"Literary SF at its best." - The Guardian Whoever the lambdas might be, and wherever they really come from, they're already here among us. Outwardly alien arrivals from a distant sea, the lambdas are genetically human. They slip quietly into low- to middle-income jobs and appear to want nothing more than to be left alone. For Cara Gray, they are first a haunting presence in her otherwise ordinary childhood, then the inscrutable target of her police surveillance work. When a bomb goes off at a school, a nebulous group of lambda extremists claims responsibility for the attack-but how could a vulnerable community of tiny aquatic humans, barely visible in society and seemingly indifferent to their own exploitation, be capable of something so horrific? In Cara's world a toothbrush can be legally alive, a quantum computer has the power to decide who dies, and a government employee made of slime mould protein needs help to relieve his neuroses. As Cara's relationship with the lambdas deepens, she must decide whether to accept her place in a pattern of technology, violence and deceit, or to take action of her own.

This collection presents four decades of work, from seven collections and includes some poems which have not previously been published poems and others which have won some of Australia's most distinguished prizes. The poems are in a wide variety of forms and modes, but a concern with Australianness remains at the core of this selection.

This handbook provides comprehensive treatment of the current state of glass science from the leading experts in the field. Opening with an enlightening contribution on the history of glass, the volume is then divided into eight parts. The first part covers fundamental properties, from the current understanding of the thermodynamics of the amorphous state, kinetics, and linear and nonlinear optical properties through colors, photosensitivity, and chemical durability. The second part provides dedicated chapters on each individual glass type, covering traditional systems like silicates and other oxide systems, as well as novel hybrid amorphous materials and spin glasses. The third part features detailed descriptions of modern characterization techniques for understanding this complex state of matter. The fourth part covers modeling, from first-principles calculations through molecular dynamics simulations, and statistical modeling. The fifth part presents a range of laboratory and industrial glass processing methods. The remaining parts cover a wide and representative range of applications areas from optics and photonics through environment, energy, architecture, and sensing. Written by the leading international experts in the field, the Springer Handbook of Glass represents an invaluable resource for graduate students through academic and industry researchers working in photonics, optoelectronics, materials science, energy, architecture, and more.

Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot's The Waste Land and Pope's Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term `Menippean satire' first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as `radical heterogeneity' is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period.The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie's Midnight's Children in this context. It also gives an account of metaphor as a `grotesque transformation'. Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock's Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as `grotesque association'. Chapter 4 is a close reading of the scatological imagery of Pope's Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot's The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of `under-mindedness' and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart's eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.