In these odes Horace creates lyric poetry in Latin which stands comparison with anything written by his brilliant predecessors in Greek. Of the three books published together in 23 BC the second is in many ways the most rewarding. The first ode, for instance, looks back at the civil wars fought by Caesar and Pompey, and by Octavian and Antony, from the point of view of Horace and his friend Pollio who both took part in them. There are also poems of friendship which give insight into the social and intellectual tone of the age of the first Roman emperor Augustus, and Horace's unique, elusive sense of humour is in evidence throughout. This book contains the Latin text (from the Oxford Classical Text), a translation which attempts to be close to the Latin while catching as much as possible of the flavour of the original, and a commentary which tries to suggest how these poems work as poetry.

The Story of Trees takes the reader on a visual journey from some of the earliest known tree species on our planet to the latest fruit cultivars.

The chosen trees have all had a profound effect on the planet and humankind. Starting with the Ginkgo biloba, fossils of which date back 270 million years, we learn about how trees came to be integral to the development of our species and how specific trees have become important religious, political and cultural symbols.

With beautiful illustrations by Thibaud Herem and fascinating botanical facts and figures, this book will appeal to tree lovers from all over the world.

Originally published in 1974, these studies of Latin poetry were commissioned with two main purposes in mind: to encourage a fresh reading of several Latin poets from the time of Catullus to Horace, and to illustrate various, critical approaches to literature. As the literary study of Latin developed in schools and universities there was a proliferation of critical techniques, which were greeted with bewilderment by some, with hostility by others. This book does not attempt to adjudicate finally between them. There can be no one 'prescription' for interpreting poetry; but this does not mean that there are no valid standards of judgement. Criticism must be flexible, imaginative and sympathetic, but it must also be rigourous. To counteract feelings of disorientation the editors tried to provide samples of the best critical work in progress at the time of publication.

Horace is the greatest Latin lyric poet, and certainly the most influential. This book provides a new translation of the famous first book of Odes which is both accurate and readable, supported by a basic commentary for students showing how the poems work. The book includes the Oxford Classical Text edition of the Latin text. This book is intended for students, mainly undergraduate but some sixth form, of Latin Literature on Classics courses and Classics and English courses. Latin text with translation and commentary by: West, David (Professor Emeritus of Latin, University of Newcastle)

The subject of this book is widely taught and publicly discussed under the headlines racism, populism, and white supremacy. Authoritarianism has for long been a well-established research topic. This study, with its focus on a variety of political attitudes in Germany and a theoretical background in Critical Theory and psychoanalytic social psychology, is rather unique.

Professor Pete knows lots about all sorts of dinosaurs and other prehistoric animals. Learn all about plated dinosaurs from pronouncing their difficult names to facts about their weight, what they eat, how fast they can run and where they used to live in the world. Children will soon become dinosaur experts. Following the same style as Nora the Naturalist's Animals and Safari Sam's Wild Animals, Professor Pete's Prehistoric Animals are brilliant introductory books for young readers aged 5+ in the high-interest area of dinosaurs.

Professor Pete knows lots about all sorts of dinosaurs and other prehistoric animals. Learn all about long-necked dinosaurs from pronouncing their difficult names to facts about their weight, what they eat, how fast they can run and where they used to live in the world. Children will soon become dinosaur experts. Following the same style as Nora the Naturalist's Animals and Safari Sam's Wild Animals, Professor Pete's Prehistoric Animals are brilliant introductory books for young readers aged 5+ in the high-interest area of dinosaurs.

Professor Pete knows lots about all sorts of dinosaurs and other prehistoric animals. Learn all about armoured dinosaurs from pronouncing their difficult names to facts about their weight, what they eat, how fast they can run and where they used to live in the world. Children will soon become dinosaur experts. Following the same style as Nora the Naturalist's Animals and Safari Sam's Wild Animals, Professor Pete's Prehistoric Animals are brilliant introductory books for young readers aged 5+ in the high-interest area of dinosaurs.

Nora knows loads about all sorts of minibeasts. From scorpions to butterflies and everything in between. Find out about flying insects, why some minibeasts have so many legs, how they reproduce, the noises some can make and more through the simple text and other bite-sized facts. Nora the Naturalist's Animals (and Safari Sam's Wild Animals) are brilliant introductory books for young readers aged 5+ in the high-interest area of popular animals.

Nora knows loads about all sorts of farm animals. From horses to ducks and everything in between. Find out about why different mammals and birds live on farms, what baby farm animals are called and more through the simple text and other bite-sized facts. Nora the Naturalist's Animals (and Safari Sam's Wild Animals) are brilliant introductory books for young readers aged 5+ in the high-interest area of popular animals.

Welcome to a world where dinosaurs have suddenly appeared on our city streets. No one knows how they got here but now they are everywhere! Big scary, meat-eating ones like Tyrannosaurus Rex and Giganotosaurus; giant, long-necked ones like Diplodocus; noisy, trumpteting ones like Parasaurolophus; spiky armoured ones like Stegosaurus; and packs of dangerous little ones with sharp claws like Velociraptor (look out, they are stealing your football!). Fantastic, realistic graphic art combines with lively text to reveal the dinosaurs as they really might appear on our streets, accurately showing their size and colours, and helping young dinosaurs imagine what a real-life, face-to-face encounter with their favourite dinosaur might be like! A unique book that imagines what it would be like if dinosaurs lived on our streets today. Perfect for young dinosaur enthusiasts aged 7 and up, giving them the facts and stimulating their imaginations.

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the classical tradition right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitatio. The contributors analyze selected passages from various authors - Greek, Latin and English - in order to demonstrate both how Latin authors created new works of art by imitating earlier passages of literature (sometimes resorting even to self-imitation) and how English poets accomplished the same task by imitating passages of Latin literature.

The subject of this book is widely taught and publicly discussed under the headlines racism, populism, and white supremacy. Authoritarianism has for long been a well-established research topic. This study, with its focus on a variety of political attitudes in Germany and a theoretical background in Critical Theory and psychoanalytic social psychology, is rather unique.

Undoubtedly Romantic love has come to saturate our culture and is often considered to be a, or even the, major existential goal of our lives, capable of providing us with both our sense of worth and way of being in the world. The Radicalism of Romantic Love interrogates the purported radicalism of Romantic love from philosophical, cultural and psychoanalytic perspectives, exploring whether it is a subversive force capable of breaking down entrenched social, political and cultural norms and structures, or whether, in spite of its role in the fight against certain barriers, it is in fact a highly conservative impulse. Exploring both the grounds for the central place of Romantic love in contemporary lives and the meaning, extent and nature of its supposed radicalism, this volume considers love from a variety of theoretical perspectives, with attention to matters of gender, sexuality, class and ethnicity. With authors examining a range of questions, including the role of love in the same-sex marriage debate, polyamory and the notion of love as a political force, The Radicalism of Romantic Love illuminates a fundamental but perplexing aspect of our contemporary lives and will appeal to scholars across the social sciences and humanities with interests in the emotions and love as a social and political phenomenon.

The role of project sponsor is critical in large projects during the development of the business case, for governance and assurance and as the person who decides that the project should continue or close at any stage. Yet in many organizations the skills of the sponsor are often assumed; he or she will be a senior manager who may well have no practical project experience at all. David West explains the roles and skills that lie at the heart of effective sponsorship. The sponsor acts as a lynch-pin between the Board and the Project Manager, communicating and translating requirements downwards and resource needs, progress and constraints back upwards. An over-zealous sponsor may be tempted to assume some of the project manager's responsibilities, whilst an ineffective sponsor may be invisible, leaving the project manager uninformed by, and unrepresented to, the Board. Project Sponsorship includes exercises, examples and case histories from the real world of projects. It is an essential guide for anyone assuming the important role of managing the business case of the project and will help you ensure that the organization is 'doing the right things' as well as 'doing things right'.

Undoubtedly Romantic love has come to saturate our culture and is often considered to be a, or even the, major existential goal of our lives, capable of providing us with both our sense of worth and way of being in the world. The Radicalism of Romantic Love interrogates the purported radicalism of Romantic love from philosophical, cultural and psychoanalytic perspectives, exploring whether it is a subversive force capable of breaking down entrenched social, political and cultural norms and structures, or whether, in spite of its role in the fight against certain barriers, it is in fact a highly conservative impulse. Exploring both the grounds for the central place of Romantic love in contemporary lives and the meaning, extent and nature of its supposed radicalism, this volume considers love from a variety of theoretical perspectives, with attention to matters of gender, sexuality, class and ethnicity. With authors examining a range of questions, including the role of love in the same-sex marriage debate, polyamory and the notion of love as a political force, The Radicalism of Romantic Love illuminates a fundamental but perplexing aspect of our contemporary lives and will appeal to scholars across the social sciences and humanities with interests in the emotions and love as a social and political phenomenon.

The role of project sponsor is critical in large projects during the development of the business case, for governance and assurance and as the person who decides that the project should continue or close at any stage. Yet in many organizations the skills of the sponsor are often assumed; he or she will be a senior manager who may well have no practical project experience at all. David West explains the roles and skills that lie at the heart of effective sponsorship. The sponsor acts as a lynch-pin between the Board and the Project Manager, communicating and translating requirements downwards and resource needs, progress and constraints back upwards. An over-zealous sponsor may be tempted to assume some of the project manager's responsibilities, whilst an ineffective sponsor may be invisible, leaving the project manager uninformed by, and unrepresented to, the Board. Project Sponsorship includes exercises, examples and case histories from the real world of projects. It is an essential guide for anyone assuming the important role of managing the business case of the project and will help you ensure that the organization is 'doing the right things' as well as 'doing things right'.

The contemporary Catholic Church finds itself in deep crisis as it questions which elements are essential to the Catholic faith, and which can be changed. Bringing a longue duree perspective to this issue, Michael Seewald historicizes the problem and investigates how theologians of the past addressed it in light of the challenges that they faced in their time. He explores the intense intellectual efforts made by theologians to explain how new components were added to Christian doctrine over time, and that dogma has always been subject to change. Acknowledging the historic cleavage between 'conservatives' who refer to tradition, and reformers, who formulate their arguments to address contemporary needs, Seewald shows that Catholic thought is intellectually expansive, enabling the Church to be transformed in order to meet the challenges of the present day. His book demonstrates how theology has dealt with the realization that there is a simultaneity of continuity and discontinuity in doctrinal matters.

‘I sing of arms and of the man’

After a century of civil strife in Rome and Italy, Virgil wrote The Aeneid to honour the emperor Augustus by praising Aeneas – Augustus’ legendary ancestor. As a patriotic epic imitating Homer, The Aeneid also provided Rome with a literature equal to the Greek. It tells of Aeneas, survivor of the sack of Troy, and of his seven year journey – to Carthage, falling tragically in love with Queen Dido; then to the underworld, in the company of the Sibyl of Cumae; and finally to Italy, where he founded Rome. It is a story of defeat and exile, of love and war, hailed by Tennyson as ‘the stateliest measure ever moulded by the lips of man’.

David West’s acclaimed prose translation is accompanied by his revised introduction and individual prefaces to the twelve books of The Aeneid.

Combining statistical modelling and archival study, English and Empire investigates how African diasporic, Chinese, and Indian characters have been voiced in British fiction and drama produced between 1768 and 1929. The analysis connects patterns of linguistic representation to changes in the imperial political economy, to evolving language ideologies that circulate in the Anglophone world, and to shifts in sociocultural anxieties that crosscut race and empire. In carrying out his investigation, David West Brown makes the case for a methodological approach that links the distant (quantitative) and close (qualitative) reading of diverse digital artefacts. Taking an interdisciplinary approach, the book will appeal to a variety of scholars and students including sociolinguists interested in historical language variation, as well as literary scholars interested in postcolonial studies and the digital humanities.

Virgil's masterpiece and one of the greatest works in all of literature, now in a beautiful clothbound edition designed by Coralie Bickford-Smith Virgil's Aeneid, inspired by Homer and the inspiration for Dante and Milton, is an immortal poem that sits at the heart of Western life and culture. Virgil took as his hero Aeneas, legendary survivor of the fall of Troy and father of the Roman race. In telling a story of dispossession and defeat, love and war, he portrayed human life in all its nobility and suffering, in its physicality and its mystery.

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature.