|
Showing 1 - 17 of
17 matches in All Departments
'A captivating epic fantasy from a major new talent' Anthony Ryan,
author of Blood Song ***ONE OF TIME MAGAZINE'S 100 BEST FANTASY
BOOKS OF ALL TIME*** IN A WORLD CONSUMED BY ENDLESS WAR ONE YOUNG
MAN WILL BECOME HIS PEOPLE'S ONLY HOPE FOR SURVIVAL. The Omehi
people have been fighting an unwinnable war for generations. The
lucky ones are born gifted: some have the power to call down
dragons, others can be magically transformed into bigger, stronger,
faster killing machines. Everyone else is fodder, destined to fight
and die in the endless war. Tau Tafari wants more than this, but
his plans of escape are destroyed when those closest to him are
brutally murdered. With too few gifted left, the Omehi are facing
genocide, but Tau cares only for revenge. Following an unthinkable
path, he will strive to become the greatest swordsman to ever live,
willing to die a hundred thousand times for the chance to kill
three of his own people. THE RAGE OF DRAGONS LAUNCHES AN UNMISSABLE
EPIC FANTASY SERIES. 'Intense, inventive and action-packed from
beginning to end - a relentlessly gripping, brilliant read' James
Islington, author of The Shadow of What Was Lost 'Stunning debut
fantasy' Publishers Weekly 'Intense, vivid and brilliantly realised
- a necessary read' Anna Smith Spark, author of The Court of Broken
Knives 'Fans of Anthony Ryan's Blood Song will love this' Django
Wexler, author of The Thousand Names 'A Xhosa-inspired world
complete with magic, dragons, demons and curses, The Rage of
Dragons takes classic fantasy and imbues it with a fresh and
exciting twist' Anna Stephens, author of Godblind
Recently, Black women have taken the world stage in national
politics, popular culture, professional sports, and bringing
attention to racial injustice in policing and the judicial system.
However, rarely are Black women acknowledged and highlighted for
their efforts to understand the social problems confronting our
generation and those generations that came before us. In the
post-civil rights era, research faculty and theoreticians must
acknowledge the marginalization of Black women scholars' voices in
contemporary qualitative scholarship and debates. Black Feminism in
Qualitative Inquiry: A Mosaic for Writing our Daughter's Body
engages qualitative inquiry to center the issues and concerns of
Black women as researcher(s) and the researched while
simultaneously questioning the ostensible innocence of qualitative
inquiry, including methods of data collection, processes of data
analysis, and representations of human experiences and identities.
The text centers "daughtering" as the onto-epistemological tool for
approaches to Black feminist and critical race data analysis in
qualitative inquiry. Advanced and novice researchers interested in
decolonizing methodologies and liberatory tools of analysis will
find the text useful for cultural, education, political, and racial
critiques that center the intersectional identities and
interpretations of Black women and girls and other people of color.
Daughtering as a tool of analysis in Black feminist qualitative
inquiry is our own cultural and spiritual way of being, doing, and
performing decolonizing work.
The album The Miseducation of Lauryn Hill sold over 420,000 copies
in its first week, received ten Grammy nominations (winning five).
Celebrating Twenty Years of Black Girlhood: The Lauryn Hill Reader
critically engages the work of Ms. Hill, highlighting the
interdisciplinary nature of the album. Beyond the album's
commercial success, Ms. Hill's radical self-consciousness and
exuberance for life led listeners through her Black girl journey of
love, motherhood, admonition, redemption, spirituality, sexuality,
politics, and nostalgia that affirmed the power of creativity,
resistance, and the tradition of African storytelling. Ms. Hill's
album provides inspirational energies that serve as a foundational
text for Black girlhood. In many ways it is the definitive work of
Black girlhood for the Hip Hop generation and beyond because it
opened our eyes to a holistic narrative of woman and mother. Twenty
years after the release of the album, we pay tribute to this work
by adding to the quilt of Black girls' stories with the threads of
feminist consciousness, which are particularly imperative in this
space where we declare: Black girls matter. Celebrating Twenty
Years of Black Girlhood is the first book to academically engage
the work of the incomparable Ms. Hill. It intellectually wrestles
with the interdisciplinary nature of Ms. Hill's album, centering
the connection between the music of Ms. Hill and the lives of Black
girls. The essays in this collection utilize personal narratives
and professional pedagogies and invite students, scholars, and
readers to reflect on how Ms. Hill's album influenced their past,
present, and future.
Researchers and theorists are calling for more research that
considers the interaction of race, class, and gender in urban
education research and practice. Teaching Black Girls: Resiliency
in Urban Classrooms is the first book to directly focus on the
pedagogical and educational needs of poor and working-class African
American female students. Blurring the boundaries between research,
theory, and practice, Teaching Black Girls offers teachers and
educational advocates an alternative lens to approach positive
educational development in urban schools. Using data from a
three-year ethnography, this book explores ways in which teachers
and educational institutions can foster resilience in students who
acquire many risks and vulnerabilities in a society that privileges
whiteness, wealth, and men. The author merges the tenets of
postmodernism, Black feminism, and critical pedagogy to offer
insight into the learning dynamics of students who may encounter
multiple adversities in the home, community, and school.
While figures on Black women and girls' degree attainment suggest
that as a group they are achieving in society, the reality is that
their experiences are far from monolithic, that the educational
system from early on and through college imposes barriers and
inequities, pushing many out of school, criminalizing their
behavior, and leading to a high rate of incarceration. The purpose
of this book is to illuminate scholarship on Black women and girls
throughout the educational pipeline. The contributors--all Black
women educators, scholars, and advocates--name the challenges Black
women and girls face while pursuing their education as well as
offer implications and recommendations for practitioners,
policymakers, teachers, and administrators to consider in ensuring
the success of Black women and girls. This book is divided into
four sections, each identifying the barriers Black girls and women
encounter at the stages of their education and offering strategies
to promote their success and agency within and beyond educational
contexts. In Part One, the contributors explore the importance of
mattering for Black girls in terms of redefining success and joy;
centering Black girl literacy pedagogies that encourage them to
thrive; examining how to make STEM more accessible to them; and
recounting how Black girls' emotions and emotional literacy can
either disempower them or promote their sense of agency to navigate
educational contexts. Part Two uncovers the violence directed
toward and the criminalization of Black women and girls, and how
they are situated in educational and justice systems that collude
to fail them. The contributors address incarceration and the
process of rehabilitation and reentry; the outcomes of disciplinary
action in schools on women who pursue college; and describe how the
erasure and disregard of Black women and girls leaves them absent
from the educational policies that deeply affect their lives and
wellbeing. Part Three focuses on how Black women are left to
navigate without resources that could make their collegiate
pathways smoother; covers how hair politics impact their acceptance
in college leadership roles, particularly at HBCUs; illuminates the
importance of social/emotional and mental health for Black
undergraduate women and the lack of adequate resources; and
explores how women with disabilities navigate higher education. The
final part of this book describes transformative approaches to
supporting the educational needs of Black women and girls,
including the use of a politicized ethic of care, intergenerational
love and dialogue, and constructing communities, including digital
environments, to ensure they thrive through their education and
beyond.
While figures on Black women and girls' degree attainment suggest
that as a group they are achieving in society, the reality is that
their experiences are far from monolithic, that the educational
system from early on and through college imposes barriers and
inequities, pushing many out of school, criminalizing their
behavior, and leading to a high rate of incarceration. The purpose
of this book is to illuminate scholarship on Black women and girls
throughout the educational pipeline. The contributors--all Black
women educators, scholars, and advocates--name the challenges Black
women and girls face while pursuing their education as well as
offer implications and recommendations for practitioners,
policymakers, teachers, and administrators to consider in ensuring
the success of Black women and girls. This book is divided into
four sections, each identifying the barriers Black girls and women
encounter at the stages of their education and offering strategies
to promote their success and agency within and beyond educational
contexts. In Part One, the contributors explore the importance of
mattering for Black girls in terms of redefining success and joy;
centering Black girl literacy pedagogies that encourage them to
thrive; examining how to make STEM more accessible to them; and
recounting how Black girls' emotions and emotional literacy can
either disempower them or promote their sense of agency to navigate
educational contexts. Part Two uncovers the violence directed
toward and the criminalization of Black women and girls, and how
they are situated in educational and justice systems that collude
to fail them. The contributors address incarceration and the
process of rehabilitation and reentry; the outcomes of disciplinary
action in schools on women who pursue college; and describe how the
erasure and disregard of Black women and girls leaves them absent
from the educational policies that deeply affect their lives and
wellbeing. Part Three focuses on how Black women are left to
navigate without resources that could make their collegiate
pathways smoother; covers how hair politics impact their acceptance
in college leadership roles, particularly at HBCUs; illuminates the
importance of social/emotional and mental health for Black
undergraduate women and the lack of adequate resources; and
explores how women with disabilities navigate higher education. The
final part of this book describes transformative approaches to
supporting the educational needs of Black women and girls,
including the use of a politicized ethic of care, intergenerational
love and dialogue, and constructing communities, including digital
environments, to ensure they thrive through their education and
beyond.
Recently, Black women have taken the world stage in national
politics, popular culture, professional sports, and bringing
attention to racial injustice in policing and the judicial system.
However, rarely are Black women acknowledged and highlighted for
their efforts to understand the social problems confronting our
generation and those generations that came before us. In the
post-civil rights era, research faculty and theoreticians must
acknowledge the marginalization of Black women scholars' voices in
contemporary qualitative scholarship and debates. Black Feminism in
Qualitative Inquiry: A Mosaic for Writing our Daughter's Body
engages qualitative inquiry to center the issues and concerns of
Black women as researcher(s) and the researched while
simultaneously questioning the ostensible innocence of qualitative
inquiry, including methods of data collection, processes of data
analysis, and representations of human experiences and identities.
The text centers "daughtering" as the onto-epistemological tool for
approaches to Black feminist and critical race data analysis in
qualitative inquiry. Advanced and novice researchers interested in
decolonizing methodologies and liberatory tools of analysis will
find the text useful for cultural, education, political, and racial
critiques that center the intersectional identities and
interpretations of Black women and girls and other people of color.
Daughtering as a tool of analysis in Black feminist qualitative
inquiry is our own cultural and spiritual way of being, doing, and
performing decolonizing work.
The album The Miseducation of Lauryn Hill sold over 420,000 copies
in its first week, received ten Grammy nominations (winning five).
Celebrating Twenty Years of Black Girlhood: The Lauryn Hill Reader
critically engages the work of Ms. Hill, highlighting the
interdisciplinary nature of the album. Beyond the album's
commercial success, Ms. Hill's radical self-consciousness and
exuberance for life led listeners through her Black girl journey of
love, motherhood, admonition, redemption, spirituality, sexuality,
politics, and nostalgia that affirmed the power of creativity,
resistance, and the tradition of African storytelling. Ms. Hill's
album provides inspirational energies that serve as a foundational
text for Black girlhood. In many ways it is the definitive work of
Black girlhood for the Hip Hop generation and beyond because it
opened our eyes to a holistic narrative of woman and mother. Twenty
years after the release of the album, we pay tribute to this work
by adding to the quilt of Black girls' stories with the threads of
feminist consciousness, which are particularly imperative in this
space where we declare: Black girls matter. Celebrating Twenty
Years of Black Girlhood is the first book to academically engage
the work of the incomparable Ms. Hill. It intellectually wrestles
with the interdisciplinary nature of Ms. Hill's album, centering
the connection between the music of Ms. Hill and the lives of Black
girls. The essays in this collection utilize personal narratives
and professional pedagogies and invite students, scholars, and
readers to reflect on how Ms. Hill's album influenced their past,
present, and future.
'CAPTIVATING EPIC FANTASY FROM A MAJOR NEW TALENT' Anthony Ryan on
The Rage of Dragons Desperate to delay an impending attack by the
indigenous people of Xidda, Tau and his queen craft a dangerous
plan. If Tau succeeds, the queen will have the time she needs to
assemble her forces and launch an all-out assault on her own
capital city, where her sister is being propped up as the 'true'
Queen of the Omehi. If the city can be taken, if Tsiora can reclaim
her throne and reunite her people, then the Omehi might have a
chance to survive the coming onslaught. THE FIRES OF VENGEANCE
CONTINUES THE UNMISSABLE EPIC FANTASY SERIES THAT BEGAN WITH EVAN
WINTER'S ACCLAIMED DEBUT THE RAGE OF DRAGONS. Praise for The Rage
of Dragons: 'Intense, inventive and action-packed from beginning to
end - a relentlessly gripping, brilliant read' James Islington,
author of The Shadow of What Was Lost 'Stunning debut fantasy'
Publishers Weekly 'Intense, vivid and brilliantly realised - a
necessary read' Anna Smith Spark, author of The Court of Broken
Knives 'Impossible to put down' Rick Riordan 'Fans of Anthony
Ryan's Blood Song will love this' Django Wexler, author of The
Thousand Names 'A Xhosa-inspired world complete with magic,
dragons, demons and curses, The Rage of Dragons takes classic
fantasy and imbues it with a fresh and exciting twist' Anna
Stephens, author of Godblind
In Black Feminism in Education: Black Women Speak Back, Up, and
Out, authors use an endarkened feminist lens to share the ways in
which they have learned to resist, adapt, and re-conceptualize
education research, teaching, and learning in ways that serve the
individual, community, nation, and all of humanity. Chapters
explore and discuss the following question: How is Black feminist
thought and/or an endarkened feminist epistemology (EFE) being used
in pre-K through higher education contexts and scholarship to
marshal new research methodologies, frameworks, and pedagogies? At
the intersection of race, class, and gender, the book draws upon
alternative research methodologies and pedagogies that are possibly
transformative and healing for all involved in the research,
teaching, and service experience. The volume is useful for those
interested in women and gender studies, research methods, and
cultural studies.
For over thirty years, Drizzt Do'Urden has been one of the most
important characters in fantasy literature. Throughout his novels,
Drizzt has written down his thoughts about life and love, the
nature of good and evil, the joys (and frustrations) of family, and
so much more. Bound together for the first time, the collected
wisdom and philosophy of Drizzt will be a beautifully-packaged gift
book-complete with deckled edges, faux-leather cover, and an
introduction by bestselling fantasy author Evan Winter-for his
biggest fans and readers wanting to learn about this iconic figure.
Growing up in the chaos of Menzoberranzan, one young drow elf tries
to make sense of the conflict between the traditions he must serve
and the protestations of his own conscience. To lay bare the
injustices he sees and to strengthen his own resolve to follow the
ethical call of his heart, Drizzt Do'Urden is both an agent of
action and self-reflection. These, his writings, become critical to
his salvation, the way in which he makes sense of a world that to
him makes little sense at all. The impact of his words, of his
meditation, of his inward determination will carry him forward,
forcing upon him decisions that others would consider noble,
perhaps, but surely foolhardy...impossible even. But to Drizzt, the
only choice is to do what is true and right. These journal entries,
then, show the struggle between what has always been and what
should be, where the courage to transcend the many obstacles of
societal expectations and entrenched power-if nowhere else, then in
the soul of an idealist. They were written to help Drizzt
understand himself. But the universal truths will resonate with
readers throughout the Realms.
Recipient of a 2022 Most Promising New Textbook Award from the
Textbook & Academic Authors Association (TAA) Introduction to
Intersectional Qualitative Research, by Jennifer Esposito and Venus
Evans-Winters, introduces students and new researchers to the basic
aspects of qualitative research including research design, data
collection, and analysis, in a way that allows intersectional
concerns to be infused throughout the research process. Esposito
and Evans-Winters infuse their combined forty years of experience
conducting and teaching intersectional qualitative research in this
landmark book, the first of its kind to address intersectionality
and qualitative research jointly for audiences new to both. The
book's premise is that race and gender matter, and that racism and
sexism are institutionalized in all aspects of life, including
research. Each chapter opens with a vignette about a struggling
researcher emphasizing that reflecting on your mistakes is an
important part of learning. Discussion questions at the end of each
chapter help instructors generate dialogue in class or in groups.
Introduction to Intersectional Qualitative Research makes those
identities and structures central to the task of qualitative study.
In Black Feminism in Education: Black Women Speak Back, Up, and
Out, authors use an endarkened feminist lens to share the ways in
which they have learned to resist, adapt, and re-conceptualize
education research, teaching, and learning in ways that serve the
individual, community, nation, and all of humanity. Chapters
explore and discuss the following question: How is Black feminist
thought and/or an endarkened feminist epistemology (EFE) being used
in pre-K through higher education contexts and scholarship to
marshal new research methodologies, frameworks, and pedagogies? At
the intersection of race, class, and gender, the book draws upon
alternative research methodologies and pedagogies that are possibly
transformative and healing for all involved in the research,
teaching, and service experience. The volume is useful for those
interested in women and gender studies, research methods, and
cultural studies.
|
|