The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a "disenchantment of the world"--the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both "analytical" and "continental" traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can "enchant the world," and that modern art's ambition to do so fails.

Critics acclaim Vol. 1 'I grew up playing sandlot baseball with Gordon in Clinton (MA) North End. I learned then to expect the unexpected from Gordon. He struck out often, but he was also always capable of hitting the long ball. His memoirs tell of that fearlessness." Leo F. McNamara, Professor of English, Emeritus, University of Michigan; Lecturer in English and Irish Studies, Queens University, Belfast and Trinity, Dublin 'Graham got me all wrong in Volume 1 and I bet he'll tell more whoppers about me in Volume 2. My lawyers and I will have to buy the book to see. What a high school debate partner and college room-mate he turned out to be." Sydney H. Schanberg, 1976 Pulitzer Prize Winner for International Reporting, The New York Times, whose life experiences are portrayed in the award-winning film, 'The Killing Fields" 'Gordie did indeed catch me with my pants down in Volume 1. But he did at least give me credit for folding them up neatly to keep the crease." 'Zip," Graham's team-mate on the undefeated Clinton Massachusetts' Galloping Gaels football team of 1950

Gordon Graham presents a radically innovative study of Wittgenstein's philosophy, in relation to the age-old impulse to connect ordinary human life with the transcendent reality of God. He offers an account of its relevance to the study of religion that is completely different to the standard version of 'Wittgensteinian philosophy of religion' expounded by both its adherents and critics. Graham goes on to revitalize the philosophy of 'true religion', an alternative, though not a rival, to the lively philosophical theology of Plantinga and Swinburne that currently dominates the subject. This alternative style of philosophy of religion has equally deep historical roots in the philosophical works of Spinoza, Hume, Schleiermacher, and Mill. At the same time, it is more easily connected to the psychological, sociological, and anthropological studies of William James, Emile Durkheim, Max Weber, Mircea Eliade, and Mary Douglas. Graham uses Wittgenstein's conception of philosophy to argue in favour of the idea that 'true religion' is to be understood as human participation in divine life.

Can human history as a whole be interpreted in any meaningful way? Has there been real progress between stone age and space age? Does history repeat itself? Is there evidence of divine providence? Questions such as these have fascinated thinkers, and some of the greatest philosophers, notably Kant and Hegel, have turned their minds to philosophical history. As a branch of philosophy, however, it has received little attention in the analytical tradition. This pioneering work aims to bring the methods of analytical philosophy to the critical examination of some of these questions. In addition to Hegel and Kant, the discussion ranges over the writings of Augustine, Machiavelli, and Alasdair MacIntyre. The ideas of historical progress, secularization and the decline of religion, cultural cycles, historical rupture and God in history are all subjected to careful analysis. Gordon Graham argues that, although unfashionable, the claim that history is the story of progress under the guidance of providence is one of the most plausible accounts of the shape of the past.

Real risk management is predicated on the eventuality of human erraticism and therefore necessitates the design of resilient systems, such as control measures, policies, procedures, processes, rules, checklists, and protocols, to protect organizations against unpredictability. However, these systems aren't enough to prevent tragedies, they must be paired with an organizational culture that drives employee understanding, adherence, questioning, and enforcement of these systems. Success is conditioned on this interdependent relationship, meaning employees do the right thing, the right way every time, as they unequivocally support the underlying rationale of their organizational systems, mission, and purpose. This dynamic, inculcated way of thinking is intrinsic to high-reliability organizations and should be the aspiration of all executives, managers, and supervisors. Authors Gordon Graham and Paul Fuller impart a wide range of practical information on resilient systems- as these thoughtfully designed protocols, kept up-to-date and properly implemented, serve to minimize organizational risk in the water and wastewater industry. Features: Offers guidance for organizations to maximize service, enhance safety, and minimize liability. Presents fundamental background on risk, systems, risk management, as well as factors leading to industrial tragedies and how to avoid or mitigate them. Includes practical examples to demonstrate the necessary steps to transform a water facility into a highly reliable and safe organization. Centering on organizational risk management, Practitioner's Handbook of Risk Management for Water & Wastewater Systems provides the investigative tools for risk assessments and risk/frequency matrixes to effectively recognize and prioritize the thousands of risks facing professionals working in the water and wastewater industry today.

Theories of Ethics offers a comprehensive survey of the major schools and figures in moral philosophy, from Socrates to the present day. Written entirely in non-technical language, it aims to be introductory without being elementary, so that readers may quickly engage with selected readings from classic sources. The writings of major philosophers are explained in a structured exploration of recurrently important issues about right and wrong, good and evil, social relations and religious meaning. This book is a radical revision of Gordon Graham's Eight Theories of Ethics (Routledge 2004). A hallmark of the new edition is the incorporation of primary readings into the text itself, making the book suitable as a stand-alone publication for any ethics course or for anyone wanting to know the history and arguments or moral philosophy. Primary sources include extracts from Aristotle, Camus, Hume, Kant, Locke, Mill, Nietzsche, Plato, Reid, and Sartre, as well as Aldo Leopold and James Lovelock. The new edition also offers extended treatment of the objective/subjective debate, social contract theory, Nietzsche on morality, recent interpretations of Kant, the relation between morality and the existence of God, and a full chapter on environmental ethics.

The Internet: A Philosophical Inquiry is the first book to assess clearly, accessibly and forcefully the implications of the Internet. Exploring the tensions between the warnings of Neo-Luddites and the bright optimism of the Technophiles, Graham offers the first concise and accessible exploration of the issues which arise as we enter further into the world of Cyberspace.
This original and fascinating study takes us to the heart of questions that none of us can afford to ignore: how does the Internet affect our concepts of identity, moral anarchy, censorship, community, democracy, virtual reality and imagination?
Free of jargon and full of stimulating ideas, this is essential reading for anyone wishing to think clearly and informatively about the complexities of our technological future.

'It's all in the genes'. Is this true, and if so, what is all in the genes? Genes: A Philosophical Inquiry is a crystal clear and highly informative guide to a debate none of us can afford to ignore.
Beginning with a much-needed overview of the relationship between science and technology, Gordon Graham lucidly explains and assesses the most important and controversial aspects of the genes debate: Darwinian theory and its critics, the idea of the 'selfish' gene, evolutionary psychology, memes, genetic screening and modification, including the risks of cloning and 'designer' babies.
He considers areas often left out of the genes debate, such as the environmental risks of genetic engineering and how we should think about genes in the wider context of debates on science, knowledge and religion. Gordon Graham asks whether genetic engineering might be introducing God back into the debate and whether the risks of a brave new genetic world outweigh the potential benefits.
Essential reading for anyone interested in science, technology, and philosophy, Genes: A Philosophical Inquiry is ideal for those wanting to find out more about the ethical implications of genetics and the future of biotechnology.

Theories of Ethics offers a comprehensive survey of the major schools and figures in moral philosophy, from Socrates to the present day. Written entirely in non-technical language, it aims to be introductory without being elementary, so that readers may quickly engage with selected readings from classic sources. The writings of major philosophers are explained in a structured exploration of recurrently important issues about right and wrong, good and evil, social relations and religious meaning. This book is a radical revision of Gordon Graham's Eight Theories of Ethics (Routledge 2004). A hallmark of the new edition is the incorporation of primary readings into the text itself, making the book suitable as a stand-alone publication for any ethics course or for anyone wanting to know the history and arguments or moral philosophy. Primary sources include extracts from Aristotle, Camus, Hume, Kant, Locke, Mill, Nietzsche, Plato, Reid, and Sartre, as well as Aldo Leopold and James Lovelock. The new edition also offers extended treatment of the objective/subjective debate, social contract theory, Nietzsche on morality, recent interpretations of Kant, the relation between morality and the existence of God, and a full chapter on environmental ethics.

At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.

Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:

is jargon-free and will appeal to students of music, art history and literature as well as philosophy

looks at a wide range of the arts from film, painting and architecture to fiction, music and poetry

discusses a range of philosophical theories of thinkers such as Hume, Kant, Gaender, Collingwood, Derrida, Hegel and Croce

contains regular summaries and suggestions for further reading.

Table of Contents

Chapter One Art and Pleasure Hume on taste and tragedy – Collingwood on art as amusement – Mill on higher and lower pleasures – the nature of pleasure Chapter Two Art and Beauty Beauty and pleasure – Kant on beauty -- the aesthetic attitude and the sublime – art and the aesthetic -- Gadamer and art as play – art and sport – summary Chapter Three Art and Emotion Tolstoy and everyday expressivism – Aristotle and katharsis -- expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism - expression versus expressiveness – summary Chapter Four Art and Understanding Hegel, art and mind – art, science and knowledge - aesthetic cognitivism, for and against - imagination and experience - the objects of imagination - art and the world - understanding as a norm – art and human nature -- summary Chapter Five Music and Sonic Art Music and pleasure - music and emotion - music as language - music and representation - musical vocabulary and musical grammar - the uniqueness of music - music and beauty - music as the exploration of sound – sonic art and digital technology – summary Chapter Six The Visual Arts What is representation? - representation and artistic value - art and the visual - visual art and the non-visual - film as art - montage versus longshot - talkies - the 'auteur' in film - summary Chapter Seven The Literary Arts Poetry and prose -- the unity of form and content - figures of speech - expressive language - poetic devices - narrative and fiction - literature and understanding - summary Chapter Eight The Performing Arts Artist, audience and performer – painting as the paradigm of art – Nietzsche and The Birth of Tragedy – performance and participation – the art of the actor -- summary Chapter Nine Architecture as an Art The peculiarities of architecture - form and function and ‘the decorated shed’ - façade, deception and the 'Zeitgeist' - functionalism - formalism and 'space' – resumé --architectural expression -- architecture

Genocide in Rwanda, multiple murder in Denver or Dunblane, the gruesome activities of serial killers--what makes these great evils, and why do they occur? In addressing such questions this book interconnects contemporary moral philosophy with recent work in New Testament scholarship. The conclusions to emerge are surprising. Gordon Graham argues that the inability of modernist thought to account satisfactorily for evil and its occurrence should not lead us to embrace an eclectic postmodernism, but to take seriously some unfashionable premodern conceptions--Satan, demonic possession, spiritual powers, cosmic battles. The book makes a powerful case for the rejection of humanism and naturalism, and for explaining the moral obligation to struggle against evil by reference to the New Testament's cosmic narrative.

Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:

• is jargon-free and will appeal to students of music, art history and literature as well as philosophy
• looks at a wide range of the arts from film, painting and architecture to fiction, music and poetry
• discusses a range of philosophical theories of thinkers such as Hume, Kant, Gaender, Collingwood, Derrida, Hegel and Croce
• contains regular summaries and suggestions for further reading.

A History of Scottish Philosophy is a series of collaborative studies, each volume being devoted to a specific period. Together they provide a comprehensive account of the Scottish philosophical tradition, from the centuries that laid the foundation of the remarkable burst of intellectual fertility known as the Scottish Enlightenment, through the Victorian age and beyond, when it continued to exercise powerful intellectual influence at home and abroad. The books aim to be historically informative, while at the same time serving to renew philosophical interest in the problems with which the Scottish philosophers grappled, and in the solutions they proposed. This volume covers the history of Scottish philosophy after the Enlightenment period, through the nineteenth and twentieth centuries. Leading experts explore the lives and work of major figures including Thomas Brown, William Hamilton, J. F. Ferrier, Alexander Bain, John Macmurray, and George Davie, and address important developments in the period from the Scottish reception of Kant and Hegel to the spread of Scottish philosophy in Europe, America and Australasia, and the relation of Common Sense philosophy and American pragmatism. A concluding chapter investigates the nature and identity of a 'Scottish philosophical tradition'. General Editor: Gordon Graham, Princeton Theological Seminary

At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.

Beginning with Sir William Hamilton's revitalization of philosophy in Scotland in the 1830s, this book takes up the theme of George Davie's The Democratic Intellect and explores a century of debates surrounding the identity and continuity of the Scottish philosophical tradition. Alexander Bain, J F Ferrier, Thomas Carlyle, Alexander Campbell Fraser, John Tulloch, Henry Jones, Henry Calderwood, David Ritchie, and Andrew Seth Pringle-Pattison are among the once prominent, but now neglected thinkers whose reactions to Hume and Reid stimulated new currents of ideas. Graham concludes by considering the relation between the Scottish philosophical tradition and the twentieth-century philosopher John Macmurray.

The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a 'disenchantment of the world' -- the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both 'analytical' and 'continental' traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can 'enchant the world', and that modern art's ambition to do so fails.

Genocide in Rwanda, multiple murder in Denver or Dunblane, the gruesome activities of serial killers--what makes these great evils, and why do they occur? In addressing such questions this book interconnects contemporary moral philosophy with recent work in New Testament scholarship. The conclusions to emerge are surprising. Gordon Graham argues that the inability of modernist thought to account satisfactorily for evil and its occurrence should not lead us to embrace an eclectic postmodernism, but to take seriously some unfashionable premodern conceptions--Satan, demonic possession, spiritual powers, cosmic battles. The book makes a powerful case for the rejection of humanism and naturalism, and for explaining the moral obligation to struggle against evil by reference to the New Testament's cosmic narrative.

Jack Traven (Keanu Reeves), an LAPD cop on SWAT detail, has a fearless nature and a keen understanding of the criminal mind, but he is also rather reckless. Together with partner Harry (Jeff Daniels), they rescue a dozen hostages from a booby-trapped elevator rigged by a psychotic ex-cop (Dennis Hopper). With his plans foiled by Jack, the bomber makes alternative arrangements - rigging a city bus to explode if the speedometer drops below 50 mph. It's then up to Jack to save the passengers, including feisty Annie (Sandra Bullock), the passenger who is forced to take the driving wheel after the driver is shot.

This is a revised and expanded version of the much praised short book Universities: "The Recovery of An Idea". It contains chapters on the history of universities; the value of university education; the nature of research; the management and funding of universities plus additional essays on such subjects as human nature and the study of the humanities, interdisciplinary versus multidisciplinary study, information systems and the concept of a library, the prospects for e-learning, reforming universities, intellectual integrity and the realities of funding, and spiritual values and the knowledge economy.

Brett Sprague's just out of jail. Reunited with his mum Sandra and brothers Glenn and Stevie, he's ready to reclaim his life. But things have changed while Brett's been inside. Girlfriend Michelle may have moved on, Glenn's moved out and Stevie's about to be a dad. As Brett's disruptive force takes hold, tensions flare and Brett embarks on a drink-fuelled rampage, sweeping his brothers along with him - with terrifying consequences. Twenty-one years ago, audiences were lining the streets to see the original Griffin production of The Boys. Since then, it's become a classic of the Australian stage and screen, winning along its way an AWGIE and four AFI Awards.