* An accessible text giving an overview of contemporary depictions of transgender men and women in film * Structured around film genres including the costume drama, the musical and the action film * films discussed are contemporary, popular, films from Anglophonic, Asian, European and Latin American cinema

The short stories vary in size from one page to thirty pages as the reader is taken on rides of the author's imagination. Brought back to face reality through the Author's Notes, and quotes from the Bible, Savage's goal is to force the reader to desire to learn the truth as taught in the Bible as opposed to the many untruths taught in a world of unbelievers where Christians are viewed as weirdos.

* An accessible text giving an overview of contemporary depictions of transgender men and women in film * Structured around film genres including the costume drama, the musical and the action film * films discussed are contemporary, popular, films from Anglophonic, Asian, European and Latin American cinema

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

This Norton Critical Edition includes: The first edition (1861), with the editors' explanatory annotations, introduction, and glossary of the people of Incidents in the Life of a Slave Girl. Three illustrations. Key public statements by Harriet Jacobs, William C. Nell, the Reverend Francis J. Grimke, and others. A rich selection of correspondence by Harriet Jacobs, Lydia Maria Child, and John Greenleaf Whittier, suggesting Incidents's initial reception. Ten major critical essays, six of them new to the Second Edition. A Chronology and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Few films in the twenty-first century have represented coming-of-age with the beauty and brutality of Bande de Filles (or Girlhood). This book provides an in-depth examination of Celine Sciamma's film, focusing on its portrayal of female adolescence in contemporary Paris. Motivated by the absence of black female characters in French cinema, Sciamma represents the lives of figures that have passed largely unnoticed on the big screen. While observing the girls' tough circumstances, Sciamma's film emphasises the joy and camaraderie found in female friendships. This book places Girlhood in its cinematic as well as its sociocultural context. Pop music, urban violence, and female friendships are all considered here in a book that draws out the complexity of Sciamma's deceptively simple portrayal of coming-of-age. Thoughtful, concise, and deeply contemporary, this book is perfect for students, scholars, and general readers interested in youth cultures, European cinema, gender, and sexuality.

A concise, superbly illustrated (print + electronic) textbook that brings together a reliable, clear and up to date guide to surface anatomy and its underlying gross anatomy, combined with a practical application of ultrasound and other imaging modalities. A thorough understanding of surface anatomy remains a critical part of clinical practice, but with improved imaging technology, portable ultrasound is also fast becoming integral to routine clinical examination and effective diagnosis. This unique new text combines these two essential approaches to effectively understanding clinical anatomy and reflects latest approaches within modern medical curricula. It is tailored specifically to the needs of medical students and doctors in training and will also prove invaluable to the wide range of allied health students and professionals who need a clear understanding of visible and palpable anatomy combined with anatomy as seen on ultrasound. Concise text and high quality illustrations, photographs, CT, MRI and ultrasound scans provide a clear, integrated understanding of the anatomical basis for modern clinical practice Highly accessible and at a level appropriate for medical students and a wide range of allied health students and professionals Reflects current curriculum trend of heavily utilizing living anatomy and ultrasound to learn anatomy Supplementary video content showing live ultrasound scans and guided areas of surface anatomy to bring content to life and reflect current teaching and clinical settings An international advisory panel appointed to add expertise and ensure relevance to the variety of medical and allied health markets Inclusion of latest ultrasound image modalities Designed to complement and enhance the highly successful Gray's family of texts/atlases although also effective as a stand-alone or alongside other established anatomy resources

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

Refocus: The Films of Amy Heckerling is the first book-length study of the work of Amy Heckerling, the phenomenally popular director and screenwriter of Clueless and Fast Times at Ridgemont High. As such, the book constitutes a significant intervention in Film Studies, prompting a reconsideration of the importance of Heckerling both in the development of Teen cinema, and as a figure in Hollywood comedy. As part of the Refocus series, the volume brings together outstanding original essays examining Heckerling's work from a variety of perspectives, including film, television and cultural studies and is destined to be used widely in undergraduate teaching.

Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to critical concepts of intersectionality, postfeminism and the posthuman. This book is an innovative overview of the Hollywood teen movie and its construction of teen identity.

Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of key films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to key critical concepts of intersectionality, postfeminism and the posthuman, and provides an innovative overview of the Hollywood teen movie and its construction of teen identity.

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

This is the first book-length study of the work of Amy Heckerling, the phenomenally popular director and writer of Clueless and Fast Times at Ridgemont High. As such, the book constitutes a significant intervention in Film Studies, prompting a reconsideration of the importance of Heckerling both to the development of teen cinema and as a figure in Hollywood comedy. As part of the ReFocus series, the volume brings together outstanding original and previously published work, examining Heckerling's work from an interdisciplinary perspective. In addition, an interview is planned with the director herself, who will be invited to reflect on her own work in light of the essays. Teen cinema, film and television comedy and the place of female directors in genre cinema are all considered here in a book that attempts to go 'beyond Clueless' and examine the significance of the work of Amy Heckerling.

This is a new release of the original 1931 edition.

The Journey Continues -- is the third part of the trilogy about two serial killers. The book begins as one of the serial killers at long last finds his intended victim. Because of the pressure caused by a true crime book about two serial killers in Southern California specifically the High Desert he is determined to find the second serial killer. The book continues as he leaves messages for the authorities that he's back and he makes his own search simply because he needs a place to hide. He stumbled upon the underground modernized mine and realized he found his place and the mine served his purpose. He, however, had to prove himself.

The story continues as the survivors are victimized again. They work with the authorities to stop the carnage. The story deals with families, authorities, victims, trust, love, and fear. Those who are thrown together, but still find comfort in helping one another.

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it's a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn't tell the whole story.
Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press, 'Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life.
Frances Smith Foster applies the knowledge she's developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.