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Examining a wide range of source material including popular
culture, literature, photography, television, and visual art, this
collection of essays sheds light on the misrepresentations of
Latina/os in the mass media.
Humor and Latina/o Camp in Ugly Betty: Funny Looking expands the
vista of critical approaches to comedy and representational
politics on mainstream television from an interdisciplinary
Latina/o studies approach. Gonzalez and Rodriguez y Gibson examine
how Ugly Betty uses humor and Latina/o camp to reframe socially
charged issues on the show: representations of masculinity and
familia, immigration, drag and queer subjectivities, Latina
sexuality, and finally, a Latina feminist critique of the American
Dream. Ugly Betty moves beyond the binaries of traditional
representational politics and opens a vista of critical possibility
applicable to all mainstream texts that portray people of color
through comedy. This work will be of interest to scholars in media
studies, Latina/o studies, and communication studies.
Humor and Latina/o Camp in Ugly Betty: Funny Looking expands the
vista of critical approaches to comedy and representational
politics on mainstream television from an interdisciplinary
Latina/o studies approach. Gonzalez and Rodriguez y Gibson examine
how Ugly Betty uses humor and Latina/o camp to reframe socially
charged issues on the show: representations of masculinity and
familia, immigration, drag and queer subjectivities, Latina
sexuality, and finally, a Latina feminist critique of the American
Dream. Ugly Betty moves beyond the binaries of traditional
representational politics and opens a vista of critical possibility
applicable to all mainstream texts that portray people of color
through comedy. This work will be of interest to scholars in media
studies, Latina/o studies, and communication studies.
Examining a wide range of source material including popular
culture, literature, photography, television, and visual art, this
collection of essays sheds light on the misrepresentations of
Latina/os in the mass media.
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