This is the second volume in the first full-scale scholarly edition of Thoreau's correspondence in more than half a century. When completed, the edition's three volumes will include every extant letter written or received by Thoreau-in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published. Correspondence 2 contains 246 letters, 124 written by Thoreau and 122 written to him. Sixty-three are collected here for the first time; of these, forty-three have never before been published. During the period covered by this volume, Thoreau wrote the works that form the foundation of his modern reputation. A number of letters reveal the circumstances surrounding the publication of A Week on the Concord and Merrimack Rivers in May 1849 and Walden in August 1854, as well as the essays "Resistance to Civil Government" (1849; now known as "Civil Disobedience") and "Slavery in Massachusetts" (1854), and two series, "An Excursion to Canada" (1853) and "Cape Cod" (1855). Writing and lecturing brought Thoreau a small group of devoted fans, most notably Daniel Ricketson, an independently wealthy Quaker and abolitionist who became a faithful correspondent. The most significant body of letters in the volume are those Thoreau wrote to Harrison Gray Otis Blake, a friend and disciple who elicited intense and complex discussions of the philosophical, ethical, and moral issues Thoreau explored throughout his life. Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau's life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the history of the publication of Thoreau's correspondence. Proper names, publications, events, and ideas found in both the letters and the annotations are included in the index, which provides full access to the contents of the volume.

Henry D. Thoreau's classic "A Week on the Concord and Merrimack Rivers" is published now as a new paperback edition and includes an introduction by noted writer John McPhee. This work--unusual for its symbolism and structure, its criticism of Christian institutions, and its many-layered storytelling--was Thoreau's first published book.

In the late summer of 1839, Thoreau and his older brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Thoreau began to prepare a memorial account of their excursion. He wrote two drafts of this story at Walden Pond, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The book's heterodoxy and apparent formlessness troubled its contemporary audience. Modern readers, however, have come to see it as an appropriate predecessor to "Walden," with Thoreau's story of a river journey depicting the early years of his spiritual and artistic growth.

This first volume of the Journal covers the early years of Thoreau's rapid intellectual and artistic growth. The Journal reflects his reading, travels, and contacts with Ralph Waldo Emerson, Margaret Fuller, and other Transcendentalists. With characteristic reticence, Thoreau mentions only a few episodes in his emotional history: an ill-fated romance, the death of his elder brother, and an unhappy sojourn on Staten Island, where he tried to write for New York periodicals. Parts of Thoreau's Journal have been published, but always with large omissions of text and with considerable grooming of its erratic manuscript style. This edition presents the entire surviving manuscript in a text preserving Thoreau's words as he originally wrote them.

In the late summer of 1839 Thoreau and his elder brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Henry began to prepare a memorial account of their excursion. At Walden Pond he wrote two drafts of this story, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The contemporary audience for A Week was troubled by its heterodoxy and apparent formlessness; but modern readers have come to see it as an appropriate predecessor to Walden, with Thoreau's story of a river journey actually depicting the early years of his spiritual and artistic growth.

Thoreau's compelling account of Cape Cod is here presented in the complete and definitive text. His trips to the Cape, he wrote, were intended to afford "a better view than I had yet had of the ocean." In the plants, animals, topography, weather, people, and human works of Massachusetts' long projection into the Atlantic, he finds "another world." Encounters with the ocean dominate the book, from the fatal shipwreck of the opening episode to the late reflections on the Pilgrims' Cape Cod landing and reconnaissance. Along the way, Thoreau relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship-captains, as well as his own intense confrontations with the sea as he travels the land's outermost margins. Chronicles of exploration, settlement, and survival on the Cape lead Thoreau to reconceive the history of New England and to recognize the parochialism of history itself.