After my last book, "Grandad Boats", I have been asked by a lot of fishermen to write another. But you only have one life, so you only have one story. But I have noticed that of all the books on the subject of fishing that I have read, the type of fishing that was done with the ropes was almost never mentioned. So with the help of the men that have been there and done that, I hope that I have now laid that to rest.

Many studies of digital education focus on technology rather than on the learners or on what they make and do with the devices they use every day. This book takes a different path, putting the learners and their lives at the heart of the narrative. Through an in-depth account of media production activities by younger learners it shows their motivations and dispositions in storying their identity in short video pieces. It suggests that their authoring and editing practices are examples of the new curatorship: the representation through life of identity and affiliation in digital media. It considers the implications of this for teaching and learning in the years to come and concludes with a manifesto for a future media education.

This book explores how we make sense of ourselves when work is precarious and intrinsically alienating. We know little about how this experience of work impacts the lives of men and women, and less about the way individuals understand themselves in the face of institutions and organizations from which they feel marginalized. Based on the narratives of men and women who underwent extraordinary work life changes, Crisis at Work examines how we negotiate greater meaning and fulfilment when our productive lives fail to sustain and satisfy. Reflecting a growing fracture between what we value, believe in, and are committed to and the degree to which work and career have become incapable of assuaging those desires, Potter examines how individuals attempt to assemble working-lives they find rich and rewarding and how that work is negotiated within the constraints and possibilities of the contemporary moment.

The BIRTH of HORROR In the early 19th century hundreds of tales of terror flooded the streets of London with horrific titles such as The Bleeding Nun, Cavern of Horrors, Skeleton Witness and The Bloody Hand and were derided as merely Gothic chapbooks or Literary Mushrooms by critics. To be specific chapbooks were a series of cheap publications inspired by the Gothic novels of Ann Radcliffe, Matthew Lewis and Horace Walpole (1764-1830). The popularity of these short 36-72 page booklets, distinguished by their blue covers, was immense. Often illustrated with garish illustrations these short tales were so popular that they were literally read to pieces by eager readers of all ages and social classes between 1800 and 1830. The Gothic chapbook and their tales of terror and horror are the great grandparents of the modern horror and comic books. While 100s of these tales of terror were originally published, only a few remain today To preserve these 200 year old tales we have resurrected 15 of the most sensational and horrific tales of Gothic terror of the early 19th century, combined them with 15 original horror comic art by Jordan Q. Hammer. The collection includes the following tales: The Midnight Embrace, The Cavern of Death, The Spectre of the Murdered Nun, The Horrible Revenge, Monster Made By Man, Subterraneous Passage, The Spectres, The Spectre of the Murdered Nun, The Wandering Spirit, The Spectre of the Black Forest Monkcliffe Abbey, Castle of Alvidaro, The Black Castle, Chateau de Montville, and Skeleton Witness

The four volumes of Game Equilibrium Models present applications of non-cooperative game theory. Problems of strategic interaction arising in biology, economics, political science and the social sciences in general are treated in 42 papers on a wide variety of subjects. Internationally known authors with backgrounds in various disciplines have contributed original research. The reader finds innovative modelling combined with advanced methods of analysis. The four volumes are the outcome of a research year at the Center for Interdisciplinary Studies of the University of Bielefeld. The close interaction of an international interdisciplinary group of researchers has produced an unusual collection of remarkable results of great interest for everybody who wants to be informed on the scope, potential, and future direction of work in applied game theory. Volume IV Social and Political Interaction contains game equilibrium models focussing on social and political interaction within communities or states or between states, i.e. national and international social and political interaction. Specific aspects of those interactions are modelled as non-cooperative games and their equilibria are analysed.

Connected Empires, Connected Worlds: Essays in Honour of John Darwin contains diverse essays on the expansion, experience, and decline of empires. The volume is offered in honour of John Darwin's contribution to the study of empire and its endings. Written by his former students and colleagues, the book's chapters discuss topics from the nineteenth, twentieth, and twenty-first centuries. While each author has contributed according to their expertise, they also reflect on how John's ideas and approaches continue to stimulate new work in disparate fields. Touching on the experience of empire in Europe, Africa, Asia and Australasia, the authors have engaged with concepts from across Darwin's writings, including his earlier work on decolonisation, 'decline', and 'the dynamics of territorial expansion'. As such, the work in this volume operates across a number of different scales of analysis: from case studies of transnational communities, state formation and military intervention, to imperial politics, inter-imperial comparison, and global historical frameworks. The chapters in this book were originally published as a special issue of The Journal of Imperial and Commonwealth History.

Broadcasting was born just as the British empire reached its greatest territorial extent, and matured while that empire began to unravel. Radio and television offered contemporaries the beguiling prospect that new technologies of mass communication might compensate for British imperial decline. In Broadcasting Empire, Simon J. Potter shows how, from the 1920s, the BBC used broadcasting to unite audiences at home with the British settler diaspora in Canada, Australia, New Zealand, and South Africa. High culture, royal ceremonial, sport, and even comedy were harnessed to this end, particularly on the BBC Empire Service, the predecessor of today's World Service. Belatedly, during the 1950s, the BBC also began to consider the role of broadcasting in Africa and Asia, as a means to encourage 'development' and to combat resistance to continued colonial rule. However, during the 1960s, as decolonization entered its final, accelerated phase, the BBC staged its own imperial retreat.
This is the first full-length, scholarly study to examine both the home and overseas aspects of the BBC's imperial mission. Drawing on new archival evidence, it demonstrates how the BBC's domestic and imperial roles, while seemingly distinct, in fact exerted a powerful influence over one another. Broadcasting Empire makes an important contribution to our understanding of the transnational history of broadcasting, emphasising geopolitical rivalries and tensions between British and American attempts to exert influence on the world's radio and television systems.

The book's main purposes are to determine what statistical and other information is needed to formulate both the objects and the means of government economic policy and then to ask what theoretical tools should be used in order to clarify the issues of economic policy. Inflationary gap analysis, national budgeting techniques and the theory of economic fluctuations are examined against the experience of a country in which they have been intelligently applied. The book gives a lively account of Swedish economic thinking and of the economic policy debates in Sweden since 1920, discusses the scope and limitations of national forecasting and budgeting and assesses the relative merits of general and detailed measures of economic policy.

As the British Isles slowly emerged from the Dark Ages, there was a procession of British kings whose rule was the driving force behind the emergence of a new national identity. During the Gothic centuries, England was ruled by three separate dynasties who, through the force of their personalities, asserted their feudal rights throughout the kingdom and secured their unchallenged dominance. Scotland was ruled by two dynasties, who defended the kingdom's borders against attacks by Norway and England and relentlessly pursued the unification of their realm by military might and diplomacy. The period is rich in readily recognizable names such as William the Conquerer, Richard the Lion Heart, and Robert Bruce. However, it also contains many lesser known leaders unjustly neglected by history, including Edward I and David I.This biographical history tells the story of 30 Gothic monarchs who fought in the crusades, enforced their feudal rights throughout the kingdom, sponsored the growth of representative government throughout the parliament, and ultimately created a military power that would dominate European affairs. In the process, the narrative recaptures the dramatic and chaotic span of the years between 1000 and 1400, when the great European monarchies were still in their formative stages. The book discusses the lives of 17 English and 13 Scottish kings in the context of their eras, discussing their achievements and failures, their relations with the Church and foreign powers, and their overall influence on the suppression of the nobility and the development of the monarchy as England's primary governing institution.

This book provides information on a statistical account and theoretical interpretation of Swedish business cycles since 1918 as well as a survey of the problems of economic policy, as revealed both in practice and in theoretical discussion, during the inter-war and post-war periods.

During the late nineteenth and early twentieth centuries, Britain, Canada, Australia, New Zealand, and South Africa were increasingly drawn together by an imperial press system. This is the first scholarly study of the development of that system. Simon J. Potter examines key debates during episodes such as the South African War and the First World War, and reveals the ambiguous impact of the system on local, national, and imperial identities.

During the Renaissance, the monarchy rose to become the dominant form of power in Europe. This dynamic epoch produced formidable sovereigns who crushed the feudal rights of nobles, defended the Catholic Church against the encroachments of the Protestant Reformation, fought self-aggrandizing wars, and were patrons of art, architecture, literature, and music. The period witnessed celebrated monarchs like Henry VIII, Elizabeth I, Francis I, and Charles V, as well as others who had a significant impact on European history, including Richard III, Isabella, and James IV. This biographical narrative chronicles the lives and reigns of the 42 sovereigns in England, Scotland, France, Spain, and the Holy Roman Empire between 1400 and 1600. Presented here in the context of their era are the personalities, the accomplishments, and the failures of these monarchs.

Fifteen years ago NATO organised a conference entitled 'Ocean Acoustic Modelling'. Many of its participants were again present at this variability workshop. One such participant. in concluding his 1975 paper, quoted the following from a 1972 literature survey: ' ... history presents a sad lack of communications between acousticians and oceanographers' Have we done any better in the last 15 years? We believe so, but only moderately. There is still a massive underdeveloped potential for acousticians and oceanographers to make significant progress together. Currently, the two camps talk together insufficiently even to avoid simple misun derstandings. such as those in Table 1. Table 1 Ocsanographic and acoustic jargon (from an idea by Pol/ardi Jargon Oceanographic use Acoustic use dbordB decibar (depth in m) decibel (energy level) PE primitive equations parabolic equations convergence zone converging currents converging rays (downwelling water) (high energy density) front thermohaline front wave, ray or time front speed water current speed sound propagation speed 1 The list goes on.

The four volumes of Game Equilibrium Models present applications of non-cooperative game theory. Problems of strategic interaction arising in biology, economics, political science and the social sciences in general are treated in 42 papers on a wide variety of subjects. Internationally known authors with backgrounds in various disciplines have contributed original research. The reader finds innovative modelling combined with advanced methods of analysis. The four volumes are the outcome of a research year at the Center for Interdisciplinary Studies of the University of Bielefeld. The close interaction of an international interdisciplinary group of researchers has produced an unusual collection of remarkable results of great interest for everybody who wants to be informed on the scope, potential, and future direction of work in applied game theory. Volume IV Social and Political Interaction contains game equilibrium models focussing on social and political interaction within communities or states or between states, i.e. national and international social and political interaction. Specific aspects of those interactions are modelled as non-cooperative games and their equilibria are analysed.

Drawing on research into autobiographical video production by young learners to present a theory of curatorship and new media, this work explores facets of literacy and identity theory which provided the initial frames for examining the work and shows how 'curatorship' works as a metaphor for new cultural and literacy practices.

In the hundredth year of the British Broadcasting Corporation, historian Simon J. Potter looks back over the hundred year history, asking if the BBC is really the 'voice of Britain', and what comes next for British public broadcasting. 2022 marks the centenary year of the British Broadcasting Corporation. As Britain's most famous and influential broadcaster, the BBC faces a range of significant challenges to the way it operates, and perhaps to its existence, from the government but also from a rapidly changing media environment. Historian Simon J. Potter explores the hundred year history of this corporation, drawing out the roots of these challenges and understanding how similar threats - hostile politicians and prime ministers, the advent of television - were met and overcome in the past. Potter poses the question 'Is the BBC the voice of Britain?', exploring its role in changing wider culture and society, promoting particular versions of British national identity, both at home and overseas. The BBC has long claimed to speak for the British people, to the British people, and with a British accent, and Potter explores how far these claims have been justified with this exciting new study which covers the establishment of the BBC Empire Service and the World Service, and focuses on people, programmes, and politics to understand the Corporation's engagement with changing ideas about culture and society in Britain, including issues of class, gender, and race.

The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history. Exploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.

During the 1920s and 1930s the new medium of radio broadcasting promised to transform society by fostering national unity and strengthening and popularising national cultures. However, many hoped that 'wireless' would also encourage international understanding and world peace. Intentionally or otherwise, wireless signals crossed borders, bringing talk, music, and news to enthusiastic 'distant listeners' in other countries. In Europe, radio was regulated through international consultation and cooperation, to restrict interference between stations, and to unleash the medium's full potential to carry programmes to global audiences. A distinctive form of 'wireless internationalism' emerged, reflecting and reinforcing the broader internationalist movement and establishing structures and approaches which endured into the Second World War, the Cold War, and beyond. This study reveals this untold history. Wireless Internationalism and Distant Listening also explores the neglected interwar experience of distant listening, revealing the prevalence of listening across borders and explaining how individuals struggled to overcome unwanted noise, tune in as many stations as possible, and comprehend and enjoy what they heard. The volume shows how radio brought the world to Britain, and Britain to the world. It revises our understanding of early BBC broadcasting and the BBC Empire Service (the precursor to today's World Service) and shows how government influence shaped early BBC international broadcasting in English, Arabic, Spanish, and Portuguese. It also explores the wider European and trans-Atlantic context, demonstrating how Fascism in Italy and Germany, the Spanish Civil War, and the Japanese invasion of China, combined to overturn the utopianism of the 1920s and usher in a new era of wireless nationalism.