The Poetry and Poetics of Michael Heller: A Nomad Memory is the first comprehensive treatment of a singularly important American poet of the twentieth and twenty-first centuries. Michael Heller (b. 1937) has amassed a body of poetry and criticism that places him in the vanguard of modern literature, and this essay collection provides the first extensive critical treatment of his varied career. This book 's multifaceted appraisal of his engagement with poetry as well as crucial ideas across various traditions establishes him as a preeminent writer among his contemporaries and younger generations, and as a major poet in any era.

Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art.

Written in the late eighth century BC by Hesiod, one of the oldest known of Greek poets, "Theogony" and "Works and Days" represent the earliest account of the origin of the Greek gods, and an invaluable compendium of advice for leading a moral life, both offering unique insights into archaic Greek society. There are a number of modern translations of Hesiod available, rendered in serviceable English, but until now no one has created a work of literature equal to the original. This translation is the result of a unique collaboration between a classicist and a poet, capturing in English "fourteeners" the works' true poetic flavor while remaining faithful to the Greek text and the archaic world in which it was composed.
This translation contains a general introduction, a translator's introduction, notes, and a glossary. It will be of interest to general readers, students of and specialists in classical literature, and lovers of poetry.
"This Schlegel-Weinfield translation of Hesiod is superbly crafted: compelling, unforgettable poetry to be read aloud with delight and gratitude."
--Allen Mandelbaum, Endowed Kenan Professor of Humanities, Wake Forest University
"This exciting and unique collaboration between a classical philologist and a poet will not just provide insight into archaic Greek society, but also offer something new: the opportunity to experience the richness of Hesiod's style, language, and modes of thought with remarkable fidelity to the ancient Greek. Weinfield and Schlegel make Hesiod sing."
--Carole Newlands, Classics Department, University of Wisconsin
"Schlegel and Weinfield have produced one of the most remarkable of a current resurgence oftranslations from the classics, allowing the modern world to hear a poet who may have known Homer. Hesiod's song makes us understand why the Greeks thought a poet could draw dolphins through the seas or raise the walls of Thebes. Weinfield translates by ear and transfers what he hears to the page, resonant "fourteeners," a worthy echo of the past."--Charles Stanley Ross, Professor, Department of English, and Director, Comparative Literature, PurdueUniversity
Catherine Schlegel is Associate Professor of Classics, University of Notre Dame. Henry Weinfield is Professor and Chair of Liberal Studies, University of Notre Dame, and translator of "The Collected Poems of Stephane Mallarme,"

Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art.

Percy Henry Winfield (1878-1953) was a renowned English lawyer, jurist and legal scholar. Originally published in 1921, this book was written as a supplement to Winfield's History of Conspiracy and Abuse of Legal Procedure (1921). The text includes detailed textual notes and indices. This is a highly informative book that will be of value to anyone with an interest in perspectives on the law of abuse of legal procedure.

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Yale Law LibraryLP3Y101380019230101The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926Boston; New York; Chicago: D. C. Heath & Co., c1923xix, 766 p.; 21 cmUnited States

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++York University Law School LibraryCTRG97-B2852Portions of this work appeared in the Law quarterly review. -- Cf. Author's pref., p. xvi. "Index of statutes": p. xxi]-xxii; "Index of year books": p. xxiii]-xxiv; "Index of cases": p. xxv]-xxvii.Cambridge Cambridgeshire]: University Press, 1921. xxvii, 219 p.; 24 cm

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Yale Law School LibraryCTRG98-B866This book is supplementary to the author's History of conspiracy and abuse of legal procedure, published this year by the Cambridge University Press in the series entitled Cambridge Studies in English Legal History."--Pref. Parts of this book were publiCambridge Engl.]: University Press, 1921. xix, 256 p.; 23 cm

Detailed historical account of the earlier known abuses of legal procedure

Detailed historical account of the earlier known abuses of legal procedure

Detailed historical account of the earlier known abuses of legal procedure

In 1982 William Bronk won the American Book Award for his book Life Supports: New & Collected Poems. Since then, he has written seven additional books, and Sagetrieb has devoted an entire issue to his work. Bronk is unquestionably a major poet--utterly original, uncompromisingly abstract in content, and deeply sensuous in form. Michael Heller, in The New York Times Book Review, said Bronk's poetry is "singularly persistent in its own investigation of how our deepest truths are those which are most unsayable." This volume spans Bronk's entire career, from his first book Light and Dark, to his most recent Some Words and The Mild Day (Talisman), which the Village Voice praised as "offering epigrammatic style, philosophical reverie, and haiku-like concision." Selected Poems is an indispensable collection, containing the most compelling and the most popular of Bronk's eloquent poems.