|
Showing 1 - 12 of
12 matches in All Departments
This text is a clear and thorough introduction to political
philosophy and political thought. Each chapter begins with a brief
overview of a major political thinker and clearly introduces one or
more of their most influential works. The reader is then introduced
to key secondary readings, aiming to complement and further their
understanding of the thinker and text in question. Key features of
the book also include clear exercises, reading notes and guides for
further reading. The book is structured around eight major works
including Machiavelli's "The Prince"; Hobbes - "Leviathan"; Locke-
"The Second Treatise of Government"; Rousseau - "The Social
Contract"; " Two Concepts of Liberty' by Isaiah Berlin'; Marx and
Engels - "The German Ideology (Part 1)"; and Mill - "On Liberty".
This text provides students with the skills necessary to understand
the main thinkers, texts and arguments of political philosophy. It
requires no previous knowledge of philosophy or politics and is
suitable to anyone coming to political philosophy and political
thought for the first time.
Empathy-our capacity to cognitively or affectively connect with
other people's thoughts and feelings-is a concept whose definition
and meaning varies widely within philosophy and other disciplines.
Philosophical Perspectives on Empathy advances research on the
nature and function of empathy by exploring and challenging
different theoretical approaches to this phenomenon. The first
section of the book explores empathy as a historiographical method,
presenting a number of rich and interesting arguments that have
influenced the debate from the Nineteenth Century to the present
day. The next group of essays broadly accepts the centrality of
perspective-taking in empathy. Here the authors attempt to refine
and improve this particular conception of empathy by clarifying the
intentionality of the perspective taker's emotion, the perspective
taker's meta-cognitive capacities, and the nature of central
imagining itself. Finally, the concluding section argues for the
re-evaluation, or even rejection, of empathy. These essays advance
alternative theories that are relevant to current debates, such as
narrative engagement and competence, attunement or the sharing of
mental states, and the "second-person" model of empathy. This book
features a wide range of perspectives on empathy written by experts
across several different areas of philosophy. It will be of
interest to researchers and upper-level students working on the
philosophy of emotions across ethics, philosophy of mind,
philosophy of psychology, and the history of philosophy.
With an Introduction by Derek Matravers. In The Social Contract
Rousseau (1712-1778) argues for the preservation of individual
freedom in political society. An individual can only be free under
the law, he says, by voluntarily embracing that law as his own.
Hence, being free in society requires each of us to subjugate our
desires to the interests of all, the general will. Some have seen
in this the promise of a free and equal relationship between
society and the individual, while others have seen it as nothing
less than a blueprint for totalitarianism. The Social Contract is
not only one of the great defences of civil society, it is also
unflinching in its study of the darker side of political systems.
This textbook reflects the buoyant state of contemporary political philosophy, and the development of the subject in the past two decades. It includes seminal papers on fundamental philosophical issues such as: the nature of social explanation distributive justice liberalism and communitarianism citizenship and multiculturalism nationalism democracy criminal justice. A range of views is represented, demonstrating the richness of the philosophical contribution to some of the most contested areas of public policy and political decision making. Each section has an introduction by the editors that situates the papers in the ongoing debate. Further Reading sections feature at the end of each chapter. Readings from the following thinkers are included: Steven Lukes, Robert Nozick, John Rawls, Bhikhu Parekh, Antony Duff, G.A. Cohen, Derek Parfit, Roger Scruton, Michael Sandel, Alasdair MacIntrye. Debates in Contemporary Political Philosophy will be a valuable resource for upper-level students interested in current thinking in this area.
In 1797 Friedrich Schlegel wrote that "philosophy of art usually
lacks one of two things: either the philosophy, or the art." This
collection of essays contains both the philosophy and the art. It
brings together an international team of leading philosophers to
address diverse philosophical issues raised by recent works of art.
Each essay engages with a specific artwork and explores the
connection between the image and the philosophical content.
Thirteen contemporary philosophers demonstrate how philosophy can
aid interpretation of the work of ten contemporary artists,
including: Jesse Prinz on John Currin Barry C. Smith and Edward
Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de
Freston Raymond Geuss on Adrian Ghenie and Chantal Joffe Hallvard
Lillehammer on Paul Noble M. M. McCabe and Alexis Papazoglou on Ged
Quinn Noel Carroll on Paula Rego Simon Blackburn and Jerrold
Levinson on George Shaw Sondra Bacharach on Yue Minjun. The
discussion ranges over ethical, political, psychological and
religious concepts, such as irony, disgust, apathy, inequality,
physiognomy and wonder, to historical experiences of war,
Marx-inspired political movements and Thatcherism, and standard
problems in the philosophy of art, such as expression, style,
depiction and ontology of art, as well as major topics in art
history, such as vanitas painting, photography, pornography, and
Dadaism. Many of the contributors are distinguished in areas of
philosophy other than aesthetics and are writing about art for the
first time. All show how productive the engagement can be between
philosophy, more generally, and art.
Derek Matravers introduces students to the philosophy of art
through a close examination of eight famous works of
twentieth-century art. Each work has been selected in order to best
illustrate and illuminate a particular problem in aesthetics. Each
artwork forms the basis of a single chapter and readers are
introduced to such issues as artistic value, intention,
interpretation, and expression through a careful analysis of the
artwork. Questions considered include what does art mean in
contemporary art practice? Is the artistic value of a painting the
same as how much you like it? If a painting isn't of anything, then
how do we understand it? Can art be immoral? By grounding abstract
and theoretical discussion in real examples the book provides an
excellent way into the subject for readers new to the philosophical
dimension of art appreciation.
This textbook reflects the buoyant state of contemporary political philosophy, and the development of the subject in the past two decades. It includes seminal papers on fundamental philosophical issues such as: the nature of social explanation distributive justice liberalism and communitarianism citizenship and multiculturalism nationalism democracy criminal justice. A range of views is represented, demonstrating the richness of the philosophical contribution to some of the most contested areas of public policy and political decision making. Each section has an introduction by the editors that situates the papers in the ongoing debate. Further Reading sections feature at the end of each chapter. Readings from the following thinkers are included: Steven Lukes, Robert Nozick, John Rawls, Bhikhu Parekh, Antony Duff, G.A. Cohen, Derek Parfit, Roger Scruton, Michael Sandel, Alasdair MacIntrye. Debates in Contemporary Political Philosophy will be a valuable resource for upper-level students interested in current thinking in this area.
Derek Matravers introduces students to the philosophy of art
through a close examination of eight famous works of
twentieth-century art. Each work has been selected in order to best
illustrate and illuminate a particular problem in aesthetics. Each
artwork forms a basis for a single chapter and readers are
introduced to such issues as artistic value, intention,
interpretation, and expression through a careful analysis of the
artwork. Questions considered include what does art mean in
contemporary art practice? Is the artistic value of a painting the
same as how much you like it? If a painting isn't of anything, then
how do we understand it? Can art be immoral? By grounding abstract
and theoretical discussion in real examples the book provides an
excellent way into the subject for readers new to the philosophical
dimension of art appreciation.
This clear and thorough introduction provides students with the skills necessary to understand the main thinkers, texts and arguments of political philosophy and thought. Each chapter comprises a brief overview of a major political thinker, followed by an introduction to one or more of their most influential works and an introduction to key secondary readings. Key features include: * exercises * reading notes * guides for further reading The book introduces and assesses: Machiavelli's Prince; Hobbes' Leviathan; Locke's Second Treatise on Government; Rousseau's Social Contract; Marx and Engels' German Ideology (Part 1); Mill's On Liberty and The Subjection of Women. Reading Political Philosophy requires no previous knowledge of philosophy or politics and is ideal for newcomers to political philosophy and political thought.
Empathy-our capacity to cognitively or affectively connect with
other people's thoughts and feelings-is a concept whose definition
and meaning varies widely within philosophy and other disciplines.
Philosophical Perspectives on Empathy advances research on the
nature and function of empathy by exploring and challenging
different theoretical approaches to this phenomenon. The first
section of the book explores empathy as a historiographical method,
presenting a number of rich and interesting arguments that have
influenced the debate from the Nineteenth Century to the present
day. The next group of essays broadly accepts the centrality of
perspective-taking in empathy. Here the authors attempt to refine
and improve this particular conception of empathy by clarifying the
intentionality of the perspective taker's emotion, the perspective
taker's meta-cognitive capacities, and the nature of central
imagining itself. Finally, the concluding section argues for the
re-evaluation, or even rejection, of empathy. These essays advance
alternative theories that are relevant to current debates, such as
narrative engagement and competence, attunement or the sharing of
mental states, and the "second-person" model of empathy. This book
features a wide range of perspectives on empathy written by experts
across several different areas of philosophy. It will be of
interest to researchers and upper-level students working on the
philosophy of emotions across ethics, philosophy of mind,
philosophy of psychology, and the history of philosophy.
In 1797 Friedrich Schlegel wrote that "philosophy of art usually
lacks one of two things: either the philosophy, or the art." This
collection of essays contains both the philosophy and the art. It
brings together an international team of leading philosophers to
address diverse philosophical issues raised by recent works of art.
Each essay engages with a specific artwork and explores the
connection between the image and the philosophical content.
Thirteen contemporary philosophers demonstrate how philosophy can
aid interpretation of the work of ten contemporary artists,
including: Jesse Prinz on John Currin Barry C. Smith and Edward
Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de
Freston Raymond Geuss on Adrian Ghenie and Chantal Joffe Hallvard
Lillehammer on Paul Noble M. M. McCabe and Alexis Papazoglou on Ged
Quinn Noel Carroll on Paula Rego Simon Blackburn and Jerrold
Levinson on George Shaw Sondra Bacharach on Yue Minjun. The
discussion ranges over ethical, political, psychological and
religious concepts, such as irony, disgust, apathy, inequality,
physiognomy and wonder, to historical experiences of war,
Marx-inspired political movements and Thatcherism, and standard
problems in the philosophy of art, such as expression, style,
depiction and ontology of art, as well as major topics in art
history, such as vanitas painting, photography, pornography, and
Dadaism. Many of the contributors are distinguished in areas of
philosophy other than aesthetics and are writing about art for the
first time. All show how productive the engagement can be between
philosophy, more generally, and art.
Derek Matravers examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions towards, or on behalf of, a particular fictional character. Matravers shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music expresses the emotions it causes its listeners to feel.
|
You may like...
Ab Wheel
R209
R149
Discovery Miles 1 490
Poor Things
Emma Stone, Mark Ruffalo, …
DVD
R449
R329
Discovery Miles 3 290
Loot
Nadine Gordimer
Paperback
(2)
R398
R330
Discovery Miles 3 300
|