Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The revolutionary movements in late tsarist Russia inspired a reaction by groups on the right. Although these groups were ostensibly defending the status quo, they were in fact, as this book argues, very radical in many ways. This book discusses these radical rightist groups, showing how they developed considerable popular appeal across the whole Russian Empire, securing support from a wide cross-section of society. The book considers the nature and organisation of the groups, their ideologies and polices on particular issues and how they changed over time. The book concludes by examining how and why the groups lost momentum and support in the years immediately before the First World War, and briefly explores how far present day rightist groups in Russia are connected to this earlier movement.

The revolutionary movements in late tsarist Russia inspired a reaction by groups on the right. Although these groups were ostensibly defending the status quo, they were in fact, as this book argues, very radical in many ways. This book discusses these radical rightist groups, showing how they developed considerable popular appeal across the whole Russian Empire, securing support from a wide cross-section of society. The book considers the nature and organisation of the groups, their ideologies and polices on particular issues and how they changed over time. The book concludes by examining how and why the groups lost momentum and support in the years immediately before the First World War, and briefly explores how far present day rightist groups in Russia are connected to this earlier movement.

Reading Russian Sources is an accessible and comprehensive guide that introduces students to the wide range of sources that can be used to engage with Russian history from the early medieval to the late Soviet periods. Divided into two parts, the book begins by considering approaches that can be taken towards the study of Russian history using primary sources. It then moves on to assess both textual and visual sources, including memoirs, autobiographies, journals, newspapers, art, maps, film and TV, enabling the reader to engage with and make sense of the burgeoning number of different sources and the ways they are used. Contributors illuminate key issues in the study of different areas of Russia's history through their analysis of source materials, exploring some of the major issues in using different source types and reflecting recent discoveries that are changing the field. In so doing, the book orientates students within the broader methodological and conceptual debates that are defining the field and shaping the way Russian history is studied. Chronologically wide-ranging and supported by further reading, along with suggestions to help students guide their own enquiries, Reading Russian Sources is the ideal resource for any student undertaking research on Russian history.

Reading Russian Sources is an accessible and comprehensive guide that introduces students to the wide range of sources that can be used to engage with Russian history from the early medieval to the late Soviet periods. Divided into two parts, the book begins by considering approaches that can be taken towards the study of Russian history using primary sources. It then moves on to assess both textual and visual sources, including memoirs, autobiographies, journals, newspapers, art, maps, film and TV, enabling the reader to engage with and make sense of the burgeoning number of different sources and the ways they are used. Contributors illuminate key issues in the study of different areas of Russia's history through their analysis of source materials, exploring some of the major issues in using different source types and reflecting recent discoveries that are changing the field. In so doing, the book orientates students within the broader methodological and conceptual debates that are defining the field and shaping the way Russian history is studied. Chronologically wide-ranging and supported by further reading, along with suggestions to help students guide their own enquiries, Reading Russian Sources is the ideal resource for any student undertaking research on Russian history.

One of the leading exponents of the nineteenth century's Gothic Revival, the architect Sir George Gilbert Scott (1811-78) most famously designed the Albert Memorial in Kensington Gardens and the Midland Grand Hotel at St Pancras. In the design and restoration of churches and cathedrals, his work was distinguished by its care, skill and sheer volume: most medieval cathedrals in England and Wales, including Westminster Abbey, benefited from Scott's expertise in some form. Written between 1864 and his death, then edited by his son and fellow architect George Gilbert Scott (1839-97), this 1879 autobiography was among the first of its kind, recording the background, career and opinions of a prolific professional architect. Moreover, the work includes a defence of Scott's principles against what he saw as the 'anti-restoration movement', led by John Ruskin and others. Altogether, these lucid memoirs confirm Scott's place at the centre of Victorian design.