Sex, Gender and Sexuality in Renaissance Italy explores the new directions being taken in the study of sex and gender in Italy from 1300 to 1700 and highlights the impact that recent scholarship has had in revealing innovative ways of approaching this subject. In this interdisciplinary volume, twelve scholars of history, literature, art history, and philosophy use a variety of both textual and visual sources to examine themes such as gender identities and dynamics, sexual transgression and sexual identities in leading Renaissance cities. It is divided into three sections, which work together to provide an overview of the influence of sex and gender in all aspects of Renaissance society from politics and religion to literature and art. Part I: Sex, Order, and Disorder deals with issues of law, religion, and violence in marital relationships; Part II: Sense and Sensuality in Sex and Gender considers gender in relation to the senses and emotions; and Part III: Visualizing Sexuality in Word and Image investigates gender, sexuality, and erotica in art and literature. Bringing to life this increasingly prominent area of historical study, Sex, Gender and Sexuality in Renaissance Italy is ideal for students of Renaissance Italy and early modern gender and sexuality.

Sex, Gender and Sexuality in Renaissance Italy explores the new directions being taken in the study of sex and gender in Italy from 1300 to 1700 and highlights the impact that recent scholarship has had in revealing innovative ways of approaching this subject. In this interdisciplinary volume, twelve scholars of history, literature, art history, and philosophy use a variety of both textual and visual sources to examine themes such as gender identities and dynamics, sexual transgression and sexual identities in leading Renaissance cities. It is divided into three sections, which work together to provide an overview of the influence of sex and gender in all aspects of Renaissance society from politics and religion to literature and art. Part I: Sex, Order, and Disorder deals with issues of law, religion, and violence in marital relationships; Part II: Sense and Sensuality in Sex and Gender considers gender in relation to the senses and emotions; and Part III: Visualizing Sexuality in Word and Image investigates gender, sexuality, and erotica in art and literature. Bringing to life this increasingly prominent area of historical study, Sex, Gender and Sexuality in Renaissance Italy is ideal for students of Renaissance Italy and early modern gender and sexuality.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

This book takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

For 50 years, civilians have avoided hearing about the controversial experiences of Vietnam veterans, many of whom suffer through post-traumatic stress alone. Through interviews conducted with 17 soldiers, this book shares the stories of those who have been silenced. These men and women tell us about life before and after the war. They candidly share stories of 40 plus years lived on the "edge of the knife" and many wonder what their lives would be like if they had come home to praise and parades. They offer their tragedies and successes to newer veterans as choices to be made or rejected.

Penance and confession were an integral part of medieval religious life; essays explore literary evidence. Penance, confession and their texts (penitential and confessors' manuals) are important topics for an understanding of the middle ages, in relation to a wide range of issues, from medieval social thought to Chaucer's background. These essays treat a variety of different aspects of the topic: subjects include the frequency and character of early medieval penance; the summae and manuals for confessors, and the ways in which these texts (written by males for males) constructed women as sexual in nature; William of Auvergne's remarkable writing on penance; and the relevance of confessors' manuals for demographic history. JOHN BALDWIN's major study "From the Ordeal to Confession", delivered as a Quodlibet lecture, traces the appearance in French romances of the themes of a penitent's contrition, the priest's job in listening, and the application of the spiritual conseil and penitence. PETER BILLER is Professor of Medieval History at the University of York; A.J. MINNIS is Douglas Tracy Smith Professor of English, Yale University. Contributors: PETER BILLER, ROB MEENS, ALEXANDER MURRAY, JACQUELINE MURRAY, LESLEY SMITH, MICHAEL HAREN, JOHN BALDWIN

Penance and confession were an integral part of medieval religious life; essays explore literary evidence. Penance, confession and their texts (penitential and confessors' manuals) are important topics for an understanding of the middle ages, in relation to a wide range of issues, from medieval social thought to Chaucer's background. These essays treat a variety of different aspects of the topic: subjects include the frequency and character of early medieval penance; the summae and manuals for confessors, and the ways in which these texts (written by males for males) constructed women as sexual in nature; William of Auvergne's remarkable writing on penance; and the relevance of confessors' manuals for demographic history. JOHN BALDWIN's major study `From the Ordeal to Confession', delivered as a Quodlibet lecture, traces the appearance in French romances of the themes of a penitent's contrition, the priest's job in listening, and the application of the spiritual conseil and penitence. PETER BILLER is Professor of Medieval History at the University of York; A.J. MINNIS is Douglas Tracy Smith Professor of English, Yale University. Contributors: PETER BILLER, ROB MEENS, ALEXANDER MURRAY, JACQUELINE MURRAY, LESLEY SMITH, MICHAEL HAREN, JOHN BALDWIN

First published in 1548, On the Beauty of Women purports to record two conversations shared by a young gentleman, Celso, and four ladies of the upper bourgeoisie in the vicinity of Florence. One afternoon Celso and the ladies consider universal beauty. On a subsequent evening, they attempt to fashion a composite picture of perfect beauty by combining the beautiful features of women they know. The standards of beauty established in the garden give way to the artistic, creative imagination of the human spirit, and the group's movement from garden to hall seems to echo the dialogue's movement from Nature to Art, from divinely to humanly created beauty. Konrad Eisenbichler and Jacqueline Murray have provided the first translation into English of Firenzuola's dialogue since the nineteenth century. In their introduction, they argue that Firenzuola's work presents a useful point of entry into the society and values of the mid-sixteenth century. In its discussion of beauty, the dialogue reveals the intersection of Neoplantonic philosophy and mathematically based artistic theory, both inherited from classical antiquity. Indeed, Firenzuola's treatise has been assessed as one of the most significant expositions of Renaissance aesthetics.

This reader of primary sources focuses on the burgeoning field of the medieval family. While much of what it means to be in love, or to marry, or to be part of a family has remained consistent over the past two millennia, dramatic changes have also taken place. "Love, Marriage, and Family in the Middle Ages" now allows readers a vivid sense of what these issues, which make up so much of daily life, meant to those in the Middle Ages.