This book is the first overall and detailed discussion of contemporary Asia's architectural theorisations and phenomena based on its heteroglossic and decolonisation character. Lin presents a theoretical journey of transdisciplinary reflection upon contemporary Asia's pragmatic phenomena which is methodologically achieved by means of elaborations of how tangible Asian architecture can be philosophically theorised and how interchangeable architectural theory is practically 'Asianised'. Discussions in the book are critically integrated with comparative studies focused on Japan, Taiwan, China, Hong Kong, Singapore, Malaysia, Australia, New Zealand and the UK. These empirical examinations are highlights of phenomenal localities, architecture, cities and cultures which reference the historicity of the Asia Pacific, Asia's contemporary architectural situations, and their subtle relationship with the 'West'. The schematisation of intended 'fuzziness' for Asia and its architecture is framed as the notion polychronotypic jetztzeit to represent a present time-place context of contemporary Asian architecture and urbanism. This book will be of great interest to scholars of Asian Studies, Architectural Studies, Postcolonial Studies, Urban Studies and Cultural Studies.

Heteroglossic Asia presents an analysis of geographic, historical, cultural, economic, spatial and political factors underlying Taiwan's maritime urbanity by means of case studies based on Taipei and Kaohsiung; two cities which represent the multi-accentual character of Taiwan's urban environment and its recent changes and development through architecture. Focussing on the concept of a heteroglossic Asia Pacific, exemplified by the analysis of Taiwan's urban transformation, the study argues that Taiwan's urban environment shows a form of intended "fuzziness" which cannot be described as resting on either a simplified nationalist base or chaotic societal anxiety. Rather, this form lies between binary poles: autocracy and democracy, nation state and day-to-day life, top-down and bottom-up orientations, orthodoxy and hybridisation.

Heteroglossic Asia presents an analysis of geographic, historical, cultural, economic, spatial and political factors underlying Taiwan's maritime urbanity by means of case studies based on Taipei and Kaohsiung; two cities which represent the multi-accentual character of Taiwan's urban environment and its recent changes and development through architecture. Focussing on the concept of a heteroglossic Asia Pacific, exemplified by the analysis of Taiwan's urban transformation, the study argues that Taiwan's urban environment shows a form of intended "fuzziness" which cannot be described as resting on either a simplified nationalist base or chaotic societal anxiety. Rather, this form lies between binary poles: autocracy and democracy, nation state and day-to-day life, top-down and bottom-up orientations, orthodoxy and hybridisation.

This book is the first overall and detailed discussion of contemporary Asia's architectural theorisations and phenomena based on its heteroglossic and decolonisation character. Lin presents a theoretical journey of transdisciplinary reflection upon contemporary Asia's pragmatic phenomena which is methodologically achieved by means of elaborations of how tangible Asian architecture can be philosophically theorised and how interchangeable architectural theory is practically 'Asianised'. Discussions in the book are critically integrated with comparative studies focused on Japan, Taiwan, China, Hong Kong, Singapore, Malaysia, Australia, New Zealand and the UK. These empirical examinations are highlights of phenomenal localities, architecture, cities and cultures which reference the historicity of the Asia Pacific, Asia's contemporary architectural situations, and their subtle relationship with the 'West'. The schematisation of intended 'fuzziness' for Asia and its architecture is framed as the notion polychronotypic jetztzeit to represent a present time-place context of contemporary Asian architecture and urbanism. This book will be of great interest to scholars of Asian Studies, Architectural Studies, Postcolonial Studies, Urban Studies and Cultural Studies.

This book provides a bidirectional investigation of Asia's spatiotemporality by asking how Asia is located and how localities are Asianized. Historical and theoretical inquiries into architecture and urbanism in order to trace a notional "common divisor" are integrated with readings of this Asian imagery. Such a common divisor is conditioned to Asia's phenomenal postcolonial subjectivation and showcases Asia's unique character. This book contends that the postcolonial condition of architecture in Asia suggests a potential and critical bridge to better understanding of the region. Theoretically, "display-ness" is a strategic and allegoric carrier that is in the focus of this book in order to emphasize the quality of display in a broader sense of time and space. Asia's architectural and urban spectacle thus is meaningly magnified and intensified with this notion of display-ness to ground the cohesive abstraction among ideological discourse production, innovative theorizations, and empirical phenomena in contemporary scholarship.