In commemoration of the work of Mervyn Popham this festschrift contains 22 essays concerned with the archaeology of Crete and Euboea. Studies include an examination of the role of Crete in Homeric epic, a consideration of the role of the little palace' and some ofthe Middle Minoan pottery found by Evans at Knossos is reexamined. Essays on Euboea include Knossos and Lefkandi: the Attic connections' and Euobean Phylla and greek barracks'. Contributors are: Sinclair Hood, Colin F Macdonald, Elizabeth Schofield, Eleni Hatzaki, Peter Warren, Hugh Sackett, Doniert Evely, H W Catling, Judith Weingarten, Susan Sherratt, Dyfri Williams, E Sapouna-Sakellaraki, Angelika Andreiomenou, Irene S Lemods, R W V Catling, J N Coldstream, Angeliki Lebessi, John Boardman, J J Coulton, Evi Touloupa.

The honorand of this volume, Matti Egon, has been a great benefactor to museums, schools, universities and hospitals in the UK and also in Greece: all areas that her background and life's interests have made dear to her. One of these is the Greek Archaeological Committee UK, that she helped found in 1992: an organization dedicated to informing academe and the public in Britain of archaeological work carried out in Greece, and of enabling the 'brightest minds' of Greece and Cyprus to pursue post-graduate research at British institutions, to the mutual enrichment of both. Some fifty-five graduates have so benefited. This volume offers essays by a good half of those so assisted: roughly split between the sexes, they range between post-graduates still completing their studies in the UK, up to those with doctorates, almost half the group, now successfully in employment at Universities and similar Institutions in the UK, Greece, Cyprus and the USA, with rather fewer working in Museums, within the Greek Ephorates and even at a Foreign School in Athens. The hugely varied topics they offer cover the entire range of prehistory and history down to the modern day on Greek and Cypriot soil. Neolithic animal butchery rubs shoulders with regional assessments of the end of the Mycenaean era, investigations into Hellenistic sculptors and lamps, life in Byzantine monasteries and the politics behind modern exhibitions; the Phoenicians and even an Islamic general make cameo appearances. This startling range of subjects accurately reflects the depth of scholarship Matti Egon has nurtured into being; the affection and gratitude expressed by the graduates equally mirrors the deep appreciation they acknowledge for the opportunities so given.