In this fully revised and expanded book, Nicholas Beer examines the
sight-size portrait method, in which the artist stands back at a
distance to view the picture and sitter side-by-side and to scale.
Nick demonstrates the technique in a series of projects that
culminate in portrait painting. There are also sections on the
history of sight-size, early treatises on portraiture, and the
'philosophy' of seeing. This new edition also includes a 'starts
and studies' section, which looks at a series of unfinished
paintings in detail to analyse the thought processes and techniques
of great artists.
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