The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh 'Magical ... bursting with jinnis and mischief' Donna Tartt 'One of the finest writers of her generation' Financial Times One Thousand and One Nights are the never-ending stories told by Shahrazad under sentence of death to King Shahrayar. Maddened by the discovery of his wife's orgies, King Shahrayar vows to marry a virgin every night and kill her in the morning. To survive, his newest wife Shahrazad spins a web of tales each night, leaving the King in suspense when morning comes, prolonging her life for another day. Gathered from India, Persia and across the great Arab empire, these mesmerising stories tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate. Retold by Hanan al-Shaykh, One Thousand and One Nights are revealed in an intoxicating new voice.

Yvonne and Huda have come a long way. Attractive, successful and glamorous, their brilliant ascent has flung them far from Lebanon, and each other.

Now it's only on their rarely snatched holidays that the friends can catch up. As they swim, drink and talk by the glittering Italian Riviera, Huda and Yvone ponder just how complicated it is to be free - and the eternal mysteries of love, sex, and getting a guy to call you back.

Then, amid the glitz and chatter of London's Mayfair, a chance encounter brings their past rushing back. But Huda has a wicked trick her sleeve.

One of the world's great folk story-cycles adapted for the stage by leading theatre maker Tim Supple, from the stories written by the seminal Lebanese novelist Hanan al-Shaykh. This unique edition will unlock the ancient tales for a new generation of readers and performers.Written by Arabic writers from tales gathered in India, Persia and across the great Arab Empire, the" One Thousand and One Nights "are the never-ending stories told by Shahrazad night after night, under sentence of death, to the king Shahrayar who has vowed to marry a virgin every night and kill her in the morning. Shahrazad prolongs her life by keeping the King engrossed in a web of stories that never ends - a fascinating kaleidoscope of life, love and destiny. The tales that unfold are erotic, violent, supernatural and endlessly surprising.The web of tales woven by Shahrazad were exoticised and bowdlerised in the West under the title of the "Arabian Nights." This adaptation unearths the true character of "One Thousand and One Nights "as it is in the oldest Arabic manuscripts. In turns erotic, brutal, witty, poetic and complex, the tales tell of love and marriage, power and punishment, rich and poor, and the endless trials and uncertainties of fate. The great cities and thriving trade routes of the Islamic world provide the setting for these stories that employ supernatural mystery and intense realism to portray the deep and endless drama of human experience.

"One of the most daring female writers of the Middle East" ("San Francisco Chronicle") gives us an extraordinary work of nonfiction: an account of her mother's remarkable life, at the core of which is a tale of undying love.
In a masterly act of literary transformation, Hanan al-Shaykh re-creates the dramatic life of her mother, Kamila, in Kamila's own voice. We enter 1930s Beirut through the eyes of the unschooled but irrepressibly spirited nine-year-old child who arrives there from a small village in southern Lebanon. We see her drawn to the excitements of the city, to the thrill of the cinema, and, most powerfully, to Mohammed, the young man who will be the love of her life.
Despite a forced marriage at the age of thirteen to a much older man, despite the two daughters she bears him (one of them the author), despite the scandal and embarrassment she brings to her family, Kamila continues to see Mohammed. Finally, after nearly a decade, her husband gives her a divorce, but she must leave her children behind
"The Locust and the Bird "is both a tribute to a strong-willed and independent woman and a heartfelt critique of a mother whose decision were unorthodox and often controversial. As the narrative unfolds through the years (Kamila died in 2001) we follow this passionate, strong, demanding, and captivating woman as she survives the tragedies and celebrates the triumphs of a life lived to the very fullest.

"From the Hardcover edition."

Four strangers meet on a turbulent flight from Dubai to London: Amira, a canny Moroccan prostitute; Lamis, a 30-year old Iraqi divorcee; Nicholas, an English expert on Islamic art; and Samir, a Lebanese man who is delivering a monkey on a mission he doesn’t fully understand. Once safely on British soil, Lamis and Nicholas fall in love, Samir chases after blond British youths, and Amira reinvents herself as a princess, the better to lure clients at the best London hotels. Through the city and across cultural borders, Only in London wittily portrays the smells, sounds, and sights of London’s lively Arab neighorhoods, as well as the freedoms the city both offers and withholds from its immigrants.

At the intersection of tradition and modernity, East and West, childhood and adulthood, Hanan al-Shaykh's characters find their way through the shifting and ambiguous power relationships that shape the landscape of the modern Arab world. A woman feigns insanity to escape from an empty marriage, only to have her plans backfire; a young Danish missionary finds herself slowly and inexorably drawn into the world of the Yemeni village where she has been stationed; and a woman's lighthearted attempt to contact the world of the dead turns serious when she encounters the spirit of her late husband. At once clever and evocative, I SWEEP THE SUN OFF ROOFTOPS is a collection of great insight, wit and poignancy, placing Hanan al-Shaykh among the foremost cosmopolitan writers of our time.

With the acclaim won by her first two novels, Hanan al-Shaykh established herself as the Arab world's foremost woman writer. Beirut Blues, published to similar acclaim, further confirms her place in Arabic literature, and brings her writing to a new, groundbreaking level.

The daring fragmented structure of this epistolary novel mirrors the chaos surrounding the heroine, Asmahan, as she futilely writes letters to her loved ones, to her friends, to Beirut, and to the war itself--letters of lament that are never to be answered except with their own resounding echoes. In Beirut Blues, Hanan al-Shaykh evokes a Beirut that has been seen by few, and that will never be seen again.

With more than 21,000 copies in print of  Women Of Sand And Myrrh, and more than  15,000 copies of The Story Of  Zahra, Hanan al-Shaykh is the best known and most  admired woman writer of the Arab world. The paperback  publication of Zahra will bring  this passionate and courageous novel to a much  larger group of readers. Its haunting story of a  young Lebanese woman who attempts to stem the  violence in Beirut by initiating a sexual liaison with a  sniper has "lifted the corner of a dark  curtain" (Sunday Telegraph )  from a world that fascinates us  all.

As a flight from Dubai comes into London's Heathrow and hits turbulence, four people from different corners of the Arab world are thrown together: beautiful, lost Lamis, recently divorced from her wealthy Iraqi husband; Nicholas, an expert at Southeby's on Islamic daggers; louche and noisy Amira, a Moroccan who lives off immoral earnings and the transvestite Samir, with a monkey hidden in a basket. Landing safely they go their separate ways, but from then on they find their lives are intimately entwined. ONLY IN LONDON is a funny, tender and sexy novel that uncovers a unique world in the heart of a big city.

Passed down over centuries from India, Persia, and across the Arab world, the mesmerizing stories of "One Thousand and One Nights" are related by the beautiful, young Shahrazad as she attempts to delay her execution. Retold in modern English by the acclaimed Lebanese author Hanan al-Shaykh, here are stories of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate. Bringing together nineteen classic tales, in these pages al-Shaykh weaves an utterly intoxicating collection, rich with humor, violence, and romance.

A powerful and moving novel, by the Arab worlds  leading woman novelist, about four women coping  with the insular, oppressive society of an unnamed  desert state.