Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"The Malcontent," usually recognized as John Marston's masterpiece, is one of the most original and complex plays of the Elizabethan theatre. Complex in genre, structure and language, it poses interesting problems for theatre history and textual transmission. The aim of this edition is to offer answers to the various questions raised by the play (derived from the thirty-six copies now extant), to establish a reliable text, to date the play and relate it to the aesthetic cross-currents flowing at the turn of the seventeenth century. It also seeks to place "The Malcontent" within the theatrical traditions both of boy-players and of Shakespeare's company, which stole the play from the boys and adapted to their own theatre.

Marks of a Movement calls us back to the disciple-making mandate of the church through the timeless wisdom of John Wesley and the Methodist movement. With a love for history and a passion for today's church, Winfield helps us reimagine church multiplication in a way that focuses on making and multiplying disciples for the twenty-first century. Winfield Bevins reminds us of the vital multiplication lessons from the Wesleyan movement, one of the greatest missional movements the world has ever known. He highlights the necessity of discipleship as the starting point and the abiding strategic practice that is key to all lasting missional impact in and through movements. The Methodist movement is an example of the power of multiplying movements that utilize the strategy of discipleship. Within a generation, one in thirty people who were living in Britain had become Methodists, and the movement soon became a worldwide phenomenon. We in the Western Church need a movement of historic proportions once again. What would such a multiplication movement look like for us today? We must look to the past to gain wisdom for the future. And as we look at the pages of church history, there is no better example of a multiplication movement in the West than the Methodist movement of the eighteenth and nineteenth centuries. Marks of a Movement highlights the lessons and key insights that enable us to learn from the past and reapply this timeless, biblical wisdom for today.

"Big Bob" Bashara put on a respectable face. To his friends in Detroit's affluent suburb of Grosse Pointe, he was a married father of two, Rotary Club President, church usher and soccer dad who organized charity events with his wife, Jane. To his "slaves," he was "Master Bob," cocaine-snorting slumlord who operated a sex dungeon and had a submissive girlfriend to do his bidding. But Bashara knew he couldn't rule a household of concubines on his income alone. He eyed his wife's sizable retirement account and formulated a murderous plan.

Usually considered to be John Marston's masterpiece, The Malcontent is one of the most original and complex plays of the Elizabethan theatre - complex in genre, structure and language. A major reason for the play's pre-eminence lies in the balance it achieves between the opposite claims of laughter and horror which elsewhere in Marston's work show a less stable relationship. This edition, using the same authoritative text as the standard Revels edition has notes designed for modern undergraduate use. The introduction has been rewritten to take into account the most recent scholarship.

"Galatea" and "Midas" are two of John Lyly's most engaging plays. Shortly after his early success with Campaspe and Sappho and Phao in 1583-4, he took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country" be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court. The plays are newly presented here by the scholars who have recently edited Campaspe, Sappho and Phao, and Endymion for the Revels series.

The theme of the great Shakespearean tragedies is the fall from grace of a great man due to a flaw in his nature. Whether it is the ruthless ambition of Macbeth or the folly of Lear, the irresolution of Hamlet or the suspicion of Othello, the cause of the tragedy - even when it is the murder of a king - is trifling compared to the calamity that it unleashes. Despite his flawed nature, however, the tragic hero has a nobility that emphasizes the greatness of man. From this paradox the audience is brought to a greater understanding of - and sympathy with - suffering. The four tragedies in this collection are accompanied by notes and an introduction to each text, making this edition of particular value to students and theatre-goers.

Description: Liang Fa holds a unique place in the history of Christianity in China. Baptized and ordained by the first Protestant missionaries to China, Liang aided the first two generations of missionaries and conducted his own work as an evangelist and writer. Liang alone in the first generation wrote and published under his name, and his most famous tract is believed to have influenced the Taiping Rebellion. While George McNeur's biography of Liang has been republished regularly in Chinese, this is the first republication in English since the 1930s. It remains the best work on an influential but little-studied figure. Annotated and with a critical introduction, this work seeks to revive scholarship on Liang as we approach the two-hundredth anniversary of his baptism.