On their debut, The Clash famously claimed to be "bored with the USA," but The Clash wasn't a parochial record. Mick Jones' licks on songs such as "Hate and War" were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit "Police and Thieves" showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.

The essays in this collection address the current preoccupation with neurological conditions and disorders in contemporary literature by British and American writers. The book places these fictional treatments within a broader cultural and historical context, exploring such topics as the two cultures debate, the neurological turn, postmodernism and the post-postmodern, and responses to September 11th. Considering a variety of materials including mainstream literary fiction, the graphic novel, popular fiction, autobiographical writing, film, and television, contributors consider the contemporary dimensions of the interface between the sciences and humanities, developing the debate about the post-postmodern as a new humanism or a return to realism and investigating questions of form and genre, and of literary continuities and discontinuities. Further, the essays discuss contemporary writers' attempts to engage the relation between the individual and the social, looking at the relation between the "syndrome syndrome" (referring to the prevalence in contemporary literature of neurological phenomena evident at the biological level) and existing work in the field of trauma studies (where explanations tend to have taken a psychoanalytical form), allowing for perspectives that question some of the assumptions that have marked both these fields. The current literary preoccupation with neurological conditions presents us with a new and distinctive form of trauma literature, one concerned less with psychoanalysis than with the physical and evolutionary status of human beings.

In 2016, Edith Turner passed away. She left behind an intellectual legacy that, together with her husband, Victor Turner, transformed modern anthropology. This edited collection focuses on Victor and Edith Turner's significant theoretical contributions, including their work on communitas, liminality, pilgrimage, friendship, fieldwork, self-reflection, affective culture, religion, spirits, and faith. This collection includes retrospectives on the personal lives of Edith and Victor, as provided by their son; a close look at Edith's work on last rites, for which she studied and contemplated her own demise; an examination of Edith's faith and belief system in light of her personal research interests; and contemporary applications of the Turners's theories in relation to modern social processes. Contributors touch on a variety of topics, including current political upheavals and inversions, the values of friendship and bonding, the importance of music as affective culture, jazz as a pilgrimage, and deeper theoretical issues surrounding the concept of liminality. This work illustrates the Turners' enduring theoretical and affective contributions and emphasizes the great importance they placed on studying and understanding what it means to be human. We continue to learn from their example.

Understanding Paul Auster is a comprehensive companion to the work of a writer who effectively balances a particular combination of Jewish American identity and European sensibility across an impressive breadth of novels, screenplays, essays, and poetry. James Peacock views Auster as chiefly concerned with the individual's problematic relationship with language, a theme present from the enigmatic poetry of Auster's early career to the more inclusive and optimistic imaginings of the films Smoke and Blue in the Face and the novels Timbuktu, The Brooklyn Follies, and Man in the Dark. Peacock's study maps the evolution of Auster's fiction and its forms, goals, and influences. Peacock argues that the key event for any Auster character is the realization that language should not be restricted to documenting reality but should instead be embraced for its metaphorical qualities and constantly shifting nature. Peacock finds in Auster a view of language as inherently ethical and communal because, to use language creatively, one must be immersed in the plurality of experience and listen to the voices of others. In celebrated works such as The Invention of Solitude and The New York Trilogy, these voices include Auster's literary antecedents. Increasingly in his recent work, however, they include those of ordinary people. Peacock suggests that in the aftermath of 9/11, much of Auster's fiction places even greater importance on sympathetic relations with ordinary individuals and advocates through artistic endeavors the merits of connecting with others.

Twenty-three papers review recent advances in experimental studies on microorganisms, plants and animals. They are taken from a symposium organized at Cologne University, in April 1983 by the Committee on Genetic Experimentation (COGENE), a scientific committee of the International Council of Scientific Unions.

The productivity of agricultural systems is the result of human alteration of originally wild organisms over millennia. The availability of germplasm, particularly from wild relatives of crop plants, is vitally important in the development of new and improved crops for both agriculture and horticulture. The handling of these genetic resources for both immediate and future human benefits has resulted in the decades of interdisciplinary scientific research described in this book. The applications of this work and the associated operational programmes in all parts of the world are discussed in the light of their impact on the conservation of biodiversity, ecosystem rehabilitation and the future health of our planet.

Twenty-three papers review recent advances in experimental studies on microorganisms, plants and animals. They are taken from a symposium organized at Cologne University, in April 1983 by the Committee on Genetic Experimentation (COGENE), a scientific committee of the International Council of Scientific Unions.

The productivity of agricultural systems is the result of human alteration of originally wild organisms over millennia. The availability of germplasm, particularly from wild relatives of crop plants, is vitally important in the development of new and improved crops for both agriculture and horticulture. The handling of these genetic resources for both immediate and future human benefits has resulted in the decades of interdisciplinary scientific research described in this book. The applications of this work and the associated operational programmes in all parts of the world are discussed in the light of their impact on the conservation of biodiversity, ecosystem rehabilitation and the future health of our planet.

On their debut, The Clash famously claimed to be "bored with the USA," but The Clash wasn't a parochial record. Mick Jones' licks on songs such as "Hate and War" were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit "Police and Thieves" showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.

Vast and diverse, Brooklyn is often portrayed in literature as a place of traditional community values and face-to-face relations, distinct from anonymous, capital-driven Manhattan. Brooklyn Fictions discovers what such representations of the New York borough can teach us about diversity and the individual, the local and the global. Combining analysis of popular texts such as Sister Souljah's The Coldest Winter Ever with more canonical novels such as Jonathan Lethem's The Fortress of Solitude, this study draws on the work of a variety of theorists on community and globalization and uses Brooklyn as a case study for an exploration of the complex relationship between romantic ideals of community and global economic forces. With cites often depicted as sites of conflict and fear, this is a crucial contribution to our understanding of the contemporary urban community and the ethical issues involved in conceptualizing and portraying it in literature.

It is the bleak winter of 1956: The East End of London. An icy wind blows across the yard of the St. Barnabas Children's Home. New boy Ronnie Cable is taking a beating, but to his rescue comes Jimmy DuCaine, a boy with a mysterious past. As firm friends Jimmy and Ronnie survive the brutality of the children's home and pass through into a seedy world of coffee bars, rock and roll and crime. But rising above their humble beginnings to form a partnership and their own construction business, they begin to realise that their struggle has only just begun. For if they are to rebuild the city they love, they must first destroy the toughest adversary of their lives: Gangland London. Towers of London. A story of good and evil, of love and hate, of the realisation of dreams and the discovery of true friendship.

A girl is missing in a Suffolk seaside town, and to crime writer Max Monday it all seems worryingly familiar. For one summer back in the 1970's, a serial killer struck in the same area, claiming six young lives. Could it be that the same man has struck again? And if so where will he stop? For when the missing girl is found dead it looks like history is set to repeat itself, though this time more shocking and disturbing than ever before. From the shortlisted author of the Crime Writers' Association Debut Dagger Award and the Harry Bowling Prize for fiction. A superb writer. Slingink Publishing

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Proposals For A Magnificent And Interesting Establishment James Peacock Printed for the author, and sold by J. Bew, 1790 Social Science; Poverty; Poor; Social Science / Poverty

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Superior Politics In Fragments Shreds And Palches James Peacock

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT042870Postscript dated 1791. Proposal for employment of the poor. A resetting of T042869, in this edition catchword on recto of A2: every.London: printed for the author, and sold by J. Bew, 1790 1791]. 31, 1]p.; 8

Jonathan Lethem is the first full-length study dedicated to the work of an exciting, genre-busting contemporary writer with an increasingly high profile in American literature. Examining all of Lethem's novels, as well as a number of his short fictions, essays and critical works, this study shows how the author's prolific output, his restlessness and his desire always to be subverting literary forms and genres are consistent with his interest in subcultural identities. The human need to break off into small groupings, subcultures or miniature utopias is mirrored in the critical tendency to enforce generic boundaries. To break down the boundaries between genres, then, is partly to make a nonsense of critical distinctions between 'high' and 'low' literature, and partly to reflect the wider need to recognize difference, to appreciate that other people, no matter how outlandish and alien they may appear, share similar desires, experiences and problems. With this in mind, James Peacock argues that Lethem's experiments with genre are not merely games or elaborate literary jokes, but ethical necessities, particularly when viewed in the light of the losses and traumas that shadow all of his writing. *Jonathan Lethem* therefore makes an important contribution not just to Lethem studies, but also to debates about genre and its position in postmodern or 'post-postmodern' literature. It will be of interest to all scholars and students of contemporary American writing, as well as those interested in genre fiction and literature's relationship with subcultures.

Vast and diverse, Brooklyn appears in literature as a neighbourly place of traditional community values, distinct from the modernizing Manhattan. Brooklyn Fictions discovers what these literary representations of the New York borough can teach us about diversity and the individual, the local and the global.Combining analysis of popular texts such as Prospect Park West with more canonical novels like The Fortress of Solitude, this study draws on theories by Zygmunt Bauman and Anthony Cohen to explain how portraying Brooklyn as set of imagined ideals and nostalgic notions of community not only addresses concerns but meets the needs of isolated individuals in a global age.Brooklyn Fictions answers pressing questions about what it means to live in an urban region of a globalized world and whether ideals of neighbourliness and community can still be upheld. With cites depicted as sites of conflict and fear, this is a crucial contribution to our understating of the contemporary urban community and the ethical issues involved in conceptualizing and portraying it in literature.