This is the first collection of essays in which African critics present an in-depth study of African-American writers. These prominent critics from different African countries and backgrounds bring an important perspective to the complex relationship between African Americans and Africa. Through provocative readings of prominent African-American writers, the contributors provide insights into contemporary African-American issues. This collection offers a rare opportunity to view African opinions on what it means to be African American.

These stories explore, and attempt to define the inexorable new world of emigration and globalisation, fragmented and uncertain, where the legacy of racism and colonialism confuses, prevails, or takes on new forms. The author and his protagonists are the children of the independence movement - the black privileged bourgeoisie, educated abroad and lecturers at universities of world renown; but also the crooks and anonymous odd-jobbers on the streets of the cities. They are cultural hybrids and unwanted aliens in ruthless pursuit of money; their children in pursuit of paper qualifications and fast cars, racing into modernity, without asking what it might mean. Then there is the question of the black complex: symbol of black freedom and solidarity, and the root of racism and inferiority. The author is a professor of French and Francophone Studies. His works include Exlie at Home, and Dead End, One Little Girl's Dream for which he won the Association of Nigerian Authors' Prize for Children's Literature.

A conspiracy of earth-shaking importance; a successful nationalist revolution in Russia; the spectre of nuclear war in Europe, Bosnia- Herzegovina centre-stage. African leaders converge to chart the destiny of their country in the event of global rupture, and a visioary African leader emerges to plot the survival of his continent.