This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.

This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.

With this issue, The Anomalist seeks to provide sudden jolts of illumination to spark the imagination. "Electricity of the Mind" is instant CPR for the head. Theo Paijmans mines the rich seam of digital newspaper archives to look at anomalies in a whole new way. Ulrich Magin ventures into a previously neglected corner of Earth Mysteries, taking us on a tour of out-of-place volcanoes across Europe. Dwight Whalen explores a forgotten tale of bizarre visions that brought vivid omens of World War I to the skies of Pennsylvania in 1914. Cameron Blount examines the implications of archaeological relics of Peru's mysterious Moche culture and what they might tell us about the neighboring Nazca culture. Mike Jay discusses Samuel Taylor Coleridge's lasting and deep interest in the supernatural. Bryan Williams, Annalisa Ventola, and Mike Wilson provide a basic primer for exploring temperature and magnetic fields in cases of haunting. Patrick Gyger uses the "Black Books" of Fribourg to understand the mindset behind witch trials in the late 15th Century. Aeolus Kephas looks at the similarities between two of the 20th Century's most popular and charismatic "literary shamen" Carlos Castaneda and Whitley Streiber. John Caddy seeks a common root behind the various biological energies not known to science on which many esoteric knowledge systems rely. Chris Payne takes a new mathematical approach in trying to determine whether there are still Thylacines out there. Mark Pilkington takes a look back into the prehistory of crop art and reveals a thought-provoking precursor from the movies. Gary Lachman shares his previously unpublished notes from his book "Politics and the Occult." Richard Wiseman, Professor of the Public Understanding of Psychology, recounts his discovery of the first ever film of a magic trick. Tim Cridland, whose stage name is Zamora the Torture King, takes a long, hard look at the career of leading skeptic James Randi.