A DIRECTORY ONLY OF COUNTRY MUSIC ARTISTS AND THEIR NOSTALGIC BACKING GROUPS FROM THE 1920s TO THE PRESENT

What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclusion, in its engagement with virtually every category of human experience, and in its author's desire to communicate religious truth, the author suggests, Clarissa truly is the Paradise Lost of the eighteenth century. Arguing that Clarissa's cohesiveness and intellectual rigor have suffered from the limitations of the Lockean model frequently applied to the novel, Taylor turns to the writings of John Norris, a well-known disciple of the theosophy of Nicolas Malebranche. Allusions to this first of Locke's philosophical critics appear in each of the novel's installments, and Taylor persuasively documents how Norris's ideas provided Richardson with a usefully un-Lockean rhetorical grounding for Clarissa. Further, the writings of early feminists like Norris's intellectual ally Mary Astell, who viewed her arguments on behalf of women as compatible with her conservative and deeply held religious and political views, provide Richardson with the combination of progressive feminism and conservative theology that animate the novel. In a convincing twist, Taylor offers a closely argued analysis of Lovelace's oft-stated declaration that he will not be 'out-Norris'd' or 'out-plotted' by Clarissa, showing how the plot of the novel and the plot of all humans exist, in the context of Richardson's grand theological experiment, within, through, and by a concurrence of divine energy.

Hospitality Sales and Promotion' is the essential guide for every manager in the hospitality industry wanting to achieve maximum profits from their sales promotions. Practical and down-to-earth, this guide discovers: who is your customer? market segments and groups how can you reach them effectively? the secrets of successful public relations new and traditional technologies; from direct mail to using the Internet to maximum advantage.Derek Taylor has a wealth of experience in the hospitality industry and has worked with and advised numerous international corporate hospitality companies. Concrete and relevant case studies and examples from his experience are used to illustrate throughout the guide, from companies such as: Whitbread, Hilton International, Pizza Express and Stakis.

For 800 years, Magna Carta has inspired those prepared to face torture, imprisonment and even death in the fight against tyranny. But the belief that the Great Charter gave us such freedoms as democracy, trial by jury and equality beneath the law has its roots in myth. Back in 1215, when King John was forced to issue Magna Carta, it was regarded as little more than a stalling tactic in the bloody conflict between monarch and barons. Here, Derek J. Taylor embarks on a mission to uncover the 'golden thread of truth' that runs through the story of the Great Charter. On a journey through space and time, he takes us from the palaces and villages of medieval England, through the castles and towns of France and the Middle East, to the United States of the twenty-first century. Along the way, the characters who gave birth to the Charter, and those who later fought in its name, are brought to life at the places where they lived, struggled and died. As he discovers, the real history of Magna Carta is far more engaging, exciting and surprising than any simple fairy tale of good defeating evil.

What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclusion, in its engagement with virtually every category of human experience, and in its author's desire to communicate religious truth, E. Derek Taylor suggests, Clarissa truly is the Paradise Lost of the eighteenth century. Arguing that Clarissa's cohesiveness and intellectual rigor have suffered from the limitations of the Lockean model frequently applied to the novel, Taylor turns to the writings of John Norris, a well-known disciple of the theosophy of Nicolas Malebranche. Allusions to this first of Locke's philosophical critics appear in each of the novel's installments, and Taylor persuasively documents how Norris's ideas provided Richardson with a usefully un-Lockean rhetorical grounding for Clarissa. Further, the writings of early feminists like Norris's intellectual ally Mary Astell, who viewed her arguments on behalf of women as compatible with her conservative and deeply held religious and political views, provide Richardson with the combination of progressive feminism and conservative theology that animate the novel. In a convincing twist, Taylor offers a closely argued analysis of Lovelace's oft-stated declaration that he will not be 'out-Norris'd' or 'out-plotted' by Clarissa, showing how the plot of the novel and the plot of all humans exist, in the context of Richardson's grand theological experiment, within, through, and by a concurrence of divine energy.

Derek Taylor's iconic memoir is a rare opportunity to be immersed in one of the most whirlwind music sensations in history: Beatlemania. As Time Goes By tells the remarkable story of Taylor's trajectory from humble provincial journalist to loved confidant right at the centre of the Beatles' magic circle. In charming, conversational prose, Taylor shares anecdotes and reminiscences so vivid and immediate that you find yourself plunged into the beating heart of 1960s counterculture. Whether watching the debut performance of 'Hey Jude' in a country pub or hearing first-hand gossip about a star-studded cast of characters, Taylor's unique narrative voice forges an autobiography like no other. Reissued here in a brand new edition with a foreword by celebrated writer Jon Savage, this long-admired memoir is a cult classic of the genre awaiting a new readership.

Given the progress made in recent years in recovering the writings of early modern women, one might expect that a complete set of the important works of Mary Astell (1666-1731) would have been reissued long before now. Instead, only portions of the thought of the 'First English Feminist' have reached a wide academic audience. This volume presents a critical and annotated edition of the correspondence between Astell and John Norris of Bemerton (1657-1711), Letters Concerning the Love of God, which was published in three separate editions during the seventeenth and eighteenth centuries (1695, 1705, 1730). This work had profound significance in eighteenth-century intellectual and religious circles, and represents a crucial step in the development of Norris and Astell's philosophical and theological opposition to that most prominent of Enlightenment figures, John Locke. Letters Concerning the Love of God includes, as contextual material, Norris's Cursory Reflections upon a Book Call'd, An Essay Concerning Human Understanding (1690), the first published philosophical response to (as Bishop Stillingfleet would later put it) Locke's 'new way of ideas,' and Astell's biting and comprehensive attack on Locke in the 'Appendix' to the second edition of The Christian Religion, As Professed by a Daughter of the Church of England (1717). These texts serve to place both Letters and its authors in the contentious philosophical-theological climate to which they belonged, one wherein, most significantly, Locke's present-day preeminence had yet to be realized. The editors' extensive introduction and annotations to this volume not only provide background on the historical and biographical elements, but also elucidate philosophical and theological concepts that are perhaps unfamiliar to modern readers.

'Fake news.' 'Dishonest press.' 'Racist.' 'Mentally unstable.' The insults President Donald Trump and the American news media hurl at each other are nothing new. In Tudor England, printed papers branded the monarch a 'horrible monster' and were in turn accused of publishing 'false fables'. Ever since the invention of the printing press, those in power have seen mass communication as a dangerous threat that usurps their ability to tell people what to think and is capable of stirring up discontent - or even rebellion. In Fayke Newes, historian and international journalist Derek Taylor tracks this long and bloody fight between the press and those in power, through the lives of the men and women who got caught up in the battle. On a journey through the centuries, we criss-cross the Atlantic between Britain and America and discover that neither governments nor journalists have always told the truth.

Hospitality Sales and Promotion' is the essential guide for every manager in the hospitality industry wanting to achieve maximum profits from their sales promotions.

Practical and down-to-earth, this guide discovers:

* who is your customer? market segments and groups

* how can you reach them effectively? the secrets of successful public relations

* new and traditional technologies; from direct mail to using the Internet to maximum advantage.

Derek Taylor has a wealth of experience in the hospitality industry and has worked with and advised numerous international corporate hospitality companies. Concrete and relevant case studies and examples from his experience are used to illustrate throughout the guide, from companies such as: Whitbread, Hilton International, Pizza Express and Stakis.

Table of Contents

The marketing plan; Organizing a sales office; Buyers and customers; Face-to-face selling; Telephone selling; The shape of things that came - the technology; Banqueting sales; Direct mail; Advertising; In-house promotion; Public relations; Special events and short break holidays.

The mid-20th century saw the birth of a new kind of big band/orchestral music in what came to be called 'Easy Listening'. Like its contemporary, rock 'n' roll, it took the world by storm, introducing romance and chic into a world brutalised by war. While a new generation went wild and sexy, their elders sought to live in a world of civilised values. Easy listening music gave them this in spades. In The Golden Era of Easy Listening Music Derek Taylor comprehensively takes the Easy Listening story from an unlikely beginning with an American army general through to its sub summation into 21st century mainstream popular music. Described and put into historical context are the giants and innovators of easy-listening music from Paul Weston, Mantovani, Percy Faith, Ray Conniff, Serge Gainsbourg, Bert Kaempfert, Acker Bilk, Herb Albert, Sergio Mendes to James Last and a host of others. These easy listening giants came from all around the world, bringing to the music throughout the decades a revitalising mix of styles and forms that is being rediscovered and enjoyed as much by the streaming generation of today as it was by the generation of 78 RPM shellac and high fidelity vinyl of its golden era.

Given the progress made in recent years in recovering the writings of early modern women, one might expect that a complete set of the important works of Mary Astell (1666-1731) would have been reissued long before now. Instead, only portions of the thought of the 'First English Feminist' have reached a wide academic audience. This volume presents a critical and annotated edition of the correspondence between Astell and John Norris of Bemerton (1657-1711), Letters Concerning the Love of God, which was published in three separate editions during the seventeenth and eighteenth centuries (1695, 1705, 1730). This work had profound significance in eighteenth-century intellectual and religious circles, and represents a crucial step in the development of Norris and Astell's philosophical and theological opposition to that most prominent of Enlightenment figures, John Locke. Letters Concerning the Love of God includes, as contextual material, Norris's Cursory Reflections upon a Book Call'd, An Essay Concerning Human Understanding (1690), the first published philosophical response to (as Bishop Stillingfleet would later put it) Locke's 'new way of ideas,' and Astell's biting and comprehensive attack on Locke in the 'Appendix' to the second edition of The Christian Religion, As Professed by a Daughter of the Church of England (1717). These texts serve to place both Letters and its authors in the contentious philosophical-theological climate to which they belonged, one wherein, most significantly, Locke's present-day preeminence had yet to be realized. The editors' extensive introduction and annotations to this volume not only provide background on the historical and biographical elements, but also elucidate philosophical and theological concepts that are perhaps unfamiliar to modern readers.

What makes the English so . . . English? The English are often confused about who they are. They say 'British' when they mean 'English', and 'English' when they should say 'British.' And when England, more than the rest of the UK, voted to leave the EU, polls showed national identity was a big concern. So it's time the English sorted out in their minds what it means to be English. A nation's character is moulded by its history. In Who Do the English Think They Are? historian and journalist Derek J. Taylor travels the length and breadth of the country to find answers. He discovers that the first English came from Germany, and then in the later Middle Ages almost became French. He tracks down the origins of English respect for the rule of law, tolerance and a love of political stability. And, when he reaches Victorian times, he investigates the arrogance and snobbishness that have sometimes blighted English behaviour. Finally, Taylor looks ahead and asks: faced with uncharted waters post-Brexit, what is it in their national character that will help guide the English people now?

A collection of poems by the poets who attended the inaugural happening of the NACTON POETS in Nacton Village Hall, Nacton, Suffolk, England, UK September 2018

A little book of traditional folk ballads from the English speaking world. A portable pocket book handy to keep in your pocket or handbag for easy use at folk clubs, festivals, concerts, schools or just to have with you.

The Ohio & Kentucky Railroad is coming to the dead-end town of Nopoint but one man stands in its way: Matt Berry, owner of the town's freight and passenger company. He is persuaded that his stagecoach business has had its day, but he doesn't like the ways of the railroads, and hires two shooters to protect himself.