Assesses the relevance of the works of Fontane, perhaps the foremost German novelist between Goethe and Mann, for the twenty-first century. Theodor Fontane remains a canonical figure in German literature, the most important representative of poetic realism, and likely the best German-language novelist between Goethe and Mann, yet scholarly attention to his works oftenlags behind his stature, at least in the English-speaking academy. This volume, coinciding with Fontane's 200th birthday in 2019, assesses the relevance of his works for us today and also draws attention to the most current English-language research. Much has changed in the last two decades in critical theory, and the volume highlights how new methodological approaches and new archival research can update our understanding of Fontane's works. Although his novels are famously rooted in the details of quotidian life in nineteenth-century Germany, they also reflect larger historical transformations that resonate with our world today (e.g., financial crisis, class conflict, changing gender roles, and migration) and so speak to contemporary critical interests. The volume's contributors draw on literary and cultural studies approaches including gender and sexuality studies, emotion studies, transnationalismand globalization, media and visual studies, rhetorical criticism, paratextual criticism, and digital humanities. Their contributions survey a wide range of Fontane's literary production in order to speak to both German and non-German audiences in the twenty-first century. Contributors: James N. Bade, Russell A. Berman, Katharina Adeline Engler-Coldren, Todd Kontje, John B. Lyon, Ervin Malakaj, Nicolas von Passavant, Lynne Tatlock, Christian Thomas, Brian Tucker, Michael J. White, Holly A. Yanacek. John B. Lyon is Professor of German at the University of Pittsburgh. Brian Tucker is Associate Professor of German at Wabash College.

This volume is an annotated edition of Frida Peemuller's memoirs of her time in German Samoa from 1910 to 1920. In her memoirs Frida Peemuller gives us a unique insight into what was happening in Samoa under the last years of the German administration, under New Zealand occupation during World War I, and in Germany itself at the outbreak of war, as she had returned to Germany in 1914 and was one of the very few Germans whom the New Zealand authorities permitted to re-enter Samoa. Her memoirs also give us a remarkable perspective on life in Aden in the early twentieth century, as it was on the ship returning her to her job with the American Consul in Aden that she met her future husband, the Samoan plantation owner Barnim Peemuller. The years they spent together on his Ululoloa plantation were to be, as she writes, the best years of their lives, as in 1920 they were repatriated by the New Zealand authorities back to a Germany that bore little resemblance to the country they remembered.

Germans in Tonga is the culmination of an eight-year research project in which the author and his team of researchers gathered biographical material on Germans in Tonga. There are four main sources: the British Consul Tonga files, held in the Western Pacific Archives of the University of Auckland Library Special Collections; the Defence Department Enemy Aliens files and Aliens Records held at Archives New Zealand in Wellington; the Archives of the German Foreign Office (Auswartiges Amt) in Berlin; and the Ministry of Justice Archives in Nuku'alofa, Tonga. The volume contains short biographies of over 350 Germans in Tonga born over a 110-year period between 1822 and 1932 and features an introduction by the author on the historical background to the German connection with Tonga.

Karl Hanssen's memoirs provide an invaluable outsider's view of life in New Zealand prisons and a unique perspective on German Samoa under New Zealand occupation. In October 1915, Hanssen, manager of the DHPG, a large German copra production company, was sent from Samoa to New Zealand to serve a six-month sentence imposed by a New Zealand military court for bypassing war censorship regulations. He served his sentence in a number of prisons in New Zealand, including two months in the high-security prison, Mt Eden. Hanssen's memoirs - in English translation and in the original German - are made available for the first time in this edition, which also features photos from his Samoan album and a comprehensive introduction by Bronwyn Chapman on the historical and political background.

Frankfurt/M., Berlin, Bern, Bruxelles, New York, Oxford, Wien. Over the past decade more than 200 Swiss have settled in New Zealand each year, with the number of registered Swiss New Zealanders now totalling some 6000. Yet, to date, very little research has been done on Swiss migration to New Zealand. One-Way Ticket to New Zealand presents the available material on early contacts between Switzerland and New Zealand. These include John Webber, Captain Cook's artist, who was almost certainly the first Swiss to set foot in New Zealand, in the year 1777, as well as early settlers like Felix Hunger, who established himself as a blacksmith in Taranaki and then returned to the Swiss canton of Graubunden to fetch further settlers. The study focuses particularly on immigration after the Second World War, and tells the stories of individual Swiss who have settled in New Zealand during this period. They include a deer farmer, a successful novelist, a travel agent, a restaurant owner, a homesick Ticinese and a professional drummer. Based on detailed interviews with Swiss living in New Zealand, it examines their reasons for leaving Switzerland and for choosing New Zealand, and explores the extent to which they have integrated into New Zealand society. It also presents and analyses data on immigration after the Second World War, taken from both census and Swiss Embassy sources. Contents: Migration - Swiss migration - Switzerland - New Zealand.