Known as Ireland’s Chekhov, Frank O’Connor was a master of the modern short story, with an eye for capturing the spaces between our selves and our surroundings. The Genius brings together some of his very best stories, often told from the perspective of young children and forming a revealing portrait of coming of age in postwar Ireland. Humorous and poignant in equal parts, these stories are a lesson in craft from a celebrated, prolific author.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a wide-ranging study of electoral politics in England between 1734 and 1832. It analyses the control of the electoral system by the upper classes, the world of the voters, and the function of an election in the unreformed period. The history of the electoral system has been distorted by later emphasis on the extent of corruption in the constituencies. Dr O'Gorman takes us deep into the political underworld normally left undisturbed by historians; that of the committee men, agents, and canvassers who made the unreformed system work for as long as it did. Above all, this book is about the voters - their motivations, prejudices, beliefs and ideals, as well as their numbers and political behaviour. Frank O'Gorman has combined computer analysis with traditional historical methods to reconstruct the social and ideological world of the voters, and argues that an understanding of the electoral dimension is vital to a broader understanding of the Hanoverian regime and its popular acceptance. The interaction of the parliamentary parties at Westminster with the older political culture of the constituencies is traced in the final part of this book. The nature of Hanoverian politics and society have been the subject of much recent debate, and this far-reaching analysis of the electorate takes us to the very heart of that social and political structure.

Frank O'Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, 'which, by its vitality alone, became the dominant force in the American poetic tradition.' Frank O'Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O'Hara's untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, 'the biggest secret loss to American poetry since John Wheelwright was killed.' This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara's conviction that to write poetry, indeed to live, 'you just go on your nerve.'

Key features of this text: How to study the text Author and historical background General and detailed summaries Commentary on themes, structure, characters, language and style Glossaries Test questions and issues to consider Essay writing advice Cultural connections Literary terms Illustrations Colour design

Simplicity theory is an extension of stability theory to a wider class of structures, containing, among others, the random graph, pseudo-finite fields, and fields with a generic automorphism. Following Kim's proof of forking symmetry' which implies a good behaviour of model-theoretic independence, this area of model theory has been a field of intense study. It has necessitated the development of some important new tools, most notably the model-theoretic treatment of hyperimaginaries (classes modulo type-definable equivalence relations). It thus provides a general notion of independence (and of rank in the supersimple case) applicable to a wide class of algebraic structures. The basic theory of forking independence is developed, and its properties in a simple structure are analyzed. No prior knowledge of stability theory is assumed; in fact many stability-theoretic results follow either from more general propositions, or are developed in side remarks. Audience: This book is intended both as an introduction to simplicity theory accessible to graduate students with some knowledge of model theory, and as a reference work for research in the field.

Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times "As collections go, none brings...quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review "What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of "Lunch Poems": not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes "The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore's new single evidence our culture's continuing fascination with this innovative poet.

Do you feel you should be getting more out of your life? Do you feel like you haven't discovered your purpose? Could your life use a makeover? In Never Enough, author Dr. Frank O'Neill uses examples and anecdotes from his own story of walking away from a successful career to pursue a life that offered him a better balance between work and passions.

An inspirational narrative of transformation and healing wrapped in a how-to manual for life, Never Enough is filled with more than 200 lessons, exercises, and action steps. It provides all of the tools you need to: Discover who you are and what you want from your life Eliminate the roadblocks holding you back at home or at work Manage your goals, your time, and your stress so you won't endure the pain of an unfulfilled life From heartrending to hilarious, Never Enough mixes honesty, science, and inspiration to show you the path to a better life. It provides seven steps for stress management and six steps of a burnout antidote for those trying to find a balance between work and home, and for creating a meaningful and passionate existence.

This long-awaited second edition sees this classic text by a leading scholar given a new lease of life. It comes complete with a wealth of original material on a range of topics and takes into account the vital research that has been undertaken in the field in the last two decades. The book considers the development of the internal structure of Britain and explores the growing sense of British nationhood. It looks at the role of religion in matters of state and society, in addition to society's own move towards a class-based system. Commercial and imperial expansion, Britain's role in Europe and the early stages of liberalism are also examined. This new edition is fully updated to include: - Revised and thorough treatments of the themes of gender and religion and of the 1832 Reform Act - New sections on 'Commerce and Empire' and 'Britain and Europe' - Several new maps and charts - A revised introduction and a more extensive conclusion - Updated note sections and bibliographies The Long Eighteenth Century is the essential text for any student seeking to understand the nuances of this absorbing period of British history.

This handbook offers a comprehensive overview of the international relations of South Asia. South Asia as a region is increasingly assuming greater significance in global politics for a host of compelling reasons. This volume offers the most comprehensive collection of perspectives on the international politics of South Asia, and it it covers an extensive range of issues spanning from inter-state wars to migration in the region. Each contribution provides a careful discussion of the four major theoretical approaches to the study of international politics: Realism, Constructivism, Liberalism, and Critical Theory. In turn, the chapters discuss the relevance of each approach to the issue area addressed in the book. The volume offers coverage of the key issues under four thematic sections: - Theoretical Approaches to the Study of the International Relations of South Asia - Traditional and Emerging Security Issues in South Asia - The International Relations of South Asia - Cross-cutting Regional Issues Further, every effort has been made in the chapters to discuss the origins, evolution and future direction of each issue. This book will be of much interest to students of South Asian politics, human security, regional security, and International Relations in general.

The history of U.S.-Latin American relations has been characterized by a complex fusion of tensions, collaboration, misperceptions, and intervention. Offering a balanced and interdisciplinary interpretation, this comprehensive reader traces the often-troubled relationship from the beginnings of the nineteenth century to the presidency of Barack Obama. Completely revised and updated, this third edition includes original essays on critically important issues such as immigration, the environment, and the Obama administration's policy toward the region. In addition to this added policy section, another new section explores cultural issues such as tourism, soccer, and the media. The readings are framed by the editors' opening chapter on the history of the relationship, introductory essays for each of the seven parts, and abstracts for each selection. Students who use this book will learn that U.S.-Latin American relations have been deeply influenced by dynamic, continuously evolving scholarly interpretations in both hemispheres. Sixteen years after the first edition was published, the editors are more optimistic as the hemisphere unites around trade, culture, tourism and an evolving mutual appreciation. Methodologically interdisciplinary, yet comparative and historical in organization and structure, this text will benefit all readers interested in the rich historical, social, and political "American" relationship.

The history of U.S.-Latin American relations has been characterized by a complex fusion of tensions, collaboration, misperceptions, and intervention. Offering a balanced and interdisciplinary interpretation, this comprehensive reader traces the often-troubled relationship from the beginnings of the nineteenth century to the presidency of Barack Obama. Completely revised and updated, this third edition includes original essays on critically important issues such as immigration, the environment, and the Obama administration's policy toward the region. In addition to this added policy section, another new section explores cultural issues such as tourism, soccer, and the media. The readings are framed by the editors' opening chapter on the history of the relationship, introductory essays for each of the seven parts, and abstracts for each selection. Students who use this book will learn that U.S.-Latin American relations have been deeply influenced by dynamic, continuously evolving scholarly interpretations in both hemispheres. Sixteen years after the first edition was published, the editors are more optimistic as the hemisphere unites around trade, culture, tourism and an evolving mutual appreciation. Methodologically interdisciplinary, yet comparative and historical in organization and structure, this text will benefit all readers interested in the rich historical, social, and political "American" relationship.

Frank O'Hara (1926-66) is among the most delightful and radical poets of the twentieth century. He is celebrated for his apparently unpremeditated poems, autobiographical and immediate ('any time, any place'). This is not the whole O'Hara: he may have scribbled poems on serviettes, but others he worked on with intense concentration, creating sequences that are inexhaustibly nuanced, full of surprise, heartbreak and laughter. There are analogies between his work and that of the painters he championed, Pollock, Kline and de Kooning among them. He is resolutely metropolitan, and his metropolis is New York City. He brilliantly captured the pace and rhythms, quandaries and exhilarations, of its mid-twentieth-century life.

A concise and readable account of Burke's political philosophy. As well as examining the foundation for Burke's thought, the book also provides much needed connections between the fields of history and political theory. Critical comment and analysis of Burke's attitudes to the problems of the second half of the eighteenth century are also included.
Available on its own, or as part of the 9-volume reissue of the classic Political Thinkers series.

Collected poems from one of the Twentieth Century's most influential voices. Frank O'Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, "which, by its vitality alone, became the dominant force in the American poetic tradition." Frank O'Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O'Hara's untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.".This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara's conviction that to write poetry, indeed to live, "you just go on your nerve."