This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

During the short span of her career, Hazel Hall became one of the West's outstanding literary figures, a poet whose fierce, crystalline verse was frequently compared with that of Emily Dickinson. Her three books, published to critical acclaim in the 1920's, are reissued here in paperback for the first time. Together, they reintroduce an immediate and intensely honest voice, one that speaks to us with an edgy modernity.Confined to a wheelchair since childhood, Hall viewed life from the window of an upper room in her family's house in Portland, Oregon. To better observe passersby on the sidewalk, she positioned a small mirror on her windowsill. Hall was an accomplished seamstress: her fine needlework helped to support the family and provided a vivid body of imagery for her precisely crafted, often gorgeously embellished poems. Hall's writings - her mirror trained on the world - convey the dark undertones of the lives of working women in the early twentieth century, while bringing into focus her own private, reclusive life - her limited mobility, her isolation and loneliness, her gifts with needlework and words, and her exquisite grief. In his introduction to this volume, John Witte examines Hall's brief and brilliant career and highlights her remarkably modern sensibilities, showing her to be a poet for all time.