Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.

To what extent does locality influence contemporary art? Can any particular artistic practices be defined as uniquely Cypriot? And does art from Cyprus transcend Western boundaries once it enters the global art scene? This volume uses Cyprus as a case study for the exploration of notions of identity, regionalism, and the global and local in contemporary art practice; it is not, therefore, a complete historiography of contemporary Cypriot art. Rather, this critical text provides a theoretical and historical framework that frames and contextualizes art practices from Cyprus, while always relating these back to the international art world. Numerous current and pressing issues—all relevant beyond Cyprus—are investigated in this book including, but not limited to, art as capital, the emergence of the “periphery”, the importance of thriving localities, issues of memory and memorialization, archaeology, artists’ identities, conflict and politics, social engagement, gender politics, and such curatorial alternatives as artist-run spaces. In doing all of this, Contemporary Art from Cyprus not only bears on current and future art practices in this region but highlights the importance of Cypriot art in a global context too.

A"Tourists Who ShootA" (2009-2012) is a contemporary, nuanced look at how tourists use their cameras while on holiday. Influenced by the seminal work of photographer Martin Parr, A"Tourists Who ShootA" offers a playful glimpse at the sometimes bizarre world of the modern tourist striving to get the perfect shot. It includes an essay by renowned photography scholar Liz Wells and color photographs by Theopisti Stylianou-Lambert. Before the invention of the portable camera people behaved, moved and interacted differently. Tourist choreographies have evolved, and are still evolving, alongside changes in camera availability and technology. Photographer and photography theorist Theopisti Stylianou-Lambert explores tourist landscapes from New York to Cairo as performance spaces where the use of the camera has forced specific choreographies and behaviors upon tourists. With Stylianou-Lambert's deadpan sense of humor and her unerring eye for the critical detail that brings a photograph to life, A"Tourists Who ShootA" is a sometimes humorous, sometimes poignant reassessment of what it means to be a tourist.