John Cornwall started life as your original thin, asthmatic eight stone weakling who meets his first love only to see her snatched away from him by a brutal murderer. This sparks a unique skill in him that will change his life forever. As he slowly develops this new found skill he is able to use it to track down and seek revenge for the murder of his girlfriend. However, the use of this skill does not go unnoticed and soon a Chief Forensic Officer begins investigating only to discover that there is more to John than meets the eye. All the time John is also being secretly observed and evaluated. John joins the Ministry of Defence and becomes embroiled in a major conspiracy which threatens his very life and belief in what is right and wrong, while his own private life suffers even more tragedy when the beautiful Vivian enters his life. John will need all his new found skill and more to help him just survive, but at what cost? This book marks the first of a series of John Cornwall adventures.

This book is the first major ecocritical study of the relationship between British Romanticism and climate change. It analyses a wide range of texts - by authors including Lord Byron, William Cobbett, Sir Stamford Raffles, Mary Shelley, and Percy Shelley - in relation to the global crisis produced by the eruption of Mount Tambora in 1815. By connecting these texts to current debates in the environmental humanities, it reveals the value of a historicized approach to the Anthropocene. British Romanticism, Climate Change, and the Anthropocene examines how Romantic texts affirm the human capacity to shape and make sense of a world with which we are profoundly entangled and at the same time represent our humiliation by powerful elemental forces that we do not fully comprehend. It will appeal not only to scholars of British Romanticism, but to anyone interested in the relationship between culture and climate change.

This is a new textbook designed to help new undergraduates adopt a degree-level approach to the study of English literature in their first or foundation year. "Studying English Literature" offers a link between pre-degree study and undergraduate study by introducing students to: the history of English literature from the Renaissance to the present; the key literary genres (poetry, prose, and drama); a range of techniques, tools and terms useful in the analysis of literature; and, critical and theoretical approaches to literature. It is designed to improve close critical reading skills and evidence-based discussion; encourage reflection on texts' themes, issues and historical contexts; and demonstrate how criticism and literary theories enable richer and more nuanced interpretations. This one-stop resource for beginning students combines a historical survey of English literature with a practical introduction to the main forms of literary writing. Case studies of key texts offer practical demonstrations of the tools and approaches discussed. Guided further reading and a glossary of terms used provide further support for the student. Introducing a wide range of literary writing, this is an indispensable guide for any student beginning their study of English Literature, providing the tools, techniques, approaches and terminology needed to succeed at university.

Mary Shelley's Frankenstein is one of the most widely read novels of all time. Its two central characters, the scientist Victor Frankenstein and the being he creates, have gained mythic status in their own right. Engaging with the nove

Why do we speak so much of nature today when there is so little of it left? Prompted by this question, this study offers the first full-length exploration of modern British nature writing, from the late eighteenth century to the present. Focusing on non-fictional prose writing, the book supplies new readings of classic texts by Romantic, Victorian and Contemporary authors, situating these within the context of an enduringly popular genre. Nature writing is still widely considered fundamentally celebratory or escapist, yet it is also very much in tune with the conflicts of a natural world under threat. The book's five authors connect these conflicts to the triple historical crisis of the environment; of representation; and of modern dissociated sensibility. This book offers an informed critical approach to modern British nature writing for specialist readers, as well as a valuable guide for general readers concerned by an increasingly diminished natural world.

This book examines the decline of the cotton textiles industry, which defined Britain as an industrial nation, from its peak in the late nineteenth century to the state of the industry at the end of the twentieth century. Focusing on the owners and managers of cotton businesses, the authors examine how they mobilised financial resources; their attitudes to industry structure and technology; and their responses to the challenges posed by global markets. The origins of the problems which forced the industry into decline are not found in any apparent loss of competitiveness during the long nineteenth century but rather in the disastrous reflotation after the First World War. As a consequence of these speculations, rationalisation and restructuring became more difficult at the time when they were most needed, and government intervention led to a series of partial solutions to what became a process of protracted decline. In the post-1945 period, the authors show how government policy encouraged capital withdrawal rather than encouraging the investment needed for restructuring. The examples of corporate success since the Second World War - such as David Alliance and his Viyella Group - exploited government policy, access to capital markets, and closer relationships with retailers, but were ultimately unable to respond effectively to international competition and the challenges of globalisation. A new introduction and epilogue provide an updated framework for the chapters in this book, which were originally published in Business History and Accounting, Business and Financial History

In early nineteenth-century Britain, there was unprecedented interest in the subject of genius, as well as in the personalities and private lives of creative artists. This was also a period in which literary magazines were powerful arbiters of taste, helping to shape the ideological consciousness of their middle-class readers. Romantic Genius and the Literary Magazine considers how these magazines debated the nature of genius and how and why they constructed particular creative artists as geniuses.
Romantic writers often imagined genius to be a force that transcended the realms of politics and economics. David Higgins, however, shows in this text that representations of genius played an important role in ideological and commercial conflicts within early nineteenth-century literary culture. Furthermore, Romantic Genius and the Literary Magazine bridges the gap between Romantic and Victorian literary history by considering the ways in which Romanticism was understood and sometimes challenged by writers inthe 1830s. It not only discusses a wide range of canonical and non-canonical authors, but also examines the various structures in which these authors had to operate, making it an interesting and important book for anyone working on Romantic literature.

Beer is widely defined as the result of the brewing process which has been refined and improved over centuries. Beer is the drink of the masses - it is bought by consumers whose income, wealth, education, and ethnic background vary substantially, something which can be seen by taking a look at the range of customers in any pub, inn, or bar. But why has beer became so pervasive? What are the historical factors which make beer and the brewing industry so prominent? How has the brewing industry developed to become one of the most powerful global generators of output and revenue? This book answers these and other related questions by exploring the history of the beer and brewing industry at a global level. Contributors investigate a number of aspects, such as the role of geographical origin in branding; mergers, acquisitions, and corporate governance (UK, European and US perspectives); national and international political economy; taxation and regulation (including historical and contemporary practice); national and international trade flows and distribution networks; and historical trends in the commercialisation of beer. The chapters in this book were originally published as online articles in Business History.

In recent years there has been a growing interest in the ideas surrounding reflective practice, specifically in the areas of learning in management, development and education. This interest has developed in a growing number of professional fields thus making for very diverse understandings of what can be regarded as complex approaches to learning. In order to understand how reflective practice can support and aid learning it is helpful to acknowledge how we learn. First, all learners start from their own position of knowledge and have their own set of experiences to draw upon. Second, learning is contextual, something which managers need to acknowledge. To make sense and achieve a deep understanding of material and experiences, one needs to relate new information to existing knowledge and experiences. This is best achieved through a process of reflection. Indeed, the underlying rationale for the chapters in this publication is to explore how the role of practice, reflection, and critical reflection are understood and developed within a learning process which is supported through the application of reflective tools. This book recognises and makes explicit the diverse, yet inclusive nature of the field. By including a range of contributions from both subject specific disciplines and professional contexts, it seeks to enable the reader in documenting some of the current uses of reflection and critical reflection, while also illustrating some of the newer methods in use, as well as the current contributions to thinking in the subject domain. Through this publication the editor and authors hope to provide a basis from which continuing professional development and education can be enhanced. This book was originally published as a special issue of Reflective Practice: International and Multidisciplinary Perspectives.

In early nineteenth-century Britain, there was unprecedented interest in the subject of genius, as well as in the personalities and private lives of creative artists. This was also a period in which literary magazines were powerful arbiters of taste, helping to shape the ideological consciousness of their middle-class readers. Romantic Genius and the Literary Magazine considers how these magazines debated the nature of genius and how and why they constructed particular creative artists as geniuses. Romantic writers often imagined genius to be a force that transcended the realms of politics and economics. David Higgins, however, shows in this text that representations of genius played an important role in ideological and commercial conflicts within early nineteenth-century literary culture. Furthermore, Romantic Genius and the Literary Magazine bridges the gap between Romantic and Victorian literary history by considering the ways in which Romanticism was understood and sometimes challenged by writers in the 1830s. It not only discusses a wide range of canonical and non-canonical authors, but also examines the various structures in which these authors had to operate, making it an interesting and important book for anyone working on Romantic literature.

Bringing together leading scholars from the USA, UK and Europe, this is the first substantial study of the seminal influence of Jean-Jacques Rousseau on British Romanticism. Reconsidering Rousseau's connection to canonical Romantic authors such as Wordsworth, Byron and Percy Bysshe Shelley, Jean-Jacques Rousseau and British Romanticism also explores his impact on a wide range of literature, including anti-Jacobin fiction, educational works, familiar essays, nature writing and political discourse. Convincingly demonstrating that the relationship between Rousseau's thought and British Romanticism goes beyond mere reception or influence to encompass complex forms of connection, transmission and appropriation, Jean-Jacques Rousseau and British Romanticism is a vital new contribution to scholarly understanding of British Romantic literature and its transnational contexts.

Interest in the field of entrepreneurship and the small firm has developed exponentially in recent decades. However, concerns have been expressed regarding the need to effectively engage more critically with the lived experiences of practicing entrepreneurs through alternative approaches and methods seeking to account for and highlight the social, political and moral aspect of entrepreneurial practice. By drawing recognition to the lived practice of the entrepreneur, one can begin to position the notion of action as a process of socially constructed emergent practice. Such discussion would seek to give an alternative perspective as a method of re-shaping and understanding what it means to practice as an entrepreneur. This volume seeks to critically explore alternative dimensions to entrepreneurial and small firm research and practice. In addition, the authors seek to promote ideas from other research traditions and perspectives which are culturally enriched and challenge what we term entrepreneurial and small firm practice. Including topics drawn from discussions with leading scholars, researchers and practitioners alike, this collection of papers aims to generate new and exciting opportunities for a holistic view of entrepreneurial research agendas, and advance the manner in which academics and researchers think about and engage with various aspects of entrepreneurial practice and development.

This book is the first major ecocritical study of the relationship between British Romanticism and climate change. It analyses a wide range of texts - by authors including Lord Byron, William Cobbett, Sir Stamford Raffles, Mary Shelley, and Percy Shelley - in relation to the global crisis produced by the eruption of Mount Tambora in 1815. By connecting these texts to current debates in the environmental humanities, it reveals the value of a historicized approach to the Anthropocene. British Romanticism, Climate Change, and the Anthropocene examines how Romantic texts affirm the human capacity to shape and make sense of a world with which we are profoundly entangled and at the same time represent our humiliation by powerful elemental forces that we do not fully comprehend. It will appeal not only to scholars of British Romanticism, but to anyone interested in the relationship between culture and climate change.

Plants have played key roles in science fiction novels, graphic novels and film. John Wyndham's triffids, Algernon Blackwood's willows and Han Kang's sprouting woman are just a few examples. Plants surround us, sustain us, pique our imaginations and inhabit our metaphors - but in many ways they remain opaque. The scope of their alienation is as broad as their biodiversity. And yet, literary reflections of plant-life are driven, as are many threads of science fictional inquiry, by the concerns of today. Plants in Science Fiction is the first-ever collected volume on plants in science fiction, and its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics and cultural life at large - questioning and shifting our understandings of institutions, nations, borders and boundaries; erecting and dismantling new visions of utopian and dystopian futures.

Entrepreneurship is still regarded by many as in the theory building stage, which has led to some commentaries to suggest that the field is fragmented and at a nascent stage of development. Developing a critical and constructive position towards current theories, methods, assumptions and beliefs, the book seeks to question the prevailing assumptions currently dominating entrepreneurial researching and practice. The book brings together leading thinkers, practitioners and researchers in the field to draw upon new theoretical perspectives and approaches as a means of illustrating the inherently social and contextualized nature of entrepreneurial practice, and advance the manner in which we critically think about and engage with various aspects of entrepreneurial practice and development. Including a unique combination of studies that illustrate critical perspectives of current entrepreneurship research, the book covers a broad spectrum in terms of topics and approaches, as well as in terms of diversity and critique in their perspectives towards entrepreneurial practice and scholarship.

This book examines the decline of the cotton textiles industry, which defined Britain as an industrial nation, from its peak in the late nineteenth century to the state of the industry at the end of the twentieth century. Focusing on the owners and managers of cotton businesses, the authors examine how they mobilised financial resources; their attitudes to industry structure and technology; and their responses to the challenges posed by global markets. The origins of the problems which forced the industry into decline are not found in any apparent loss of competitiveness during the long nineteenth century but rather in the disastrous reflotation after the First World War. As a consequence of these speculations, rationalisation and restructuring became more difficult at the time when they were most needed, and government intervention led to a series of partial solutions to what became a process of protracted decline. In the post-1945 period, the authors show how government policy encouraged capital withdrawal rather than encouraging the investment needed for restructuring. The examples of corporate success since the Second World War - such as David Alliance and his Viyella Group - exploited government policy, access to capital markets, and closer relationships with retailers, but were ultimately unable to respond effectively to international competition and the challenges of globalisation. A new introduction and epilogue provide an updated framework for the chapters in this book, which were originally published in Business History and Accounting, Business and Financial History

Mary Shelley's "Frankenstein" is one of the most widely read novels of all time. Its two central characters, the scientist Victor Frankenstein and the being he creates, have gained mythic status in their own right. Engaging with the novel's characterisation is crucial to gaining a real understanding of its themes and contexts, including education, gender difference, imperialism, personal identity, revolutionary politics, and science.This study includes: an introductory overview of the novel, including a brief account of its historical and literary contexts, and reception history; discussion of the major themes and narrative structure; chapters analysing in detail the representation of key characters, such as Walton, Frankenstein, and the Creature; a conclusion reminding students of the links between the characters and the key themes and issues; and a guide to further reading.Written in an accessible style, and informed by recent criticism and scholarship, it is an ideal introduction for students looking to develop an advanced understanding of Mary Shelley's fascinating novel."Character Studies" aims to promote sophisticated literary analysis through the concept of character. It demonstrates the necessity of linking character analysis to texts' themes, issues and ideas, and encourages students to embrace the complexity of literary characters and the texts in which they appear. The series thus fosters close critical reading and evidence-based discussion, as well as an engagement with historical context, and with literary criticism and theory.

Bringing together leading scholars from the USA, UK and Europe, this is the first substantial study of the seminal influence of Jean-Jacques Rousseau on British Romanticism. Reconsidering Rousseau's connection to canonical Romantic authors such as Wordsworth, Byron and Percy Bysshe Shelley, Jean-Jacques Rousseau and British Romanticism also explores his impact on a wide range of literature, including anti-Jacobin fiction, educational works, familiar essays, nature writing and political discourse. Convincingly demonstrating that the relationship between Rousseau's thought and British Romanticism goes beyond mere reception or influence to encompass complex forms of connection, transmission and appropriation, Jean-Jacques Rousseau and British Romanticism is a vital new contribution to scholarly understanding of British Romantic literature and its transnational contexts.

John Cornwall started life as your original thin, asthmatic eight stone weakling who meets his first love only to see her snatched away from him by a brutal murderer. This sparks a unique skill in him that will change his life forever. As he slowly develops this new found skill he is able to use it to track down and seek revenge for the murder of his girlfriend. However, the use of this skill does not go unnoticed and soon a Chief Forensic Officer begins investigating only to discover that there is more to John than meets the eye. All the time John is also being secretly observed and evaluated. John joins the Ministry of Defence and becomes embroiled in a major conspiracy which threatens his very life and belief in what is right and wrong, while his own private life suffers even more tragedy when the beautiful Vivian enters his life. John will need all his new found skill and more to help him just survive, but at what cost? This book marks the first of a series of John Cornwall adventures.