Joseph Banks accompanied Captain Cook on his first voyage round the world from 1768 to 1771. A gifted and wealthy young naturalist, Banks collected exotic flora from Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia and Java, bringing back over 1,300 species that had never been seen or studied by Europeans. On his return, Banks commissioned over 700 superlative engravings between 1772 and 1784. Known collectively as Banks’ Florilegium, they are some of the most precise and exquisite examples of botanical illustration ever created. The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in colour was issued in a boxed edition (limited to 100 copies) under the direction of the British Museum (Natural History). It is from these prints that the present selection is made, directed by David Mabberley, who has provided expert botanical commentaries, with additional texts by art historian Mel Gooding, setting the works in context as a perfect conjunction of nature, science and art. An afterword by Joseph Studholme describes the history of the modern printing.

This is the first scholarly treatise to tell the remarkable story behind the making of the Flora Graeca, a monumental collection of drawings and descriptions of plants in mainland Greece and the Balkan Peninsula. Originally described by Diskorides in the sixth century, the flora and fauna of the Balkan Peninsula were neglected until the gentlemen botanists-naturalists John Sibthorpe and John Hawkins, with the help of illustrator Ferdinand Bauer, travelled the region and produced a class of paintings superior to anything of their kind in existence then. These were to become one of the most valuable treasures of the University of Oxford. Based on the original diaries, letters, and specimen, this fine work is illustrated with prints from the original illustrations which are still housed at the Department of Plant Sciences at Oxford.

Winner of the 2022 Society of Economic Botany's Daniel F. Austin Award A Cultural History of Plants presents a global exploration of how plants have shaped human culture. Covering the last 12,000 years, it is the definitive history of how we have cultivated, traded, classified, and altered plants and how, in turn, plants have influenced our ideas of luxury and wealth, health and well-being, art and architecture. Chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The themes (and chapter titles) are: Plants as Staple Foods; Plants as Luxury Foods; Trade and Exploration; Plant Technology and Science; Plants and Medicine; Plants in Culture; Plants as Natural Ornaments; The Representation of Plants. The six volumes cover: 1 - Antiquity (10,000 BCE to 500 CE); 2 - Post-Classical Era (500 to 1400); 3 - Early Modern Era (1400 to 1650); 4 - the Seventeenth and Eighteenth Centuries (1650 to 1800); 5 - the Nineteenth Century(1800 to 1920); 6 - Modern Era (1920 to the present). The page extent for the pack is 1744pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Plants is part of The Cultural Histories Series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully-searchable digital library available to institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com).