Mortality, With Friends is a collection of lyrical essays from Fleda Brown, a writer and caretaker, of her father and sometimes her husband, who lives with the nagging uneasiness that her cancer could return. Memoir in feel, the book muses on the nature of art, of sculpture, of the loss of bees and trees, the end of marriages, and among other things, the loss of hearing and of life itself. Containing twenty-two essays, Mortality, With Friends follows the cascade of loss with the author's imminent joy in opening a path to track her own growing awareness and wisdom. In ""Donna,"" Brown examines a childhood friendship and questions the roles we need to play in each other's lives to shape who we might become. In ""Native Bees,"" Brown expertly weaves together the threads of a difficult family tradition intended to incite happiness with the harsh reality of current events. In ""Fingernails, Toenails,"" she marvels at the attention and suffering that accompanies caring for our aging bodies. In ""Mortality, with Friends,"" Brown dives into the practical and stupefying response to her own cancer and survival. In ""2019: Becoming Mrs. Ramsay,"" she remembers the ghosts of her family and the strident image of herself, positioned in front of her Northern Michigan cottage. Comparable to Lia Purpura's essays in their density and poetics, Brown's intent is to look closely, to stay with the moment and the image. Readers with a fondness for memoir and appreciation for art will be dazzled by the beauty of this collection.

A keenly observant collection of poems on disaster, aging, and apocalypse. Golda Meir once said, "Old age is like a plane flying through a storm. Once you're aboard, there's nothing you can do." The poems in Fleda Brown's brave collection, her thirteenth, take readers on a journey through the fury of this storm. There are plenty of tragedies to weather here, both personal and universal: the death of a father, a child's terminal cancer, the extinction of bees, and environmental degradation. Brown's poems are wise, honest, and deeply observant meditations on contemporary science, physics, family, politics, and aging. With tributes to visionary artists, including Frida Kahlo, Pablo Picasso, and Grandma Moses, as well as to life's terrors, sadnesses, and joys, these works are beautiful dispatches from a renowned poet who sees the shadows lengthening and imagines what they might look like from the other side.

The Woods Are On Fire is Fleda Brown's deeply human and intensely felt poetic explorations of her life and world. Her account includes her brain-damaged brother, a rickety family cottage, a puzzling and sometimes frightening father, a timid mother, and the adult life that follows with its loves, divorces, and serious illnesses. Visually and emotionally rich, Brown's poems call on Einstein, Shakespeare, Sophocles, Law and Order, Elvis, and Beethoven. They stand before the Venus de Milo as well as the moon, as they measure distances between what we make as art and who we are as humans. In wide-ranging forms-from the sestina to prose poems-they focus on the natural world as well as the Delaware legislature and the inauguration of William Jefferson Clinton. The Woods Are On Fire includes nearly fifty new poems, along with poems selected from seven previous books, showcasing an influential American poet's work over the last few decades.

All our lives are made of moments, both simple and sublime, all of which in some way partake of the cultural moment. Fleda Brown is that rare writer who, in narrating the incidents and observations of her life, turns her story, by wit and insight and a poet's gift, into something more. This is an unconventional memoir. A series of lyrical essays about life in a maddeningly complex family during the even more maddeningly complex fifties and sixties, it adds up to one woman's story while simultaneously reflecting the story of her times. A strange and erratic father, a resigned and helpless mother, a mentally disabled brother, a sister with a brain tumor: folded into Brown's reflections are the intimacies and ambivalences of family and marriage, girlhood and adolescence, identity and self-knowledge. Whether reflecting on the automobile industry or a wrenching parting from beloved pets or the process of aging, Brown's telling rings with great humor, profound perception, and a lyricism that makes even the most commonplace moment uncommonly good reading.

The poems in "Reunion" insistently turn back toward sources: toward home and the idea of home, toward the body, and toward objects that return us to ourselves. They always surprise, moving from quantum mechanics, wildflowers, and a Bobcat driver to a woman killed by a flying deer, magma becoming rock, and an invasion of flying ants. Fleda Brown deftly unites daily frustrations and suffering with profound psychological, physical, and cosmic questions.

The poems in "Reunion" insistently turn back toward sources: toward home and the idea of home, toward the body, and toward objects that return us to ourselves. They always surprise, moving from quantum mechanics, wildflowers, and a Bobcat driver to a woman killed by a flying deer, magma becoming rock, and an invasion of flying ants. Fleda Brown deftly unites daily frustrations and suffering with profound psychological, physical, and cosmic questions.