Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many "incidents." Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny - with a growing sense of unrest and distrust - starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old. 'I loved this book and couldn't put it down - a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master' Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well

'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I'm Thinking of Ending Things You think you know everything about your life. Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated. Until everything you think you know collapses. Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone. Who can you trust if you can't even trust yourself? As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all. An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget. *** Praise for FOE *** 'I couldn't put it down. It infected my dreams. A creepy and brilliant book' Zoe Whittall, author of The Best Kind of People 'The narrative is so eerie and disturbing... fuelling the reader's unease; Reid pulls off a wonderful twist in the tail' Guardian 'From the opening page, you'll have an uneasy feeling as you settle into Iain Reid's brilliant new novel.. A masterful and breathtakingly unique read. I can't stop thinking about it ' Amy Stuart, author of Still Mine and Still Water 'Spare, consuming, unforgettable. Foe is a dark arrow from a truly original mind. Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage's most haunting question: can I be replaced? This is a book that seeps into your bloodstream - and crowns Iain Reid the king of deadpan, philosophical horror' Claudia Dey, author of Heartbreaker 'Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today' - The Globe and Mail (Canada) 'Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy' - The Toronto Star

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.� Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old. ‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well  

Jake and his girlfriend are on a drive to visit his parents at their remote farm. After dinner at the family home, things begin to get worryingly strange. And when he leaves her stranded in a snowstorm at an abandoned high school later that night, what follows is a chilling exploration of psychological frailty and the limitations of reality.

Iain Reid's intense, suspenseful debut novel will have readers' nerves jangling. A series of tiny clues sprinkled through the relentlessly paced narrative culminate in a haunting twist on the final page.

Reminiscent of Michael Faber's Under the Skin, Stephen King's Misery and the novels of Jose Saramago, I'm Thinking of Ending Things is an astonishing and highly original literary thriller that grabs you from the start - and never lets go.

• Provides a practical and theoretically sound insight to the contemporary management of operations, stressing that creating value for stakeholders is key. • Focuses on important topics that comprise an important component of senior Operation Managers’ activities such as Business Intelligence: Technology, Industry 4.0, Managing Supply Networks and Improving Global Operations. • Reflects recent developments in Operations Management theory and practice by taking a reflective organizational perspective of the task of the Operations Manager. • Promotes an understanding of operations in an international context, linking operations decisions with topics such as business strategy, creating and sustaining value, supply chain management.

• Provides a practical and theoretically sound insight to the contemporary management of operations, stressing that creating value for stakeholders is key. • Focuses on important topics that comprise an important component of senior Operation Managers’ activities such as Business Intelligence: Technology, Industry 4.0, Managing Supply Networks and Improving Global Operations. • Reflects recent developments in Operations Management theory and practice by taking a reflective organizational perspective of the task of the Operations Manager. • Promotes an understanding of operations in an international context, linking operations decisions with topics such as business strategy, creating and sustaining value, supply chain management.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many "incidents." Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny - with a growing sense of unrest and distrust - starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old. 'I loved this book and couldn't put it down - a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master' Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well