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As Wallace Stevens once wrote, "a poem should be part of one's sense of life". This book provides a record of readerly and critical explorations of the poems and life of the American poet. The author reads Stevens's poems in the context of both the existing critical works and the commentaries provided by the poet himself (essays, letters, occasional notes and posthumous texts), and aims to prove that his artistic development was informed by two contradictory existential projects: teleological, based on Stevens's assumption of a higher self which in its turn helps to illuminate the meaning and dynamics of the actual existence, and critical, appearing at the very moment when one questions his or her identity and assumes life to be an open and unfinished process.
"Invisible is a teasing title for a collection of poetry. [Wallace] Stevens, with whose work Jacek Gutorow has a deep and sustained engagement, suggested in 'The Creations of Sound', that poems should 'make the visible a little hard / To see' [...] Both Gutorow and Stevens develop a poetic medium that maintains an oscillating dialectic between the seen and the unseen. The invisible operates not as an occlusion of reality, but as an aura saturating what is described; images are gently prised from the contexts of time and place and invested with a mysterious in-between life ..." - Mark Ford, from the Introduction to Invisible
Conformity and Resistance in America, a collection of thirty six essays from various fields of the U.S. studies, addresses the American culture as a space of fruitful tensions between the generally acknowledged canons and the projects that have questioned and subverted its very foundations and archives. The book seeks to give justice to those areas of American culture that traditionally used to be treated as marginal and negligible but which in fact have added up to its uniqueness. This includes various areas of American cultural and literary studies, gender and minority studies, themes of diasporic communities, multi-ethnic and multicultural society, problems of global economy and of competing worldwide ideologies. The papers included in this book try to answer pressing questions of the American identity in the post-9/11 world, and do so by pointing to the recent "humanities crisis" as well as revealing moments of heterogeneity and discontinuity in the making of any culture. Contrary to Samuel Huntington's dictum telling us of the inevitable "clash of civilizations," the following essays concentrate on what Edward W. Said called "humanism's sphere" - the sphere of antagonizing discourses and narratives which challenge rather than confirm the bases of their legitimacy. Wavering between conformity and resistance, the essays propose possible formulas for the new American identity as it strives to define and project itself into the new century.
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