal Opera House, the Georgian queen stabs her prince to death and throws him into the river. But life mirrors art when the prince is found truly dead, stabbed through the heart in the orchestra pit below stage. But the corpse is not the dancer in the programme. It is his understudy. Powerscourt is summoned to investigate. But who was the intended victim - the understudy, or the star of the Ballets Russes? And the Ballet Russes are not the only Russian visitors in London this season. Lenin, Europe's most dangerous revolutionary, has sent some bank robbery money to be changed into pounds. There are stolen jewels from St Petersburg to be sold. And there are other darker forces abroad too and Powerscourt has to look death in the face before he can solve the mystery of Death at the Ballet Russes