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This volume is an annotated edition of Frida Peemuller's memoirs of
her time in German Samoa from 1910 to 1920. In her memoirs Frida
Peemuller gives us a unique insight into what was happening in
Samoa under the last years of the German administration, under New
Zealand occupation during World War I, and in Germany itself at the
outbreak of war, as she had returned to Germany in 1914 and was one
of the very few Germans whom the New Zealand authorities permitted
to re-enter Samoa. Her memoirs also give us a remarkable
perspective on life in Aden in the early twentieth century, as it
was on the ship returning her to her job with the American Consul
in Aden that she met her future husband, the Samoan plantation
owner Barnim Peemuller. The years they spent together on his
Ululoloa plantation were to be, as she writes, the best years of
their lives, as in 1920 they were repatriated by the New Zealand
authorities back to a Germany that bore little resemblance to the
country they remembered.
Germans in Tonga is the culmination of an eight-year research
project in which the author and his team of researchers gathered
biographical material on Germans in Tonga. There are four main
sources: the British Consul Tonga files, held in the Western
Pacific Archives of the University of Auckland Library Special
Collections; the Defence Department Enemy Aliens files and Aliens
Records held at Archives New Zealand in Wellington; the Archives of
the German Foreign Office (Auswartiges Amt) in Berlin; and the
Ministry of Justice Archives in Nuku'alofa, Tonga. The volume
contains short biographies of over 350 Germans in Tonga born over a
110-year period between 1822 and 1932 and features an introduction
by the author on the historical background to the German connection
with Tonga.
Assesses the relevance of the works of Fontane, perhaps the
foremost German novelist between Goethe and Mann, for the
twenty-first century. Theodor Fontane remains a canonical figure in
German literature, the most important representative of poetic
realism, and likely the best German-language novelist between
Goethe and Mann, yet scholarly attention to his works oftenlags
behind his stature, at least in the English-speaking academy. This
volume, coinciding with Fontane's 200th birthday in 2019, assesses
the relevance of his works for us today and also draws attention to
the most current English-language research. Much has changed in the
last two decades in critical theory, and the volume highlights how
new methodological approaches and new archival research can update
our understanding of Fontane's works. Although his novels are
famously rooted in the details of quotidian life in
nineteenth-century Germany, they also reflect larger historical
transformations that resonate with our world today (e.g., financial
crisis, class conflict, changing gender roles, and migration) and
so speak to contemporary critical interests. The volume's
contributors draw on literary and cultural studies approaches
including gender and sexuality studies, emotion studies,
transnationalismand globalization, media and visual studies,
rhetorical criticism, paratextual criticism, and digital
humanities. Their contributions survey a wide range of Fontane's
literary production in order to speak to both German and non-German
audiences in the twenty-first century. Contributors: James N. Bade,
Russell A. Berman, Katharina Adeline Engler-Coldren, Todd Kontje,
John B. Lyon, Ervin Malakaj, Nicolas von Passavant, Lynne Tatlock,
Christian Thomas, Brian Tucker, Michael J. White, Holly A. Yanacek.
John B. Lyon is Professor of German at the University of
Pittsburgh. Brian Tucker is Associate Professor of German at Wabash
College.
Karl Hanssen's memoirs provide an invaluable outsider's view of
life in New Zealand prisons and a unique perspective on German
Samoa under New Zealand occupation. In October 1915, Hanssen,
manager of the DHPG, a large German copra production company, was
sent from Samoa to New Zealand to serve a six-month sentence
imposed by a New Zealand military court for bypassing war
censorship regulations. He served his sentence in a number of
prisons in New Zealand, including two months in the high-security
prison, Mt Eden. Hanssen's memoirs - in English translation and in
the original German - are made available for the first time in this
edition, which also features photos from his Samoan album and a
comprehensive introduction by Bronwyn Chapman on the historical and
political background.
Frankfurt/M., Berlin, Bern, Bruxelles, New York, Oxford, Wien. Over
the past decade more than 200 Swiss have settled in New Zealand
each year, with the number of registered Swiss New Zealanders now
totalling some 6000. Yet, to date, very little research has been
done on Swiss migration to New Zealand. One-Way Ticket to New
Zealand presents the available material on early contacts between
Switzerland and New Zealand. These include John Webber, Captain
Cook's artist, who was almost certainly the first Swiss to set foot
in New Zealand, in the year 1777, as well as early settlers like
Felix Hunger, who established himself as a blacksmith in Taranaki
and then returned to the Swiss canton of Graubunden to fetch
further settlers. The study focuses particularly on immigration
after the Second World War, and tells the stories of individual
Swiss who have settled in New Zealand during this period. They
include a deer farmer, a successful novelist, a travel agent, a
restaurant owner, a homesick Ticinese and a professional drummer.
Based on detailed interviews with Swiss living in New Zealand, it
examines their reasons for leaving Switzerland and for choosing New
Zealand, and explores the extent to which they have integrated into
New Zealand society. It also presents and analyses data on
immigration after the Second World War, taken from both census and
Swiss Embassy sources. Contents: Migration - Swiss migration -
Switzerland - New Zealand.
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