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Sound and the Aesthetics of Play - A Musical Ontology of Constructed Emotions (Hardcover, 1st ed. 2018)
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Sound and the Aesthetics of Play - A Musical Ontology of Constructed Emotions (Hardcover, 1st ed. 2018)
Series: Palgrave Studies in Sound
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This book is an interdisciplinary project that brings together
ideas from aesthetics, philosophy, psychology, and music sociology
as an expansion of German philosopher Hans-Georg Gadamer's theory
on the aesthetics of play. This way of thinking focuses on an
ontology of the process of musicking rather than an ontology of
discovering fixed and static musical objects. In line with this
idea, the author discusses the importance of participation and
involvement in this process of musicking, whether as a listener or
as a performer. Christensen then goes on to critique and update
Gadamer's theory by presenting incompatibilities between it and
recent theories of aesthetic emotions and embodiment. He proposes
that emotions are 'constructed' rather than 'caused', that the mind
uses a system of 'filters' to respond to sonic stimuli and thus
constructs (via play) aesthetic feelings and experiences. In turn,
this approach provides music with a route into the development of
social capital and inter-subjective communication. This work builds
on the hermeneutical steps already taken by Gadamer and those
before him, continuing his line of thought beyond his work. It will
be of great interest to scholars in music aesthetics as well as a
variety of other music related fields, including music psychology,
philosophy and science and technology studies.
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