Frank O'Hara (1926-66) is among the most delightful and radical
poets of the twentieth century. He is celebrated for his apparently
unpremeditated poems, autobiographical and immediate ('any time,
any place'). This is not the whole O'Hara: he may have scribbled
poems on serviettes, but others he worked on with intense
concentration, creating sequences that are inexhaustibly nuanced,
full of surprise, heartbreak and laughter. There are analogies
between his work and that of the painters he championed, Pollock,
Kline and de Kooning among them. He is resolutely metropolitan, and
his metropolis is New York City. He brilliantly captured the pace
and rhythms, quandaries and exhilarations, of its
mid-twentieth-century life.
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