This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.

This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.

The heyday of anthropological collecting on the Northwest Coast took place between 1875 and the Great Depression. The scramble for skulls and skeletons, poles, canoes, baskets, feast bowls, and masks went on until it seemed that almost everything not nailed down or hidden was gone. The period of most intense collecting on the coast coincided with the growth of anthropological museums, which reflected the realization that time was running out and that civilization was pushing the indigenous people to the wall, destroying their material culture and even extinguishing the native stock itself. Douglas Cole examines the process of collecting in the context of the development of museums and anthropology. The main North American museums with Northwest Coast collections -- the Smithsonian Institution, the American Museum of Natural History, Chicago's Field Museum of Natural History, the Royal British Columbia Museum, and the Canadian Museum of Civilization in Ottawa -- were intense rivals in the race against time. For the new edition of Captured Heritage, Douglas Cole has written a preface in which he outlines developments since the book's first publication in 1985. Since that time, for example, the Kwagiulth Museum and Cultural Center on Quadra Island and the U'Mista Museum and Cultural Center at Alert Bay have been successful in having some of their artifacts repatriated.