This work focuses on Marlowe's works as an index of the major
transformation of Elizabethan theatrical practices. In the opening
chapter, Cole reviews the unusually intriguing historical record of
Marlowe's life outside the theatre. The body of the book addresses
Marlowe's individual plays as experiments in extending and
redefining the traditional concepts and techniques of tragic drama,
and suggests how his contemporaries and followers made use of his
innovations. Intended as an introduction to the subject, this book
provides an insightful approach to Marlowe's work and the study of
Elizabethan thought and theatre.
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